Maarten van Heemskerck
Frans Hals Museum, Haarlem
Teylers Museum, Haarlem
and Stedelijk Museum, Alkmaar
28th September 2024–19th January
2025 |
:
Illustrations
Attributed works:
10. Madonna
and Child by an
antique ruin,
by Maarten van
Heemskerck.
1530. Oil on
panel, 90
by 70 cm.
(Kunstmuseum
Basel; exh. Frans
Hals Museum,
Haarlem).
Attributed works:
11. St Luke painting
the Madonna,
by Maarten van
Heemskerck.
1532. Oil on panel,
168.2 by 108 cm.
and 168.3 by 108
cm. (Frans Hals
Museum, Haarlem).
Attributed works:
12. Installation
view of To Rome
at the Stedelijk
Museum,
Alkmaar,
2024, showing
portraits of the
family members
of Maarten van
Heemskerck.
(Photograph
courtesy the
author).
Short Notice
Giulio Cesare Procaccini’s
earliest known drawing and
his contacts with Aurelio Luini
10. Lamentation over the dead Christ with
St Francis and Mary Magdalene, by Camillo
Procaccini. c.1587. Red chalk on white paper,
53.6 by 35.5 cm. (Museo Diocesano, Milan).
Attributed works:
2. Studies of heads, figures, animals and
figure compositions, by Aurelio Luini. 1560–70.
Pen and brown ink on light tan paper, partly
squared in black chalk, 30.9 by 19.5 cm.
(Teylers Museum, Haarlem).
Attributed works:
3. Studies of heads and a seated figure,
by Giulio Cesare Procaccini. 1600–05. Red
and black chalk, with framing lines, 16.7
by 18.3 cm. (Location unknown; formerly
private collection).
Attributed works:
4. Miscellaneous studies, here attributed
to Giulio Cesare Procaccini. c.1590. Pen
and brown ink on cream laid paper, 27.6
by 18.4 cm. (Private collection).
Attributed works:
5. Studies of the head of a woman, by
Aurelio Luini. c.1591. Pen and brown ink
on white paper turned yellow, with
traces of blue pigment, 13.4 by 9.7 cm.
(Gabinetto Disegni e Stampe degli
Uffizi, Florence).
Attributed works:
6. A satyr and two men pulling two women
(verso of Fig.5), by Giulio Cesare Procaccini.
c.1591–95. Pen and brown ink and black
chalk on white paper turned yellow. 13.4
by 9.7 cm. (Gabinetto Disegni e Stampe
degli Uffizi, Florence).
Attributed works:
7. Detail of St Thecla Altarpiece, by Aurelio
Luini. 1591–92. Oil on canvas, approx. 370 by
180 cm. (Milan Cathedral).
Attributed works:
8. Susannah and the Elders, by Giulio Cesare
Procaccini. 1600–10. Pen and brown ink, 20.5
by 13.5 cm. (Museum of Fine Arts, Budapest).
Attributed works:
9. Study for the dead Christ, by Aurelio Luini.
c.1587–90. Pen and brown ink on cream paper,
21 by 30 cm. (Location unknown).
Book Review
The Italian Drawings of the Seventeenth and Eighteenth Centuries in the Teyler Museum
The Italian Drawings of the
Seventeenth and Eighteenth
Centuries in the Teyler Museum
By Carel van Tuyll van Serooskerken.
Two vols, 768 pp. incl. 1,000 col. ills. (Primavera
Pers, Leiden, and Teylers Museum, Haarlem,
2021), €89. ISBN 978–90–5997–308–4. |
:
Illustrations
Attributed works:
4. Coastal landscape, by Giovanni Francesco
Grimaldi. Pen and brown ink, 15.6 by 19.8 cm.
(Teylers Museum, Haarlem).
Exhibition Review
Michelangelo: Mind of the Master. J. Paul Getty Museum, Los Angeles
Michelangelo: Mind of the Master
J. Paul Getty Museum, Los Angeles
25th February–7th June |
:
Illustrations
Attributed works:
15. Installation
view of
Michelangelo:
Mind of the
Master at
the Cleveland
Museum of Art,
2019–20, showing
studies related
to the Sistine
ceiling (Courtesy
Cleveland
Museum of Art;
photograph David
Brichford).
Attributed works:
16. Seated
male nude, with
separate study
of his right arm,
by Michelangelo.
1511. Red chalk,
heightened with
white, 27.9 by
21.4 cm. (Teylers
Museum,
Haarlem; exh.
J. Paul Getty
Museum, Los
Angeles).
Attributed works:
17. Standing
man and a
woman hoeing,
by Michelangelo.
c.1495–1505.
Pen and brown
ink over black
chalk and
extensive stylus
underdrawing,
21 by 23.3 cm.
(Teylers Museum;
Haarlem, exh.
J. Paul Getty
Museum, Los
Angeles).
41. Taddeo in the Belvedere Court in the Vatican drawing the Laocoön, by Federico Zuccaro. c.1595 (J. Paul Getty Museum, Los Angeles; exh. Sir John Soane's Museum, London)
Attributed works:
42. The artist seated at a table, drawing a bust of a woman, by Hubert Robert. c.1763-65 (Katrin Bellinger collection; exh. Sir John Soane's Museum, London)
Attributed works:
43. The courtyard of the Farnese Palace in Rome, with the Farnese Hercules, by Louis Chays. 1775 (Kunstbibliothek, Berlin; exh. Sir John Soane's Museum, London)
Claude Gellée, dit le Lorrain. Le dessin-ateur face à la nature |
institution: Musée du Louvre
, institution: Teylers Museum
Illustrations
Attributed works:
63. Trees and rocks by a river, by Claude Lorrain. c.1635. Pencil, pen, brown and grey wash, hightened in white, 25 by 19 cm. (Teylers Museum, Haarlem; exh. Musée du Louvre, Paris).
Attributed works:
64. Landscape with a flock, by Claude Lorrain. c.1632. Canvas, 35 by 45 cm. (Akademie der bildenden Künste, Vienna; exh. Musée du Louvre, Paris).
Attributed works:
65. Perseus and the origin of coral, by Claude Lorrain. c.1671–74. Pen, black charcoal, brown and grey wash, hightened in white on blue paper, 25.4 by 32.2 cm. (Musée du Louvre, Paris).
56. The small studio of Ary Scheffer at 16 rue Chaptal Paris, by Ary Johannes Lamme. c.1850. Panel, 60 by 73.5 cm. (Dordrechts Museum; exh. Teylers Museum, Haarlem).
Attributed works:
57. Christoffel Bisschop in his studio, by Sigmund Löw. 1903. Photograph. (Rijksbureau voor Kunsthistorische Documentatie, The Hague; exh. Teylers Museum, Haarlem).