advertisements:
Robilant and Voena, London, Great Britain
/ Classic Art London, London, Great Britain
/ Trinity Fine Art Ltd, London, Great Britain
/ Paul Mellon Centre for Studies in British Art, London, Great Britain
/ Princeton University Press, New Jersey, United States
/ Irish Arts Review
/ Karen Taylor Fine Art, London
/ Heritage Auctions, Dallas, United States
/ Heritage Auctions, Dallas, United States
/ Peter Finer (antique arms), London, Great Britain
/ Peter Finer (antique arms), London, Great Britain
/ Cesati, Alessandro
/ Darnley Fine Art, London, Great Britain
/ Hallett Independent Art and Heritage Insurance, London, Great Britain
/ Hamilton Kerr Institute, Fitzwilliam Museum, Cambridge, Great Britain
/ French and Company Art, New York, United States
/ Trinity Fine Art Ltd, London, Great Britain
/ La Biennale Paris
Attributed works:
A flying figure and a putto, by Lorenzo de Ferrari (1680–1744).
Red and traces of black chalk on laid paper, 27 by 41.4 cm.
[ROMANO FINE ART, FLORENCE]
Attributed works:
A student’s lodgings, by
John Absolon (1815–95).
c.1837–40. Watercolour
and bodycolour on
paper, 48.2 by 38.1 cm.
[ALEXANDER CLAYTON-PAYNE]
Attributed works:
Bull, by Joe Bradley (b.1975). 2025. Oil on canvas, 175.6 by 231.1 cm.
DAVID ZWIRNER, GRAFTON ST, W1S
Attributed works:
Community,
by Simon
Lehner (b.1996).
2024. Mixed
media, variable
dimensions.
EDEL ASSANTI,
LITTLE
TITCHFIELD ST,
W1W
Attributed works:
Costume study,
by Antoine Caron
(1521–99). Brown wash
over black chalk,
33.5 by 23 cm.
[GALERIE
DUPONCHEL, PARIS]
Attributed works:
Cuckoo, by Elizabeth
Armstrong Forbes
(1859–1912). c.1900.
Watercolour,
43 by 32 cm.
[DAVID MESSUM]
Attributed works:
Desert storm, by Emily Kam Kngwarray (1910–96). 1992.
Synthetic polymer paint on linen, 138.9 by 304.8 cm.
PACE, HANOVER SQUARE, W1S
Attributed works:
Entrance to the Yosemite Valley, by Constance Gordon-Cumming
(1837–1924). 1878. Watercolour over pencil on paper, 49 by 58 cm.
[KAREN TAYLOR FINE ART, GALLERY 8]
Attributed works:
EUGÈNE BOUDIN
TROUVILLE, LES JETÉES, MARÉE HAUTE, 1896 [Drouot]
Attributed works:
Francesco Fontebasso (Italian, 1707-1769)
Fall of the Rebel Angels, circa 1736 | Ink, wash, and gouache on tan laid paper
Estimate: $4,000 - $6,000 (Heritage Auctions)
Attributed works:
FRANCISCO DE GOYA (1746–1828)
Portrait of Maria Soledad Rocha Fernandez de la Peña,
Marquesa de Caballero, 1807 [Robilant and Voena]
Attributed works:
Head of an Eastern
gentleman with a
moustache and turban,
by Giambattista Tiepolo
(1696–1770). c.1755. Oil on
canvas, 43.5 by 35.5 cm.
[TRINITY FINE ART]
Attributed works:
Lady Betty (Elizabeth)
Foster (née Hervey)
(later Cavendish)
(1757–1824), by
George Engleheart
(1750–1829). c.1787.
Watercolour on
ivory, height 5 cm.
[LIMNER COMPANY]
Attributed works:
Pine trees before
birch trees, by Oskar
Bergman (1879–1963).
1908. Watercolour,
gouache and gold
on paper,
14.5 by 10.8 cm.
[BEN ELWES FINE
ART, LONDON]
Attributed works:
Punchinello and his
family spinning flax,
by Giovanni Domenico
Tiepolo (1727–1804).
c.1790–1800. Pen and
brown ink and wash,
over an underdrawing
in black chalk, 34.5 by
46.4 cm.
[STEPHEN ONGPIN
FINE ART, LONDON]
Attributed works:
Quilt 44, by Arrange
Whatever Pieces
Come Your Way.
