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9 articles
Exhibition Review
Federico Barocci Urbino: L’emozione della pittura moderna
09/2024 | 1458 | 166
Pages: 956-9
related names
Reviewer:
Pierguidi, Stefano (Pierguidi, Stefano)
Subjects
dates:
Reviewed Items
subjects:
Federico Barocci Urbino: L’emozione della pittura moderna Palazzo Ducale, Urbino 20th June–6th October | :
Illustrations
Attributed works:
14. Deposition, by Federico Barocci. 1567–69. Oil on canvas, 412 by 232 cm. (Cathedral of Perugia; exh. Palazzo Ducale, Urbino).
Attributed works:
15. Presentation of the Virgin to the Temple, by Federico Barocci. 1593–1603. Oil on canvas, 381 by 284 cm. (S. Maria in Vallicella, Rome; exh. Palazzo Ducale, Urbino).
Attributed works:
16. Study of a cat, by Federico Barocci. c.1582– 84. Red and black chalk on paper, 11.5 by 14.6 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Ducale, Urbino).
Article
A set of ebony and ivory inlaid furniture for the Duke of Urbino
06/2022 | 1431 | 164
Pages: 546-557
related names
Author:
Tavella, Mario (Tavella, Mario)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The studiolo shown in Fig.2 and the credenza shown in Fig.9 reunited. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
10. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi, c.1599, incorporated into a base made c.1656–67. Ebony inlaid with ivory, 25 by 35 cm. (Private collection).
Attributed works:
11. The studiolo shown in Fig.2 and the credenza shown in Fig.9. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
12. The credenza shown in Fig.9 opened.
Attributed works:
13. The credenza on the base, as it appeared at auction in Belgium in 1951. The base is in a private collection.
Attributed works:
14. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599, altered to include the grand ducal crown and incorporated into the top of the prie-dieu shown in Fig.8, c.1656–67. Ebony inlaid with ivory, 32 by 57 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
15. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, in a giltwood frame, 28.5 by 39 cm. (Private collection).
Attributed works:
2. Studiolo with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 67 by 73 by 45 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
3. The studiolo shown in Fig.2 opened. (Galleria Nazionale delle Marche, Urbino. Photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
4. Francesco Maria II della Rovere, Duke of Urbino, by Giorgio Picchi. c.1590. Oil on canvas, 130 by 97 cm. (Altomani & Sons, Pesaro).
Attributed works:
5. Top of the table shown in Fig.6. Ebony inlaid with ivory, 83 by 133 cm. (Private collection; © Sotheby’s).
Attributed works:
6. Table, attributed to Giorgio Tedesco and Giulio Lupi. c.1596–97. Ebony inlaid with ivory, 83 by 133 by 83 cm. (Private collection; © Sotheby’s).
Attributed works:
7. Detail of the hinged panel on the top of the studiolo shown in Fig.2. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
8. Prie-dieu. Florence, c.1656–67, incorporating panels attributed to Giorgio Tedesco and Giulio Lupi, c.1599. Ebony inlaid with ivory, 92 by 74 by 80 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
9. Credenza with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 74.5 by 72 by 46 cm. (Private collection, on loan to the Galleria Nazionale delle Marche, Urbino).
Exhibition Review
Federico da Montefeltro’s studiolo
10/2015 | 1351 | 157
Pages: 730-731
related names
Reviewer:
Dabell, Frank (Dabell, Frank)
Subjects
dates:
places:
Illustrations
Attributed works:
67. Euclid, attributed to Justus of Ghent and Pedro Berruguete. 1470s (Galleria Nazionale delle Marche, Urbino; exh. Palazzo Ducale, Urbino)
Attributed works:
68. Vittorino da Feltre, attributed to Justus of Ghent and Pedro Berruguete. 1470s (Musée du Louvre, Paris; exh. Palazzo Ducale, Urbino)
Western art unattributed:
66. Studiolo of Federico da Montefeltro, with paintings as reassembled for 2015 exhibition. 1470s (Palazzo Ducale, Urbino)
Exhibition Review
The ideal Renaissance city. Urbino
07/2012 | 1312 | 154
Pages: 514-515
related names
Reviewer:
Dabell, Frank (Dabell, Frank)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
La Città Ideale. L’utopia del Rinascimento a Urbino tra Piero della Francesca e Raffaello | institution: Galleria Nazionale delle Marche, Palazzo Ducale
Illustrations
Attributed works:
56. Miracle of St Zenobius, by Domenico Veneziano. 1442–48. Panel, 28.6 by 32.5 cm. (Fitzwilliam Mus­eum, Cambridge; exh. Galleria Nazionale delle Marche, Urbino).
