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9 articles
Article
The Cathedral of Notre-Dame-de-la-Conception, Pondicherry
06/2024 | 1455 | 166
Pages: 580–595
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Dome and lantern, Pondicherry Cathedral (Notre-Damede- la-Conception). 1771–91. (Photograph the author).
Attributed works:
10. The former Capuchin church of Notre-Dame-des-Anges, Pondicherry. 1739 (mostly rebuilt 1770). (Photograph the author).
Attributed works:
11. Plans of the 1763 Jesuit chapel (top) and the Jesuit mission church of Ariyankuppam (bottom), by Jean Perrin. (IRFA Archives, Paris).
Attributed works:
12. Plans of the mission churches at Pinnampoondi (left) and Karivopmundi (right), by Jean Perrin. (IRFA Archives, Paris).
Attributed works:
13. Pondicherry Cathedral. (From M. Adolphe Delessert: Souvenirs d’un voyage dans l’Inde, Paris 1843).
Attributed works:
14. Design for the Madras Gate, Pondicherry, here attributed to François-Anne-Marie Rapine de Saxy. 1788. (Archives Nationales d’Outre-mer, Aix-en-Provence).
Attributed works:
15. Design for the Palace of Justice, Pondicherry, here attributed to François-Anne-Marie Rapine de Saxy. 1788. (Archives Nationales d’Outre-mer, Aix-en-Provence).
Attributed works:
16. Val-de-Grâce, Paris, by François Mansart, Pierre Le Muet and others. 1624, 1644–48 and 1654–69. (From J. Mariette: L’Architecture François, Paris 1727).
Attributed works:
17 Street façade of the Church of the Sorbonne, Paris, by Jacques Le Mercier. 1634–42. (From J. Mariette: L’Architecture françois, Paris 1727).
Attributed works:
18. The Jesuit church of Notre-Dame, Chandernagore. Completed 1698. Watercolour and ink on paper, 40 by 29 cm. (From Usages de Siam, 1696, Bibliothèque nationale de France, Paris).
Attributed works:
19 Trophée of Christ’s Passion. (From P. Ranson: OEuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs [. . .], Paris 1778, book 12, no.1).
Attributed works:
2. Interior of the nave, looking west, Pondicherry Cathedral. (Photograph the author).
Attributed works:
20. Trophée of the Paschal Lamb. (From P. Ranson: OEuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs [. . .], Paris 1778, book 12, no.6).
Attributed works:
3. The façade of Pondicherry Cathedral, here attributed to François- Anne-Marie Rapine de Saxy. (Photograph the author).
Attributed works:
4. Plan of Pondicherry Cathedral. (Ecole française d'Extrême-Orient, Pondicherry).
Attributed works:
5. Detail of Fig.1, showing the pediment. (Photograph the author).
Attributed works:
6. Tower and part of the vault of the crossing, Pondicherry Cathedral. (Photograph the author).
Attributed works:
7. View of the crossing from the right transept, Pondicherry Cathedral. (Photograph the author).
Attributed works:
8. Left side aisle looking east, Pondicherry Cathedral. (Photograph the author).
Attributed works:
9. View of the crossing from the right transept extension, looking south, Pondicherry Cathedral. (Photograph the author).
Book Review
Images on a Mission in Early Modern Kongo and Angola
03/2024 | 1452 | 166
Pages: 328-330
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
Reviewed Items
subjects:
Images on a Mission in Early Modern Kongo and Angola By Cécile Fromont. 336 pp. incl. 126 col. + 52 b. & w. ills. (Penn State University Press, University Park, 2022), $109.95. ISBN 978–0– 271–09218–8. | :
Illustrations
Attributed works:
5. Kongo Ambassador to Recife, Brazil, from the Libri Picturati, by Albert Eckhout. c.1637– 44. Oil on paper, 30 by 50 cm (Jagiellonian Library, Krakow; MS A 34; fol. 3).
