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Advertisements June 2016 (front)
06/2016 | 1359 | 158
Pages: s.p
Subjects
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subjects:
Illustrations
Attributed works:
[Ana Chiclana. Ruiz de Alarcon, 27. Madrid. Agustin Esteve y Marques. 1753 - Valencia - 1830. Portrait of Maria de la Concepcion Belvis de Moncada y Pizarro, VIII Marquesa de Ariza. Oil on canvas: 200 x 113,5. Signed and dated 1796]
Attributed works:
[Arcadia Carri Fine Art. Exhibiting at: 6 Hill Street, W1. St Sebastian, from the circle of Michel Erhart (fl. 1469-1522) c. 1490. Limewood. Height: 97 cm. Width: 22 cm. Depth: 19 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. Rare maiolica charger decorated with a capriccio landscape in monocromia turchina. Workshop of Maestro Jacomo de Pesaro, Venice, c.1545. D.45 cm]
Attributed works:
[Benjamin Proust Fine Art Ltd, 43-44 New Bond Street, W1. The Holy Family by Bnedetto Briosco (1460-1517). c.1500. Marble. Height: 31.3 cm. Width: 26.3 cm. Depth: 8.5 cm]
Attributed works:
[Bonham's, 101 New Bond Street, W1. Self-portrait, by William Dobson (1610-46). Oil on canvas, 59.9 by 47.2 cm]
Attributed works:
[Brun Fine Art, 38 Old Bond Street, W1. Bust of Paolo Emilio Campi, by Sebastiano Pantanelli (d.1792). Terracotta. Height: 63 cm]
Attributed works:
[Brun Fine Art. 38 Old Bond Street. London. Francesco Maria Schiaffino (1688-1763). Genoa. Ecstasy of Saint Teresa. White Marble. H:66, W: 58, D: 35 cm]
Attributed works:
[Chanel. L'instant. Watch]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1. Night and day: Mediterranean coasts with fishermen (one of a pair) by Francesco Fidenza (1747-1819). Oil on panel, 37.3 by 43.7 cm]
Attributed works:
[Crispian Riley Smith, Exhibiting at: 22 Bury Street, SW1. Studies of four legs in profile, one an ecorché study seen from behind, by Bartolomeo Passarotti (1529-92). Black chalk and pen and brown ink on paper. 28.2 by 20.8 cm]
Attributed works:
[Daniel Katz Gallery, 6 Hill Street, W1. Bust of Giuseppe Bossi, by Antonio Canova (1757-1822). 1816. Plaster. Height: 92 cm]
Attributed works:
[Florian Härb and Martin Grässle, 5 Dalmeny Court, 8 Duke Street, SW1. A rearing horse, by Lazzaro Tavorone (1556-1641). Black and white chalk on red prepared paper, 33.8 by 23.4 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Claude Gillot. Langres 1673-1722 Paris. Four Actresses. Pen and black ink, sanguine wash with traces of pencil. 146 x 200 mm]
Attributed works:
[Fondation Custodia. 121 rue de Lille. Paris. Exhibition: G. W. Eckersberg. 1783-1853. Artiste danois à Paris, Rome et Copenhague]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genova, 1667-1749. The Raising of Lazarus. Oil on canvas, 35.5 x 45 cm (14 x 17 3/4 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Grape Picker "Büttenmann", dated 1547 belonging to the patrician family of Lōffelholz in Nuremberg. Silver, parcel-gilt. Christoff Ritter I (master 1547-1565/75). Inscription: "Hanssen Lōffelholz von Kolbergs auf Herolzpach". Height: 20.5 cm, weight: 703 g.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. The Meeting, 1963-65. Oil on canvas. 40 x 44 inches]
Attributed works:
[James Mackinnon exhibiting at: Saffronart, London, 73 New Bond Street, FIrst Floor, London. Achille Benouville (1815-1891). The Roman Campagna. Watercolour and gouache over black chalk on blue paper 12 1/2 x 16 5/8 in. (31.7 x 42.3 cm) Bears atelier stamp on verso numbered 119]
Attributed works:
[Johnny van Haeften Ltd, 13 Duke Street, SW1. Still-life, by Jacob van Hulsdonck (1582-1647). On panel, the reverse prepared with gesso, 71.5 by 104 cm]
Attributed works:
[Kunstkammer Georg Laue, Munich. Court wedding casket. Cabinetmaker: Heinrich Eichler. Augsburg, ca. 1685. Tortoiseshell, ivory, silver, oil on panel, wood. Height 40 cm, Width 40 cm, Depth 27 cm]
