56. Installation image from Transmitting Andy Warhol, Tate Liverpool, showing Exploding plastic inevitable, by Andy Warhol (Tate Liverpool)
Attributed works:
57. Debbie Harry: Rockbird. Album sleeve by Andy Warhol (The Andy Warhol Foundation for the Visual Arts, New York; exh. Tate Liverpool)
Attributed works:
58. Time magazine cover of Michael Jackson, by Andy Warhol. 19th March 1984
Attributed works:
59. Installation image of the upper gallery of Love is Enough at Modern Art Oxford, showing (left) Shirley Temple (unknown photographer); and (right) Marilyn Tapestry (Andy Warhol) hung on William Morris wallpaper
Graham Sutherland: An Unfinished World |
institution: Modern Art Oxford
Illustrations
Attributed works:
74. Tree forms in estuary, by Graham Sutherland. 1939. Watercolour, gouache and ink on paper, 29 by 22.5 cm. (Doncaster Museum Service, Doncaster Metropolitan Borough Council; exh. Modern Art Oxford).
60. Installation view of the exhibition Richard Prince at the Serpentine Gallery, London, 2008, showing a selection from the Hoods series.
Attributed works:
61. Monsters and stuff, by Tom Friedman. 2008. Magazine collage, 203.2 by 569 cm. (Courtesy of Gagosian Gallery, London).
Attributed works:
62. that open space within, by Anya Gallaccio. 2008. Dead horse-chestnut tree, rope and findings, dimensions variable. (Thomas Dane Gallery, London; exh. Camden Arts Centre, London).
Attributed works:
63. Women from Antwerp in November, by Chantal Akerman. 2007. Video installation (detail). (Marian Goodman Gallery, New York/Paris; exh. Camden Arts Centre, London).
73. Concetto spaziale/ Attese (Waiting), by Lucio Fontana. 1958. Water-Based Paint on Canvas, 100 by 130 cm. (Fondazione Lucio Fontana, Milan; Exh. Hayward Gallery, London).
Attributed works:
74. Concetto spaziale/La fine di Dio, by Lucio Fontana. 1963. 178 by 123 cm. (Private Collection, Milan; Exh. Hayward Gallery, London).
Attributed works:
75. Arlecchino, by Lucio Fontana. 1949. Polychrome Ceramic, 54 by 31 by 20 cm. (Private Collection, Milan; Exh. Hayward Gallery, London).
Attributed works:
76. Mappa, by Alighiero e Boetti. 1988. Embroidery, 115 by 213 cm. (Caterina Boetti, Rome; Exh. Whitechapel Art Gallery, London).
Attributed works:
77. Mobili capovolti (Upside-down Furniture), by Michelangelo Pistoletto. 1999. Mixed Media Installation. (Exh. Museum of Modern Art, Oxford).
Attributed works:
78. Shifting Perspective ('I Am the Other'), by Michelangelo Pistoletto. 1999. Mixed Media Installation. (Exh. Henry Moore Studio, Dean Clough, Halifax).
Attributed works:
79. Io che prendo il sole a Torino il 19 gennaio 1969, by Alighiero e Boetti. 1969. Cement and Butterfly, 177 by 90 cm. (Private Collection; Exh. Whitechapel Art Gallery, London).
45. Detail of Taking Measurements, by Alphonse Bertillon. c.1900. Photograph, 22 by 17 cm. (Musée des Collections Historiques de la Préfecture de Police, Paris; Exh. Museum of Modern Art, Oxford).
Attributed works:
46. Twentysix Gasoline Stations, by Ed Ruscha. 1962. 25.4 by 20.2 cm. (Artist's Collection; Exh. Museum of Modern Art, Oxford).
91. Harmless Woman, by Louise Bourgeois. Bronze, 28 by 10 by 6 cm. (Robert Miller Gallery, New York; Exh. Museum of Modern Art, Oxford).
Attributed works:
92. Arched Figure, by Louise Bourgeois. 1992. Drypoint, 40.5 by 26 cm. (Museum of Modern Art, New York; Exh. Museum of Modern Art, Oxford).
Attributed works:
93. Untitled, by Cristina Iglesias. 1993. Alabaster and Bronze, Dimensions Variable. (The Artist's Collection; Exh. Henry Moore Institute, Leeds).
Attributed works:
94. Detail of Cabinet, by Lili Dujourie. 1992. Plaster and Iron, 190 by 45 by 30 cm. (Each) (Xavier Hufkens Gallery, Brussels; Exh. Henry Moore Institute, Leeds).