Western art unattributed:
57. An ideal city, by a Central Italian painter. c.1480–90. Panel, 67.7 by 239.4 cm. (Galleria Nazionale delle Marche, Urbino).
Western art unattributed:
58. An ideal city, by a Central Italian painter. c.1480–90. Panel, 80.3 by 220 cm. (Walters Art Museum, Baltimore; exh. Galleria Nazionale delle Marche, Urbino).
Western art unattributed:
59. Detail of doors showing a view of an ideal city. After 1474. Walnut intarsia, 298 by 164 cm. overall. (Galleria Nazionale delle Marche, Urbino).
Exhibition Review
The Della Rovere. Urbino and elsewhere
08/2004 | 1217 | 146
Pages: 570
related names
Reviewer:
Eiche, Sabine (Eiche, Sabine)
Subjects
dates:
places:
Reviewed Items
subjects:
I Della Rovere | institution: Palazzo del Duca , institution: Palazzo Ducale , institution: Palazzo Ducale , institution: Palazzo Ducale
Illustrations
Attributed works:
90. Portrait of Francesco Maria della Rovere, by Federico Barocci. 1572. 113 by 93 cm. (Galleria degli Uffizi, Florence; exh. Palazzo Ducale, Urbania).
Attributed works:
91. Hilly landscape with marine background. by Gherardo Cibo. Pen and brown ink, with brown wash, biacca and red gouache, 18.6 by 28.3 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence; exh. Palazzo Ducale, Urbania).
Western art unattributed:
88. Burial clothes of Giulio della Rovere. Urbino, 1578. Silk, c.160 cm. long. (Galleria Nazionale delle Marche, Urbino, on deposit from S. Chiara, Urbino; exh. Palazzo Ducale, Urbino).
Western art unattributed:
89. 'Idolino'. Roman. Bronze, 150 cm. high. (Museo Nazionale Archeologico, Florence; exh. Palazzo Ducale, Pesaro).
Short Notice
Pintoricchio, Perugino or the Young Raphael? A Problem of Connoisseurship
02/1983 | 959 | 125
Pages: 86-89
related names
Author:
Ferino-Pagden, Sylvia (Ferino-Pagden, Sylvia; Ferino Pagden, Sylvia)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
27. Study of a Woman, by Perugino or Raphael? Pen and Ink, 16.3 by 12 cm. (N. 366 E r, Uffizi, Florence).
Attributed works:
28. Compositional Sketch for the Nativity of the Virgin (Part of the Predella of the Fano Altar-Piece). Pen and Ink, 16.3 by 12 cm. (N. 366 E v, Uffizi, Florence). By Perugino or Raphael?
Attributed works:
29. Study of a Woman, by Perugino or Raphael? Pen and Ink, 17.3 by 10.2 cm. (N. 368 E r, Uffizi, Florence).
Attributed works:
30. Figural Sketches, by Perugino or Raphael? Pen and Ink, 17.3 by 10.2 cm. (N. 368 E v, Uffizi, Florence).
Attributed works:
31. Nativity of the Virgin (Part of the Predella of the Fano Altar-Piece, by Perugino. Panel, Height 28 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
32. Study for the Cumaean Sybil, by Perugino. Pen and Ink, 20.3 by 8.6 cm. (N. 399 E, Uffizi, Florence).
Attributed works:
33. Compositional Sketch for the Altar-Piece of the Coronation of St Nicolas of Tolentino, by Raphael. (N. Pl. 474-475, Musée des Beaux-Arts, Lille).
