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4 articles
Article
The ‘Madonna del Baraccano’: Francesco del Cossa’s reworking of a miraculous fresco
09/2024 | 1458 | 166
Pages: 900-911
related names
Author:
Hartkamp, Julie (Hartkamp, Julie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna del Baraccano, by Pseudo Jacopino di Francesco (or circle of) and Francesco del Cossa. c.1326–27 and 1472. Detached fresco, 250 by 450 cm. (S. Maria del Barracano, Bologna; by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
10. Proposed reconstruction of Pseudo Jacopino di Francesco’s entire fresco with the Virgin and Child, St Nicholas of Tolentino and the empty space occupied by a second saint. (Illustration the author and Robert Esser).
Attributed works:
10. Proposed reconstruction of Pseudo Jacopino di Francesco’s entire fresco with the Virgin and Child, St Nicholas of Tolentino and the empty space occupied by a second saint. (Illustration the author and Robert Esser).
Attributed works:
11. Detail of Madonna and Child and the Man of Sorrows between saints, by Lippo di Dalmasio. Late 14th century. Detached fresco. (S. Maria dei Servi, Bologna; photograph the author).
Attributed works:
12. Recovery of a fragment of St Nicholas during the restoration of the Madonna del Baraccano by Ottorino Nonfarmale, 1969. Photograph. (Photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
13. Left: Frontispice of Statutes of the Compagnia del Baraccano, by the Master of the Statutes of the Compagnia del Baraccano. 1446. Illuminated miniature. (ASB, Statuti della Compagnia detta di S. Maria del Baraccano, Cartone Statuti n.1, book 1; photograph the author).
Attributed works:
14. Right: Detail of St Monaca, by Giulio Bonasone. 1572. Oil on canvas. (Conservatorio del Baraccano, Bologna; photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
15. Photograph of Fig.1, by Villani e Figli. c.1967–69. Gelatin silver print, 23.5 by 18 cm. (Fondazione Federico Zeri, Bologna).
Attributed works:
16. Drawing of the Madonna del Baraccano, by Francesco Cavazzioni. 1608. Ink and watercolour on paper, 21 by 15 cm. (From Corona di gratie, MS B298, fol.155; photograph courtesy Biblioteca comunale dell’Archiginnasio).
Attributed works:
3. Map of Bologna, by Franz Hogenberg, showing Santa Maria del Baraccano in the top-left corner. 1588. Ink on paper. (Biblioteca communale dell’Archiginnasio, Raccolta piante e vedute della città di Bologna, Bononia Alma Studiorum Mater, Cartella 1, n.2.).
Attributed works:
4. Detail of Map of Bologna in 1600, by Jean Blaeu, showing the Baroque church of the Madonna del Baraccano. 1663. Ink and watercolour on paper. (Biblioteca Nazionale Marciana, Venice; Bridgeman Images).
Attributed works:
5. Madonna and Child, by Pseudo Jacopino di Francesco. 1320s. Detached fresco. (S. Giovanni in Monte, Bologna; photograph the author).
Attributed works:
7. Third strappo of Fig.1. (Photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
9. Fourth strappo of Fig.1. (Photograph the author).
Western art unattributed:
2. S. Maria del Baraccano, Bologna, seen from Viale Giovanni Gozzadini, showing the original fourteenth-century city wall with the protruding baraccano. (Photograph the author).
Western art unattributed:
6. Second strappo of Fig.1. (Photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
8. Detail of Fig.9, showing St Nicholas and the hands of a donor figure. (Photograph the author).
Article
A Bavarian pilgrimage shrine in seventeenth-century Paraguay
02/2020 | 1403 | 162
Pages: 115-125
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
works:
Illustrations
Attributed works:
10. Likeness of the statue of the miraculous Blessed Virgin Mary at Oettingen, by Libia Loth. Frontispiece from the patronage book of the Munich Archconfraternity of Our Blessed Lady of Altötting. 1650. Watercolours and gold on parchment, 13 by 20 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
11. Copy of the Virgin of Altötting. Seventeenth century. Polychrome and gilded limewood, height 67cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
13. Mission church of San Miguel, Brazil (formerly Paraguay), by Giovanni Battista Primoli. 1735–45. (Photograph the author).
Attributed works:
14. Double chapel combining small-scale replicas of the Gnadenkapelle of Altötting with the Church of the Sepulchre, Jerusalem, Innichen, South Tyrol. 1653. (Photograph Wilfried Wirth / Alamy Stock Photo).
Attributed works:
2. Gnadenkapelle, Altötting, Bavaria. Begun c.770–77; nave and ambulatory begun c.1518–19. (Photograph the author).
Attributed works:
4. The Virgin of Altötting standing between the Gnadenkapelle and the original Jesuit residence, from J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
5. The Gnadenkapelle at Altötting during the Hungarian invasion of AD 910, frontispiece to J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
6. Alten Oetingen, by Matthäus Merian. 1644. Etching, 22.8 by 31.2 cm. (British Museum, London).
Attributed works:
8. The Virgin of Altötting, by the Master of Mühldorf. 1518. Pen and black ink, heightened with white bodycolour on brown paper, 22.3 by 17.8 cm. (British Museum, London).
