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14 articles
Book Review
I disegni di Antonio e Piero del Pollaiolo (Corpus der italienischen Zeichnungen 1300–1550, I, Toscana, 16)
03/2024 | 1452 | 166
Pages: 322–324
related names
Reviewer:
Wright, Alison (Wright, Alison)
Subjects
dates:
Reviewed Items
subjects:
I disegni di Antonio e Piero del Pollaiolo (Corpus der italienischen Zeichnungen 1300–1550, I, Toscana, 16) By Lorenza Melli. 455 pp. incl. 728 col. ills. (Michael Imhof Verlag, Petersberg, 2023), €99. ISBN 978–3–7319–1237–8. | :
Illustrations
Attributed works:
1. Studies of horsemen and foot soldiers for the ‘Martyrdom of St. Sebastian’, by Antonio and Piero del Pollaiuolo. c.1470–75. Pen and brown ink and wash with traces of black chalk on brown tinted paper, 16.4 by 28.6 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
2. Blind Cupid, detail of central fragment from a larger sheet, by Antonio del Pollaiuolo. c.1460–65. Pen and brown ink with wash and traces of black chalk on paper, 14.8 by 4.2 cm. (Gallerie degli Uffizi, Florence)
Exhibition Review
The Pollaiuolo
04/2015 | 1345 | 157
Pages: 291-293
related names
Reviewer:
Wright, Alison (Wright, Alison)
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dates:
museums and institutions:
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subjects:
Illustrations
Attributed works:
73. Profile portrait of a woman, here attributed to Piero del Pollaiuolo (Museo Poldi Pezzoli, Milan)
Attributed works:
74. Profile portrait of a woman, attributed to Piero del Pollaiuolo (Isabella Stewart Gardner Museum, Boston; not exhibited)
Attributed works:
75. Crucifixion, by Antonio del Pollaiuolo (S. Lorenzo, Florence; exh. Museo Poldi Pezzoli, Milan)
Book Review
The Pollaiuolo Brothers: the Arts of Florence and Rome
04/2006 | 1237 | 148
Pages: 279-281
related names
Reviewer:
Kanter, Laurence B. (Kanter, Laurence B.)
Subjects
dates:
Reviewed Items
subjects:
The Pollaiuolo Brothers: the Arts of Florence and Rome | author: Wright, Alison
Article
The Conservation of Antonio and Piero del Pollaiuolo's Altar-Piece for the Cardinal of Portugal's Chapel
02/1999 | 1151 | 141
Pages: 81-88
related names
Author:
Cecchi, Alessandro (Cecchi, Alessandro; Cecchi, Allesandro)
Author:
Freschi, Sandra (Freschi, Sandra)
Author:
MacGregor, Nicola (MacGregor, Nicola)
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dates:
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subjects:
subjects:
subjects:
Illustrations
Attributed works:
10. The Annunciation, by Alesso Baldovinetti. Oak Panel (Fresco above), (S. Miniato al Monte, Florence).
Attributed works:
11. Detail of Fig. 10, Showing the Angel's Sleeve with Extensive Paint Losses.
Attributed works:
12. Detail of St Vincent's Left Hand in Fig.9 after Cleaning and Restoration.
Attributed works:
13. Vase with Lilies, by Giuliano da Maiano, Detail of the Frame of Baldovinetti's Annunciation. Gilt Wood (S. Miniato al Monte, Florence).
Attributed works:
14. Portrait of Galeazzo Maria Sforza, by Piero del Pollaiuolo. Tempera and Oil on Cypress Panel, 65 by 42 cm. (Galleria degli Uffizi, Florence).
Attributed works:
15. Coat of Arms of the Cardinal of Portugal, from the Frame of Fig.9, by Antonio del Pollaiuolo. Enamelled Brass.
Attributed works:
16. Fig.9 before Restoration.
Attributed works:
17. Back of the Panel of Fig.9 before Restoration.
Attributed works:
18. Back of the Panel of Fig.9 after Restoration.
Attributed works:
19. Infra-Red Reflectogram of St Eustace's Hand, Showing the Underdrawing.
Attributed works:
20. Infra-Red Reflectogram of St Vincent's Legs, Showing the Underdrawing.
Attributed works:
21. Paint Cross-Section from St James's Blue Brocade Mantle.
Attributed works:
22. Paint Cross-Section from St Vincent's Left Hand.
Attributed works:
23. Detail of St Eustace's Head during Cleaning.
Attributed works:
24. Fig.9 in Stripped State, after the Removal of Repaints.
Attributed works:
9. The Altar-Piece of the Cardinal of Portugal, by Antonio and Piero del Pollaiuolo, after Cleaning and Restoration. Tempera and Oil on Oak Panel, 172 by 179 cm. Frame by Giuliano da Maiano (Galleria degli Uffizi, Florence).