Book Review
The Architecture of Empire: France in India and Southeast Asia, 1664–1962
06/2023 | 1443 | 165
Pages: 667-668
related names
Reviewer:
Bremner, G.A. (Bremner, G.A.)
Subjects
places:
Reviewed Items
subjects:
The Architecture of Empire: France in India and Southeast Asia, 1664–1962 By Gauvin Alexander Bailey. 488 pp. incl. 206 col. ills. (McGill-Queen’s University Press, Montreal and Kingston, 2022), £52. ISBN 978–0–228–01142–2. | :
Article
Chiloé’s ‘St Michael’: reconsidering sources for the Hispano-Chilote school of sculpture
11/2021 | 1424 | 163
Pages: 1020-1027
related names
Author:
Gillett, Molly-Claire (Gillett, Molly-Claire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. St Michael, here attributed to a pupil of José Brasanelli and dated c.1720–60. Polychrome wood. (San Francisco, Castro, Chiloé; photograph the author).
Attributed works:
10. St Gabriel, attributed to José Brasanelli. c.1722. Polychrome wood, height 139 cm. (Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
11. Detail of Fig.1, showing the carving of the face and neck.
Attributed works:
12. Detail of Angel, by José Brasanelli, showing the carving of the face and neck. c.1710–20. Polychrome wood. (Museo Julio Castilhos, Porte Alegre).
Attributed works:
3. St Michael, by José Brasanelli. c.1710. Polychrome wood. (Itauguá, Paraguay).
Attributed works:
4. St Joaquim, attributed to Johannes Bitterich. c.1718–20. Polychrome wood, 95 by 30 by 50 cm. (Sacristy, Santiago Cathedral; photograph the author).
Attributed works:
5. Dying St Francis Xavier, attributed to Jacob Kelner. c.1748–67. Polychrome wood, 50 by 170 by 80 cm. (Cathedral, Santiago; photograph the author).
Attributed works:
6. Detail of Fig.1, showing the carving of the skirt.
Attributed works:
7. Detail of Fig.4, showing the carving of the skirt.
Attributed works:
8. Virgin Immaculate, attributed to José Brasanelli. c.1720–23. Polychrome wood. (Church of Loreto, Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
9. St Michael, attributed to José Brasanelli. c.1723. Polychrome wood, height 140 cm. (Santa María de Fe, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Western art unattributed:
13. St Michael. Chiloé, late eighteenth or early nineteenth century. Polychrome wood, height 139 cm. (Nuestra Señora de Gracia, Nercón, Chiloé; photograph the author).
Western art unattributed:
2. St Michael. Germany, eighteenth century. Gilded and painted wood, 179.1 by 81.3 by 39.4 cm. (Saint Louis Art Museum).
Book Review
Henri Bertin and the Representation of China in Eighteenth-Century France
10/2021 | 1423 | 163
Pages: 966-967
related names
Reviewer:
Choi, Kee Il Jr (Choi, Kee Il Jr)
Subjects
places:
Reviewed Items
subjects:
Henri Bertin and the Representation of China in Eighteenth-Century France By John Finlay. 196 pp. incl. 14 col. + 29 b. & w. ills. (Routledge, New York and London, 2020), £120. ISBN 978–1–138–20473–7. | :
Illustrations
Attributed works:
1. Maison à double étage, plate 20 from Essai sur l’architecture chinoise (1773). Ink and colour on paper, 35 by 45 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Plate 2 from W. Chambers: Designs of Chinese Buildings, Furniture, Dresses, Machines and Utensils, London 1757. Engraving, 53 by 36.8 cm. (© British Library Board).
Article
Global mission iconography in the Jesuit Church in Innsbruck (1636–66)
08/2020 | 1409 | 162
Pages: 658-672
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. St Francis Xavier and the miracle of the crab. Second half of the seventeenth century. Oil on canvas. (Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck).