Exhibition Review
Current and Forthcoming Exhibitions: Restorations in the Marches
04/1974 | 853 | 116
Pages: 229-233
related names
Reviewer:
Vertova, Luisa (Vertova, Luisa; Vertova, Luisa Felicita)
Subjects
dates:
places:
Illustrations
Attributed works:
87. Madonna Della Palma, Attributed to Raphael and Assistant. Before Restoration. Panel, 33 by 22.4 cm. (Galleria Nazionale Delle Marche, Urbino; Exh. Urbino, No. 72).
Attributed works:
88. The Madonna Illustrated in Fig. 87, after Restoration.
Attributed works:
89. The Pregnant Virgin of the Annunciation, by Giuliano da Rimini. Detached Fresco. (S. Francesco, Fermo; Exh. Urbino, No. 12).
Attributed works:
90. Detail from Annunciation, by Carlo da Camerino. 1400-10. Detached Fresco. (S. Agostino, Recanati; Exh. Urbino, No. 20.)
Attributed works:
91. Detail from Crucifixion, by Girolamo di Giovanni da Camerino. During Restoration. Panel, 167 by 98.5 cm. (Parish Church of Castelvenanzio, Serrapetrona; Exh. Urbino, No. 55.)
Attributed works:
92. Detail from Triptych of Crucifixion, by Francesco di Gentile da Fabriano. (Museo Piersanti, Matelica; Exh. Urbino, No. 36.)
Attributed works:
93. Head of Madonna, by Luca Della Robbia. From Lunette. c.1450. (Entrance, S. Domenico, Urbino; Exh. Urbino, No. 53).
Attributed works:
94. S. Filippo Neri Saves the Life of Cardinal Orsini (Later Pope Benedict XIII) during an Earthquake, by Pier Leone Ghezzi. c.1728. Canvas, 173 by 173 cm. (S. Filippo, Matelica; Exh. Urbino, No. 132.)
Article
The Baltimore and Urbino Panels: Cosimo Rosselli
07/1968 | 784 | 110
Pages: 376-381+383
related names
Author:
Saalman, Howard (Saalman, Howard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Detail of Assumption of the Virgin by Cosimo Rosselli. Panel. (Collection Mrs Carl Winter, London.)
Attributed works:
11. Detail of Triumph of Chastity, from the Circle of Cosimo Rosselli. Panel. (Galleria Sabauda, Turin.)
Attributed works:
12. Detail of the Panel Reproduced in Fig.3.
Attributed works:
13. Detail of Combat of Love and Chastity, from the Circle of Cosimo Rosselli. Panel. (National Gallery, London.)
Attributed works:
2. Architectural Perspective, Here Attributed to Cosimo Rosselli. c.1480-5. Panel. (Palazzo Ducale, Urbino.)
Attributed works:
3. Architectural Perspective, Here Attributed to Cosimo Rosselli. c.1480-5. Panel. (Walters Art Gallery, Baltimore.)
Attributed works:
4. Detail of the Panel Reproduced in Fig.3.
Attributed works:
5. Investiture of San Filippo Benizzi, by Cosimo Rosselli. Fresco. 1474. (SS. Annunziata, Florence.)
Attributed works:
6. Madonna and Saints, by Cosimo Rosselli. Panel. 1492. (Accademia, Florence.)
Attributed works:
7. Miracle of the Sacrament, by Cosimo Rosselli. Fresco. 1484-6. (Sant'Ambrogio, Florence.)
Attributed works:
8. Detail of the Panel Reproduced in Fig.3.
Attributed works:
9. Detail of Moses on Mount Sinai and the Adoration of the Golden Calf, by Cosimo Rosselli. Fresco. 1481-2. (Sistine Chapel, Vatican, Rome.)
Article
A Stauroteca at Urbino
09/1919 | 198 | 35
Pages: 105-107+109-110
related names
Author:
Serra, Luigi (Serra, Luigi)
Subjects
dates:
places:
Illustrations
Western art unattributed:
A Stauroteca (12th-13th Century?), 48 cm. × 20 cm. (National Gallery of the Marches, Urbino)