Advertisements
Advertisements February 1999 (front)
02/1999 | 1151 | 141
Pages: i-xii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
The Altar-Piece of the Cardinal of Portugal, by Antonio and Piero del Pollaiuolo, after Cleaning and Restoration. Tempera and Oil on Oak Panel. (Galleria degli Uffizi, Florence).
Attributed works:
[Adrian Sassoon, London. The Olympia Fine Art and Antiques Fair, London, UK] Large Blue Collapsed Vase form, with Terracotta Two-Tone Surface, by Nicholas Arroyave-Portella. Earthenware, ht 42 cm.
Attributed works:
[Bruton Gallery, London. The Olympia Fine Art and Antiques Fair, London, UK] Jeu de Voile, by Emile Antoine Bourdelle, 1910. Bronze, ht. 66 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] The Master of the Karlsruhe Passion (Active around 1450 in South Germany). The Scourging of Christ. Oil and Distemper on a Painted Walnut Panel: 66.5 × 46.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giovanni Maria Viani (1636 - 1700). The Parable of the Wheat and the Tares. Oval, Oil on Copper, 45.5 × 59.1 cm
Attributed works:
[Joanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St John the Evangelist, French School c.1280. Oak with Much Original Polychrome, ht.106 cm.
Attributed works:
[Marks Antiques, London. The Olympia Fine Art and Antiques Fair, London, UK] A Set of Four Silver-Gilt Wine Coasters, Made by Benjamin Smith, London, 1807, Fitted to Silver-Gilt Trolleys, Made by Robert Garrard, London, 1837
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Camillo Procaccini or Workshop (Bologna ca. 1555-1629 Milan). The Lovers. Red Chalk. 198 × 268 mm. Watermark: Briquet 6599.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germnay] Franz Christoph Janneck (1703 Graz - 1761 Vienna). The Education of Bacchus (Ovid, Metamorphoses III, 314 ff). Oil on Copper. 14,4 × 20,1 ins.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Carved Lime Festoon Depicting the Fruits of the Sea, Attributed to William Gibbs Rogers. English, Circa 1860. Approx. 62 in. Tall (158 cm). Approx. 65 in. Wide (165 cm)
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Giltwood Adam Period Overdoor Carving, Circa 1780. 22 in. Tall (56 cm). 56 in. Wide (142 cm)
Attributed works:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Madonna and Child, Attributed to Elisabetta Sirani. Red Chalk.
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] Théophile Alexandre Steinlen. Lausanne 1859 - 1923 Paris. Les deux Chats. Pochoir; Gouache and Watercolour on moiré Silk, 62 × 54 cm. Signed.
Attributed works:
[Tate Gallery, Millbank, London, UK] Benjamin West, The Golden Age, 1776
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Casper by Augustus John, Oil on Panel, c.1909 Fitzwilliam Museum, Cambridge. © Julius White
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] The Tutor: John Hope-Johnstone 1883-1970, by Augustus John, c.1920. Oil on Canvas.
Attributed works:
[Vost's, Newmarket, UK] An Important Gothic Revival Pine and Mahogany, Painted and Gilded, Metal Mounted Sideboard Designed by William Burges (1827-1881), Constructed by Harland and Fisher and Decorated by Nathaniel Hubert John Westlake (1833-1921) and Others, 1859. Estimate: Refer to James Guyer or John Vost.
Non-western art unattributed:
[Capital Gallery, Hong Kong. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Pottery Bears. Chinese, Han Dynasty (206 BC-220 AD). Ht 10 cm.
Non-western art unattributed:
[Exh. Les Antiquaires, Palais des Beaux-Arts, Brussels] "Le scribe accroupi", Louvre, © Photo RMN - Hervé Lewandowski / Design: Rumeurs
Western art unattributed:
[Lennox Cato, London. The Olympia Fine Art and Antiques Fair, London, UK] Carved Giltwood Mask, Italian Late-18th Century, with a Corsini Provenance.
Book Review
Antonio and Piero Pollaiuolo
03/1980 | 924 | 122
Pages: 198-199
related names
Reviewer:
Ames-Lewis, Francis (Ames-Lewis, Francis; Lewis, Francis Ames; Ames-Lewis, F.)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Antonio and Piero Pollaiuolo | author: Ettlinger, L. D.
Short Notice
The Study of a Horse by Andrea del Sarto: And Its Origin
12/1977 | 897 | 119
Pages: 848+850-851
related names
Author:
Byam Shaw, James (J. B. S) (Byam Shaw, James (J. B. S); Byam Shaw, J.; Shaw, James Byam; Shaw, J. Byam; S., J. B.)