Attributed works:
10. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Bistre, graphite, wash and reddish and ochre pigments on paper, 16.2 by 21 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
11. Detail of Fig.5.
Attributed works:
12. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink and reddish pigment on paper, 43.4 by 29.8 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
13. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink, reddish pigment and wash on paper, 42.2 by 24.1 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
15. This illustration shows us the people and island which have been discovered by the Christian King of Portugal, by Johann Froschauer. 1505. Woodcut. (From A. Vespucci: Mundus Novus, Augsburg; Bridgeman Images).
Attributed works:
17. Detail of Fig.5.
Attributed works:
2. Vault of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Georg Braun and others. 1636. Stucco and gilding.
Attributed works:
4. Martyrdom of the Japanese saints Paul Miki, James Kisai and John de Goto, by Paul Pock. 1644. Oil on canvas, height 400 cm. (Church of the Holy Trinity, Innsbruck).
Attributed works:
5. Altar of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Bartholomäus von Opstal. 1666–68. Marble and gilded bronze, 690 by 400 cm. The altarpiece is Francis Xavier baptising an Indian nobleman, attributed to Heinrich Schönfeld. 1670. Oil on canvas, 250 by 175 cm.
Attributed works:
6. Detail of Fig.2, showing the map of India.
Attributed works:
7. A figure of the East Indies and adjacent islands. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1570. (Boston Public Library).
Attributed works:
8. A depiction of the islands of Japan. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1595. (Sanderus Antiquariaat, Ghent).
Attributed works:
9. Detail of Fig.2, showing the map of Japan.
Attributed works:
Xavierius’s dream of bringing help to the Indies, by Abraham van Diepenbeek. Engraving, 10.5 by 13.5 cm. (From Imago Primi Saeculi Societatis Iesu, Antwerp 1640).
Western art unattributed:
14. Design for the Francis Xavier altar. c.1666. Bistre, graphite and wash on paper. 44.9 by 30.9 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
16. Design for a sculpture of St Francis Xavier for the Francis Xavier Altar. c.1666. Graphite, black ink and wash on paper, 42 by 24 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
3. Plan of the Jesuit (now the University) Church, Innsbruck. 1781. Ink and watercolour on paper, 73.5 by 52 cm. (Tiroler Landesarchiv).
Short Notice
Ornament from China: sources for a garden folly design by Jean-Jacques Lequeu
03/2020 | 1404 | 162
Pages: 216-219
related names
Author:
Choi, Kee Il Jr (Choi, Kee Il Jr)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Details of the ‘jeu de bague chinois’ at Monceau, by Jean-Jacques Lequeu. c.1780. Ink on paper, 44.8 by 34.9 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Design for a ring stand for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Ink, wash and watercolour on paper, 21.9 by 18.2 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Design for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Pencil on paper, 20.4 by 12.4 cm. (Bibliothèque nationale de France, Paris).
Non-western art unattributed:
4. Design for a ceramic sculpture of the Daoist immortal Lü Dongbin. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.8; private collection; photograph by Richard P. Goodbody).
Non-western art unattributed:
5. Design for a ceramic sculpture of a Daoist immortal. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From in Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.12; private collection; photograph Richard P. Goodbody).
Article
A Bavarian pilgrimage shrine in seventeenth-century Paraguay
02/2020 | 1403 | 162
Pages: 115-125
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
works:
Illustrations
Attributed works:
10. Likeness of the statue of the miraculous Blessed Virgin Mary at Oettingen, by Libia Loth. Frontispiece from the patronage book of the Munich Archconfraternity of Our Blessed Lady of Altötting. 1650. Watercolours and gold on parchment, 13 by 20 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
11. Copy of the Virgin of Altötting. Seventeenth century. Polychrome and gilded limewood, height 67cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
13. Mission church of San Miguel, Brazil (formerly Paraguay), by Giovanni Battista Primoli. 1735–45. (Photograph the author).
Attributed works:
14. Double chapel combining small-scale replicas of the Gnadenkapelle of Altötting with the Church of the Sepulchre, Jerusalem, Innichen, South Tyrol. 1653. (Photograph Wilfried Wirth / Alamy Stock Photo).