Attributed works:
[London Art Week 2016. George Chinnery (1774-1852). Chinese figure by a waterfall in the hills. Courtesy of Martyn Gregory, London]
Attributed works:
[Martyn Gregory, 34 Bury Street, Sw1. A Chinese figure by a waterfall in the hills, by George Chinnery (1774-1852). Watercolour, 19 by 11.2 cm]
Attributed works:
[Maurizio Nobile, Exhibiting at: 37 Bury Street, SW1. The veil of St. Veronica, by Giovanni Battista Foggini. (1652-1725). Black chalk, pen and brown ink with brown wash, 11.5 by 9 cm]
Attributed works:
[Maurizio Nobile. Via Santo Stefano, 19/a. Bologna. 45, rue de Penthièvre. Paris. Giuseppe Antonio Petrini (Carona, 1677-1755/59). Saint Joseph, (detail) oil on canvas, unlined, cm 114x87]
Attributed works:
[Museo Nacional del Prado, Madrid. Bosch Adoration of the Magi (detail), c.1494. Madrid, Museo Nacional del Prado]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Louyse Moillon. Still life with basket of plums.]
Attributed works:
[Sphinx Fine Art, Exhibiting at: 50 Maddox Street, W1. An allegory of summer, by Abel Grimmer (1570-1618). Oil on canvas, 28.7 by 39.3 cm.]
Attributed works:
[Stephen Ongpin Fine Art, 6 Manson's Yards, SW1. A standing Moroccan Man, by Eugène Delacroix (1798-1863). Watercolour and pencil, 32.3 by 24.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 12 Duke Street, SW1. The Albani Faun (After the Antique), by Luigi Valadier (1726-85). Bronze on a turned Breccia Africano socle. Height: 55.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Master of the Unruly Children (active Florence and Tuscany, first half of the sixteenth century). River God. Terracotta, 26 x 33 x 21 cm]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Joseph Lacasse, Dominante Bleue, 1955-56 (detail)]
Western art unattributed:
[Ben Elwes Fine Art, 45 Maddox Street, W1. Three-quarter length portrait of Sir Peter Saltonstall, in the pose of Melancholia, English school, c.1600-10. Oil on oak panel, 88,9 by 71.1 cm]
Western art unattributed:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London. Faenza, circa 1550. Drug Jar. Diameter: 35.5 cm. Height: 30 cm. Provenance: Paolo Sprovieri Collection, Rome]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A composite South German Stechzeuc Armour, circa 1490-5.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Exceptional gold cross with five rock crystal intaglios representing Christ in majesty and the Tetramorph. Ottonian Art, IX/Xe century without excluding the re-employment of Carolingian gems. 11,7 cm x 11,7 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Gilded Light. 16th-century stained glass rounded from the collection of Sir Thomas Neave and other private collection]
Western art unattributed:
[Ted Few. 14 Tankerville Road, London Two bronze figures, Greco-Italic, 7th-6th century BC; and Umbrian, 3rd-2nd century BC: from a collection of 47 ancient statuettes from Sigmaringen]
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Advertisements May 2016 (front)
05/2016 | 1358 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s. 6 St. James Place. London. Paolo Uccello (Florence, 1397-1475). The Crucifixion, tempera and gold on panel, 23 5/8 x 13 3/8 inches (60 x 34 cm). Painted circa 1423]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Marco Antonio Franceschini (1648-1729). Mary Magdalene Receiving the Crown of Thorns from an Angal. Oil on canvas, 58.9 x 51. 6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Francesco Barbieri, called Guercino. Cento, 1591 - Bologna, 1666. L'Amore Virtuoso or Allegory of the Arts. Oil on canvas, 105.3 x 152 cm (41 7/16 x 59 7/8 in)]
Attributed works:
[Museo Nacional del Prado. Madrid. Spain. Bosch. Adoration of the Magi (detail). c. 1494. Madrid. Museo Nacional del Prado]
Attributed works:
[Robert Simon. 22 East 80th Street. Fourth Floor. New York. Michele Rocca (Parma 1666 - Venice, after 1751). The Expulsion from Paradise, One of a pair with The Temptation. Oil on canvas, 18 3/8 x 13 1/2 inches (46.7 x 34.3 cm)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin, Fragments, 2015 a series of six screenprints. © Michael Craig-Martin and Alan Cristea Gallery, London]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries, 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Clive Barker. Coke and Fallen Straw (Ivor), 1968]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Austrian Archer's Pavise, Klausen, mid 18th century]
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Advertisements April 2016 (front)
04/2016 | 1357 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds, London. A pair of polished gentleman, by James Gillray (1756-1815). 1801. Etching, soft-ground etching and engraving with watercolour and gum Arabic. 35.5 by 25.5 cm]
Attributed works:
[August Laube, Zurich. Veduta di Piazza Navona sopra le rovine del Circo Agonale, by Giovanni Battista Piranesi (1720-78). 1751. Etching, 46.3 by 69.7 cm]
Attributed works:
[Bernard Jacobson Graphics, London. Black for Mozart, by Robert Motherwell (1915-91). 1991. Lithograph and collage, 162.6 by 104.1 cm]
Attributed works:
[C.G. Boerner, New York and Düsseldorf. A beggar seated on a bank (self portrait), by Rembrandt Harmensz van Rijn (1606-69). 1630. Etching, 11.7 by 7 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), Christ carrying the cross (detail), oil on carpet, 49.5 x 36.5 cm]
Attributed works:
[Fine Art Society, London. The marriage at Cana, by Stanley Spencer (1891-1959). 1953. Lithograph, 64.5 by 52 cm]
Attributed works:
[Galerie Alexis Bordes. 4,rue de la Paix. Paris. François Boucher (Paris, 1703-1770). Study of a Male Head wearing a Turkish Turban. c.1745. Sanguine. 21.8 x 16.7 cm (8 9/16 x 6 9/16 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Massimo Stanzione (Orta di Atella, c.1585 - Naples, c. 1658. Bathsheba at the her Bath. Oil on canvas, 193 x 146 cm (76 x 57 1/2 in)]
Attributed works:
[Gallery Jin, Tokyo. Jam-packed sushi, by Kurumi Wakaki, 2011. Water-based woodcut on Japanese paper, 50 by 80 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Théodule Ribot. THE FULL BOTTLE. Oil on canvas on wood. 58.7 x 40.5 cm (23 1/8 x 16 in). Signed.]
Attributed works:
[Himmelbau Printmaking Finland, Tampere. Stage 1, by Janne Laine, 2015. Etching and photogravure, 59 by 106 cm]
Attributed works:
[Karl & Faber. Amirplatz 3. Munich. Jean-François Raffaëlli, Printemps de Paris.]
Attributed works:
[Karsten Schubert, London. Bagatelle 3, by Bridget Riley. 2015. Screenprint on paper, 67 by 58.5 cm (sheet)]
Attributed works:
[Museo del Prado, Madrid. Georges de La Tour, The Cheat with the Ace of Diamonds, Paris, Musée du Louvre, Dèpartement des Peintures.]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. Hans Schäufelin (c. 1480785 - c.1540). Bearing of the Cross, c. 1516/17. Oil/panel, 52 x 43 cm]
Attributed works:
[Osborne Samuel, London. The windmill, by Sybill Andrews (1898-1992). 1933. Linocut, 33 by 23.2 cm]
Attributed works:
[Paragon | Contemporary Editions, London. Untitled 01 from Six snapshots of Julie, by Grayson Perry. 2015. Woodcut with lithographic underlays, 72.5 by 48.5 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A cased pair of flintlock duelling pistols by Joseph Manton, from 1815]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Royal Academy. Michael Craig-Martin, Fragments, 2015 a series of six screenprints © Michael Craig-Martin and Alan Cristea Gallery, London]