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artists:
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Illustrations
Attributed works:
58. Head of a Young Man, by Andrea del Sarto. Drawing. (Fondation Custodia (Collection F. Lugt), Institut Néerlandais, Paris).
Attributed works:
59. Head of Donor, from Tobias and the Angel with St Leonard and a Donor, by Andrea del Sarto. (Kunsthistorisches Museum, Vienna).
Attributed works:
60. Verso of the Drawing Illustrated in Fig.58. [Head of a Young Man, by Andrea del Sarto. Drawing. (Fondation Custodia (Collection F. Lugt), Institut Néerlandais, Paris).]
Attributed works:
61. Detail from Martyrdom of St Sebastian, by Antonio and Piero Pollaiuolo. (National Gallery, London).
Advertisements
Advertisements September 1949 (front)
09/1949 | 558 | 91
Pages: i-vi
Subjects
advertisements:
Illustrations
Attributed works:
[C. T. Loo & Co., New York 41 East 57th Street, Paris 48 Rue de Courcelles] Yung-Lo
Attributed works:
[M. Bernard, 21 Ryder Street, St. James’s London, S.W.1] Dublin by W. Dent. 1847 22 × 36 Inches Signed and dated
Attributed works:
[P&D Colnaghi & Co. Ltd, 14 Old Bond Street, London, W1] School of Pollaiuolo Circa 1460 Pen and Light Brown Wash 2¼ × 1 11/16 Inches
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] A Hispano-Moresque Armorial Dish, 16 in. Valencia, Late Fifteenth Century. From the Chateau d'Eu.
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] A Rare Plate of "Medici" Porcelain, 11 in. Diameter, c. 1580. Exhibited at the Medici Exhibition, Florence, 1939.
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Bronze Equestrian Group by Leonardo da Vinci, 8 in. High. Exhibited at the Exhibition of Works of Art by Leonardo da Vinci at the Palazzo dell'Arte. Milan, 1939.
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Florentine Oak Leaf Jar, 8 in. High. First Half of the Fifteenth Century. From the Pringsheim Collection, Sotheby's, 1939.
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Greek Marble Head of a Horse, 14 in. Long; 9½ in. High. Late Fifth Century B. C. From the collection of Mrs Chester Beatty. Illustrated by Roger Hinks in The Journal of Hellenic Studies, Vol. xlvii, 1929.
Book Review
Antonio e Piero del Pollajuolo
07/1946 | 520 | 88
Pages: 180-181
related names
Reviewer:
Pope-Hennessy, John (Pope-Hennessy, John; Hennessy, John Wyndham Pope-; Pope-Hennessy, J.; P.-H., J.)
Subjects
dates:
places:
Reviewed Items
subjects:
Antonio e Piero del Pollajuolo | author: Colacicchi, Giovanni , author: Sabatini, Attilio
Article
Notes on the Italian Exhibition at Burlington House-II
03/1930 | 324 | 56
Pages: 128-131+134-137
related names
Author:
Fry, Roger E. (Fry, Roger E.; Fry, Roger (R. F.; R. E. F.); F., R. E.; Fry, R. E.; F., R.; F.)
Subjects
dates:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
Plate I. A-The Story of St. Giulitta and Her Son, St. Cyriac, Here Identified as by Francesco Pesellino. (No. 75.) Panels, 30.5 by 47 cm.; 25.5 by 28.5 cm.; 30.5 by 49.5 cm. (Major Gambier Parry). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate I. B-The Legend of St. Sylvester, by Pesellino. (No. 104.) Panel, 29 by 77 cm. (Worcester Art Museum, Mass., U. S. A.). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate II. A-Portrait of a Lady, Here Identified as by Piero Pollajuolo. (No. 119.) Panel, 46 by 34 cm. (Poldi Pezzoli Museum, Milan). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate II. B-Portrait of a Young Lady, Here Identified as by Piero Pollajuolo. (No. 122.) Panel, 51 by 35 cm. (Kaiser Friedrich Museum, Berlin). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate III. A-A Legend of St. Andrew, Here Ascribed to Botticelli. (No. 257.) Panel, 25 by 50 cm. (Walker Art Gallery, Liverpool). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate III. B-Three Saints, by Piero Pollajuolo. Detail. (Uffizi, Florence). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate IV. A-The Baptism of Christ, by Francia. Panel, 28.5 by 54.6 cm. (Mr. Albert Keller, New York). Notes on the Italian Exhibition at Burlington House-II
Attributed works:
Plate IV. B-The Nativity, by Francia. (No. 255.) Panel, 29.2 by 52 cm. (Art Gallery Glasgow). Notes on the Italian Exhibition at Burlington House-II
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