2024. Cotton and
silk, 93 by 79 cm.
SID MOTION
GALLERY,
HATCHAM RD,
SE15
Attributed works:
Self-portrait at
the easel, by Franz
Hein (1863–1927).
Watercolour and
pencil, 100.3 by
66.8 cm.
[HÄRB NUTI
MASTER
DRAWINGS,
LONDON]
Attributed works:
Self-portrait in threequarter
profile to the
right, by Julius Hübner
(1806–82). 1828. Pencil
on thin cardboard,
13 by 10.6 cm.
[NICOLAAS
TEEUWISSE OHG,
BERLIN]
Attributed works:
Sketch for the Death and Apotheosis of Admiral Nelson,
by Pierre Nicolas Legrand de Sérant (1758–1829). c.1805–18.
Black chalk and sanguine highlights, 27.5 by 28.3 cm.
[GALERIE MICHEL DESCOURS, PARIS]
Attributed works:
Song of Creation, by
Bona de Mandiargues
(1926–2000). 1975.
Oil on canvas,
163 by 115 cm.
ALISON JACQUES
GALLERY, CORK
ST, W1S
Attributed works:
St Cecilia, by
Edward Reginald
Frampton (1872–1923).
Watercolour and
tempera on board,
73.7 by 120 cm.
[THE MAAS
GALLERY, LONDON]
Attributed works:
Still life on a
pedestal table, by
Georges Braque
(1882–1963). c.1923–
24. Watercolour
over pencil on
squared paper, 18.7
by 13.3 cm.
[WILDENSTEIN &
CO., NEW YORK]
Attributed works:
Studies of legs and a
torso for St John the
Baptist, by François
Boucher (1703–70).
1755. Black and white
chalk, 22.5 by 28.5 cm.
[DAY & FABER,
LONDON]
Attributed works:
Study of a young
woman, by Simeon
Solomon (1840–
1905). 1890. Red
chalk on paper,
35.5 by 29 cm.
[ALEXANDER
CLAYTON-PAYNE,
LONDON]
Attributed works:
Summoned and
Swept, by Erica
Mahinay (b.1986).
2025. Oil on linen,
224 by 200 cm.
JOSH LILLEY,
RIDING HOUSE
ST, W1W
Attributed works:
The mausoleum of
the necropolis of San
Vito, with figures
from Goethe’s Der
Wanderer, by Franz-
Ludwig Catel (1778–
1856). c.1830–40. Oil on
canvas, 81 by 108.5 cm.
[NONESUCH GALLERY]
Attributed works:
The opening, by Paul
Nash (1889–1946).
1930–31. Oil on canvas,
81.3 by 50.8 cm.
[DANIEL KATZ]
Attributed works:
THOMAS JONES (1742 –1803)
Near Naples with a mule on a track
Signed and inscribed l.r. in pencil: near NAPLES./T. JONES ./No XXXV.,
oil on Italian writing paper, laid down on card
27.7 x 43 cm.; 10⅞ x 16⅞ inches [Karen Taylor Fine Art]
Attributed works:
Tiziano ve cellio,
called Titian
Madonna and Child with
St. Mary Magdalene
oil on canvas
104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art]
Attributed works:
Two dancers, by
Edgar Degas (1834–
1917). Charcoal and
blue pastel on paper,
61 by 40.6 cm.
[HAYNES FINE ART]
Attributed works:
UTAGAWA HIROSHIGE
PLUM ESTATE, KAMEIDŌ, 1857
COLLECTION OF RENÉ SCHOLTEN (Drouot)
Attributed works:
Vase. Biagio Giustiniani
manufactory, Naples.
c.1820. Creamware,
height approx. 58 cm.
[JUSTIN RACCANELLO,
GALLERY]
Attributed works:
Venice: the Volta di Canal at night with the festivities in honour
of Emperor Ferdinand I of Austria, 7th October 1838, by Carlo
Grubacs (1802–70). 1838[?]. Oil on canvas, 50.5 by 69.2 cm.
[CHARLES BEDDINGTON]
Attributed works:
View of Belgrave House and Westminster Bridge from a sketch
taken in 1811, shortly before it was pulled down, by John Varley
(1778–1842). 1824. Watercolour over pencil heightened with
bodycolour, stopping out and gum arabic, 20.9 by 29.1 cm.
[GUY PEPPIATT FINE ART]