Attributed works:
2. Gnadenkapelle, Altötting, Bavaria. Begun c.770–77; nave and ambulatory begun c.1518–19. (Photograph the author).
Attributed works:
4. The Virgin of Altötting standing between the Gnadenkapelle and the original Jesuit residence, from J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
5. The Gnadenkapelle at Altötting during the Hungarian invasion of AD 910, frontispiece to J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
6. Alten Oetingen, by Matthäus Merian. 1644. Etching, 22.8 by 31.2 cm. (British Museum, London).
Attributed works:
8. The Virgin of Altötting, by the Master of Mühldorf. 1518. Pen and black ink, heightened with white bodycolour on brown paper, 22.3 by 17.8 cm. (British Museum, London).
Attributed works:
9. A true likeness of the statue of the Blessed Virgin Mary in the ancient shrine of Altötting, by Raphael Sadeler. 1601. Engraving, 25.2 by 18.2 cm. (Staatliche Graphische Sammlung, Munich).
Western art unattributed:
1. The village of San Juan [. . .] on the Uruguay [River]. c.1753. Ink and watercolours on paper, 118 by 105 cm. (Archivo General, Simancas).
Western art unattributed:
12. Copy of the Virgin of Altötting. German, fifteenth or sixteenth century. Limewood with traces of polychromy, height 42 cm. (Bayerisches Nationalmuseum, Munich).
Western art unattributed:
15. Copy of the Virgin of Altötting (?). Seventeenth or eighteenth century. Cedar with traces of polychromy, height 50 cm. (Museu de São Miguel, Brazil).
Western art unattributed:
3. Bavarian infantry colour showing the Virgin of Altötting, the Gnadenkapelle and the holy linden tree. 1624–31. Silk, 233 by 290 cm. (Armémuseum, Stockholm).
Western art unattributed:
7. The Virgin of Altötting. Early fourteenth century. Limewood, height 64 cm. (Gnadenkapelle, Altötting).
Article
Edward Burne-Jones’s ‘St Francis’ for Father Damien
09/2018 | 1386 | 160
Pages: 745-749
related names
Author:
Schoenherr, Douglas E. (Schoenherr, Douglas E.)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Father Damien, by Edward Clifford. 1888. Watercolour and gouache on paper mounted on cardboard, 28 by 22 cm. (Damien Collection, Leuven).
Attributed works:
2. St Francis receiving the Stigmata, by Edward Burne-Jones. c.1887. Black chalk on paper, 30.5 by 23.5 cm. (British Museum, London).
Attributed works:
3. St Francis receiving the Stigmata, by Walker & Cockerell after Edward Burne-Jones. Photogravure, 15.6 by 10.3 cm. (From G. BurneJones, Memorials of Edward Burne-Jones, London 1904, II, facing p.176).
Attributed works:
4. St Francis receiving the Stigmata, by Edward Burne-Jones. 1887. Gouache, umber and gold on board, 26.7 by 20 cm. (Saint Marianne Cope Shrine & Museum, Syracuse NY).
Attributed works:
5. St Francis, by Frederick Hollyer after Edward Burne-Jones. Photograph, 15.2 by 6.7 cm. (© Courtesy the Huntington Art Collections, San Marino, California).
Attributed works:
6. Father Damien, by Edward Clifford. 1888. Black chalk with wash on cardboard, 25.7 by 19.9 cm. (Damien Collection, Leuven).
Attributed works:
8. Father Damien the leper, by Edward Clifford. 1890. Watercolour and gouache on paper mounted on canvas mounted on panel, 53 by 66 cm. (Damien Collection, Leuven).
Western art unattributed:
7. Father Damien de Veuster in 1868, after Edward Clifford. Photogravure, 32.2 by 23.3 cm. (From E. Clifford: Father Damien: A Journey from Cashmere to his Home in Hawaii, London 1889, frontispiece).