Canada and Impressionism:
New Horizons
Fondation de l’Hermitage, Lausanne
24th January–24th May |
:
Illustrations
Attributed works:
27. Landscape
with poppies,
by William Blair
Bruce. 1887.
Oil on canvas,
27.3 by 33.8 cm.
(Art Gallery of
Ontario, Toronto;
exh. Fondation
de l’Hermitage,
Lausanne).
Attributed works:
28. The picnic,
by Henri Beau.
1904–05. Oil on
canvas, 72.5 by
92.5 cm. (Mus e
national des
beaux-arts du
Quebec; exh.
Fondation de
l’Hermitage,
Lausanne).
Attributed works:
29. The train,
winter, by
Clarence Gagnon.
c.1913–14. Oil on
canvas, 56 by
71 cm. (Private
collection; exh.
Fondation de
l’Hermitage,
Lausanne).
Book Review
The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China. By Anthony W. Lee
The Global Flows of Early Scottish
Photography: Encounters in Scotland,
Canada, and China
By Anthony W. Lee. 344 pp. incl. 193 col. ills.
(McGill-Queen’s University Press, Montreal,
2019), £45. ISBN 978–0–7735–5713–0. |
:
Illustrations
Attributed works:
6. Exhausted, caribou hunting series, Montreal,
QC, by William Notman. 1866. Albumen print,
25 by 20 cm. (McCord Museum, Montreal).
Exhibition Review
Resplendent Illuminations: Books of Hours from the 13th to the 16th Century in Quebec Collections. Montreal Museum of Fine Arts
10. St Helena and the invention of the True Cross, Southern Germany. c.1520. Parchment, 11 by 8 cm. (McGill University Library, Montreal, MS 162; exh. Montreal Museum of Fine Arts; photograph Gregory Houston).
Western art unattributed:
11. Woman reading in a studiolo, leaf from a book of hours, Venice or Padua (?). c.1375. Parchment, tempera, gold leaf and ink on six pieces of parchment mounted on paper, 14 by 9.5 cm. (Montreal Museum of Fine Arts, inv. no.1957.1368; photograph MMFA, Christine Guest).
Western art unattributed:
9. Arrest of Christ and the kiss of Judas, Augsburg. c.1235–50. Parchment, 13.5 by 9 cm. (McGill University Library, Montreal, MS 161; exh. Montreal Museum of Fine Arts).
Exhibition Review
Napoleon: Power and Splendour. Virginia Museum of Fine Arts, Richmond
15. General Armand-Samuel de Marescot with his wife, Cécile, his son, Antoine-Samuel, his daughter, Joséphine-Cécile, and his motherin-law, Marie-Charlotte d’Artis de Thiézac, by Fortuné Dufau. 1806. Canvas, 240 by 195 cm. (Private collection; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
16. Triumphal march of Napoleon to the Temple of Immortality, by Jean-Baptiste Regnault. 1804–05. Paper mounted on canvas, 52.4 by 93 cm. (Fralin Museum of Art, University of Virginia, Charlottesville; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
17. Etruscan Scroll Vase, called the Londonderry Vase. Sèvres Imperial Manufactory, after a design by Charles Percier and Alexandre-Théodore Brongniart père, decoration by Gilbert Drouet and Christophe-Ferdinand Caron. 1813. Hard-paste porcelain with polychrome enamel decoration, gilding and ormolu mounts, height 137.2 cm. (Art Institute of Chicago).
Exhibition Review
Gothic boxwood miniatures. Toronto, New York and Amsterdam
76. Prayer nut, by Adam Dircksz. c.1500-30 (Kunstkammer, Copenhagen; exh. Rijksmuseum, Amsterdam)
Western art unattributed:
74. Initial P with the Legend of St Philip, by an anonymous sculptor. c.1500-before 1506 (Metropolitan Museum of Art, New York; exh. Rijksmuseum, Amsterdam)
Western art unattributed:
75. St George and the dragon, by an anonymous sculptor. c.1520 (Victoria and Albert Museum, London; exh. Rijksmuseum, Amsterdam)
65. My Front Yard, Summer, by Georgia O'Keeffe. 1941 (Georgia O'Keeffe Museum, Santa Fe; exh. Tate Modern, London)
Attributed works:
66. New York Street with Moon, by Georgia O'Keeffe. 1925 (Carmen Thyssen-Bornemisza Collection, on loan to the Thyssen-Bornemisza Museum, Madrid; exh. Tate Modern, London)
Attributed works:
67. White Iris, by Georgia O'Keeffe. 1930 (Virginia Museum of Fine Arts, Richmond; exh. Tate Modern, London)
Exhibition Review
Robert Mapplethorpe. Los Angeles, Montreal and Sydney
82. Joe, NYC, by Robert Mapplethorpe. 1978 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. Los Angeles County Museum of Art)
Attributed works:
83. Poppy, by Robert Mapplethorpe. 1988 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. Los Angeles County Museum of Art)
Attributed works:
84. Ken Moody and Robert Sherman, by Robert Mapplethorpe. 1984 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. J. Paul Getty Museum, Los Angeles)
Attributed works:
85. Self-portrait, by Robert Mapplethorpe. 1988 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. J. Paul Getty Museum, Los Angeles)
Exhibition Review
Brothers in Art: Drawings by Watts and Leighton. Compton. Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection. Ottawa & London
56. Self-portrait study (known as 'Fear'), by George Frederic Watts. c.1835-36 (Watts Gallery, Compton)
Attributed works:
57. Portrait of Virginia Pattle, by George Frederic Watts. c.1849 (Watts Gallery, Compton)
Attributed works:
58. Study for 'The Return of Persephone': drapery for Demeter, by Frederic Leighton. c.1890 (Leighton House Museum, London; exh. Watts Gallery, Compton)
Attributed works:
59. King Pelles' daughter bearing the vessel of the Sanc Graal, by Frederick Sandys. 1861 (Lanigan Collection, Saskatoon; exh. Watts Gallery, Compton)
Attributed works:
60. Samson and Delilah, by Henry Holiday. c.1859-61 (Lanigan Collection, Saskatoon; exh. Watts Gallery, Compton)
92. Le Pont de bois, by Claude Monet. 1872 (VKS Art Inc., Ottawa; exh. National Gallery of Canada, Ottawa)
Attributed works:
93. The Railroad Bridge at Argenteuil, by Claude Monet. 1873 (John G. Johnson Collection, Philadelphia Museum of Art; exh. National Gallery of Canada, Ottawa)
Attributed works:
94. The Port at Argenteuil, by Claude Monet. c.1872 (Musée d'Orsay, Paris; exh. National Gallery of Canada, Ottawa)