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3 articles
Article
The nude male form in Chen Yanqiao’s woodblock prints and cartoons, 1934–35
10/2021 | 1423 | 163
Pages: 898-907
related names
Author:
Emrich-Rougé, Elizabeth (Emrich-Rougé, Elizabeth)
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subjects:
Illustrations
Attributed works:
1. Pull, by Chen Yanqiao. 1934. Woodblock print, 25.1 by 19.1 cm. (Courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
10. Beautiful illustrations of the body, by Wan Laiming. 1933. (From The Young Companion, no.78, July 1933; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
2. Title page from Cartoons and Life no.2 (December 1935), featuring Struggle, by Chen Yanqiao. 1935. Ink drawing. (From online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
3. China, roar!, by Li Hua. 1935. Woodblock print, 23 by 16.5 cm. (From Modern Prints 1, no.14, December 1935, reproduced in Progress in Prints: Chinese Modern Woodblock Prints in Lu Xun’s Collection, Shanghai 1991, I, p.251; courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
4. The despairing (top) and Forced to wander as a refugee (below), by Chen Yanqiao. 1934–35. Woodblock prints. (From Cartoon Life, no.5, January 1935, p.30; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
5. Sun chariot, by Zhu Yingpeng and Xu Suling. (From Vanguard Monthly 1, no.3, December 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
6. A beautifully brave and strong body. 1929. Photograph. (From Modern Miscellany 1, no.3, p.2; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
7. Health and beauty. 1930. Photograph. (From Athletic China, no.1, October 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
8. Guerilla forces, by Chen Yanqiao. 1935. Woodblock print. (From Collected Wood Shavings, no.1, 20th April 1935, p.7; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
9. Figures in the palm of his hand, by Wan Laiming. 1935. Ink drawing. (From Phenomenon Cartoon, no.2, May 1935; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Book Review
Art and Masculinity in Post-War Britain: Reconstructing Home
08/2021 | 1421 | 163
Pages: 772-773
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Reviewer:
Ram, Rosie (Ram, Rosie)
Subjects
Reviewed Items
subjects:
Art and Masculinity in Post-War Britain: Reconstructing Home By Gregory Salter. 224 pp. incl. 29 b. & w. ills. (Routledge, Abingdon-on-Thames, 2019), £90. ISBN 978–1–350–05272–7. | :
Illustrations
Attributed works:
7. Man in Blue IV, by Francis Bacon. 1954. Oil on canvas, 198 by 137 cm. (Museum Moderner Kunst Stiftung Ludwig, Vienna; © Estate of Francis Bacon; DACS / Artimage 2021; photograph Prudence Cuming Associates Ltd).
Exhibition Review
Max Beckmann: feminine–masculine
01/2021 | 1414 | 163
Pages: 75-77
related names
Reviewer:
Wasensteiner, Lucy (Wasensteiner, Lucy )
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museums and institutions:
Reviewed Items
subjects:
Max Beckmann: feminine– masculine Hamburger Kunsthalle 25th September 2020– 24th January 2021 | :
Illustrations
Attributed works:
24. Self-portrait Florence, by Max Beckmann. 1907. Oil on canvas, 98 by 90 cm. (Hamburger Kunsthalle).
Attributed works:
25. Early men – primeval landscape, by Max Beckmann. 1939, reworked 1947–48. Gouache and ink, 49.8 by 64.5 cm. (Private collection; exh. Hamburger Kunsthalle; photograph Daxer & Marschall, Munich).
Attributed works:
26. Portrait of a Romanian woman (Portrait of Dr Heidel), by Max Beckmann. 1922. Oil on canvas, 100 by 65 cm. (Hamburger Kunsthalle).