Attributed works:
9. A true likeness of the statue of the Blessed Virgin Mary in the ancient shrine of Altötting, by Raphael Sadeler. 1601. Engraving, 25.2 by 18.2 cm. (Staatliche Graphische Sammlung, Munich).
Western art unattributed:
1. The village of San Juan [. . .] on the Uruguay [River]. c.1753. Ink and watercolours on paper, 118 by 105 cm. (Archivo General, Simancas).
Western art unattributed:
12. Copy of the Virgin of Altötting. German, fifteenth or sixteenth century. Limewood with traces of polychromy, height 42 cm. (Bayerisches Nationalmuseum, Munich).
Western art unattributed:
15. Copy of the Virgin of Altötting (?). Seventeenth or eighteenth century. Cedar with traces of polychromy, height 50 cm. (Museu de São Miguel, Brazil).
Western art unattributed:
3. Bavarian infantry colour showing the Virgin of Altötting, the Gnadenkapelle and the holy linden tree. 1624–31. Silk, 233 by 290 cm. (Armémuseum, Stockholm).
Western art unattributed:
7. The Virgin of Altötting. Early fourteenth century. Limewood, height 64 cm. (Gnadenkapelle, Altötting).
Article
Pilgrimage scenes in newly identified medieval glass at Canterbury Cathedral
09/2019 | 1398 | 161
Pages: 708-715
related names
Author:
Koopmans, Rachel (Koopmans, Rachel)
Subjects
dates:
media:
Illustrations
Attributed works:
5. Plan of the eastern arm of Canterbury Cathedral, showing the location of the window discussed in the present article. (Plan adapted from R. Willis: The Architectural History of Canterbury Cathedral, London, 1845).
Attributed works:
7. John Lydgate and pilgrims on the road to Canterbury, from the prologue to Lydgate’s Siege of Thebes. c.1510–20. Parchment, sheet 39.5 by 28 cm. (British Library, London, Royal MS 18 D ii, fol.148r; Bridgeman Images).
Western art unattributed:
1. Pilgrims on the road to Canterbury, in a window in the north aisle of the Trinity Chapel, Canterbury Cathedral. Here dated mid-1180s, with early twentieth-century restorations. Stained glass, 75 by 68.5 cm. (Canterbury Cathedral, window nV 13; photograph N. Tees).
Western art unattributed:
10. The first mixing of the Becket blood and water relic at Canterbury Cathedral (the miracle of William of London), in a window in the north aisle of the Trinity Chapel, Canterbury Cathedral. Mid-1180s, with early twentieth-century restorations. Stained glass, 75 by 68.5 cm. (Canterbury Cathedral, window nV 7; photograph N. Tees).
Western art unattributed:
2. Window nV, north aisle, Trinity Chapel, Canterbury Cathedral. Here dated mid-1180s, with early twentieth-century restorations. Stained glass, 5.8 by 1.525 m. (Photograph Cathedral Studios, Canterbury).
Western art unattributed:
3. Distribution of the Becket blood and water relic to pilgrims in Canterbury Cathedral, in a window in the north aisle of the Trinity Chapel, Canterbury Cathedral. Here dated mid-1180s, with early twentieth-century restorations. Stained glass, 75 by 68.5 cm. (Canterbury Cathedral, window nV 14; photograph N. Tees).
Western art unattributed:
4. The north aisle of the Trinity Chapel, Canterbury Cathedral, showing window nV in the centre, before restoration and rearrangement of the glass. 1861. Photograph, 28.5 by 23.5 cm. (Canterbury Cathedral Archives; reproduced courtesy the Chapter, Canterbury Cathedral).
Western art unattributed:
6. The squire, detail from the Canterbury Tales, by Geoffrey Chaucer. c.1400–10. Parchment, sheet 10 by 15 cm. (Huntington Library, San Marino, California, MS EL 26 C 9, fol.115v).
Western art unattributed:
8. Detail of Fig.3.
Western art unattributed:
9. A Canterbury pilgrim’s ampulla. c.1220. Lead/tin alloy, 9.8 by 8.1cm. (Musée de Cluny, Paris; courtesy RMN-Grand Palais).
Book Review
Art and Miracle in Renaissance Tuscany. By Robert Maniura
08/2019 | 1397 | 161
Pages: 691-692
related names
Reviewer:
Clavarino, Margherita (Clavarino, Margherita)
Subjects
places:
subjects:
Reviewed Items
subjects:
Art and Miracle in Renaissance Tuscany By Robert Maniura. 276 pp. incl. 59 b. & w. ills. (Cambridge University Press, Cambridge, 2018), | :