In Sparkling Company:
Reflections on Glass in the
18th-Century British World
Edited by Christopher L. Maxwell.
304 pp. incl. 227 col. + b. & w. ills.
(Corning Museum of Glass, 2020),
£50. ISBN 978–0–87290–223–7. |
:
Illustrations
Attributed works:
1. Designs for
the walls of the
drawing room at
Northumberland
House, London,
by Robert Adam.
1770–73. Pen,
pencil and coloured
washes on laid
paper, 52 by 101.6
cm. and 51.5 by
65.2 cm. (Sir John
Soane’s Museum,
London, SM Adam
volume 39/5; exh.
Corning Museum
of Glass).
Attributed works:
2. Mirror in gilded
wood frame, by
William Mathie
(carver), based
on a design
by Thomas
Chippendale.
c.1760, probably
London (glass), and
Scotland (frame).
Mercury-tin
amalgam mirror;
carved, assembled
and gilded wood.
174 by 105.5 by
12.5 cm. (Corning
Museum of Glass).
Attributed works:
3. Group portrait,
probably the
Raikes family, by
Gawen Hamilton.
1730–32. Oil on
canvas, 66 by
91.8 cm. (Yale
Center for
British Art, Paul
Mellon Centre;
Bridgeman
Images).
Book Review
Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851–1900. By Jasmine Allen
Les vitraux de Paris, de la region parisienne, de la Picardie et du Nord-Pas-de-Calais, Rencensement des vitraux anciens de la France. Volume I |
author: Grodecki, Louis
, author: Perrot, Françoise
, author: Taralon, Jean
Book Review
Corpus Vitrearum Medii Aevi. Die Glasmalereien in Schwaben von 1200-1350
A-Two Views of an Engraved Glass, Dated 1583, by Jacomo Verzelini. (Mr. Hamilton Clements); B-Engraved Glass, Dated 1602, Here Attributed to Sir Jerome Bowes. (Victoria and Albert Museum); C-Engraved Wineglass, Flute-Shaped, Height 41.3 cm. (Royal Albert Museum, Exeter). Verzelini and His Followers