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5 articles
Exhibition Review
Post-War Italian Art. London, Oxford and Halifax
01/2000 | 1162 | 142
Pages: 50-53
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related names
Reviewer:
Francis, Mark (Francis, Mark; Francis, Mark)
Subjects
dates:
2000-2009
museums and institutions:
Henry Moore Sculpture Studio, Halifax, Great Britain
museums and institutions:
Whitechapel Art Gallery, London, Great Britain
museums and institutions:
Modern Art Oxford, Oxford, Great Britain
places:
England / London / Halifax / Oxford
subjects:
Exhibitions / Reviews
subjects:
Italian painting / Modern Art
Illustrations
Attributed works:
73. Concetto spaziale/ Attese (Waiting), by Lucio Fontana. 1958. Water-Based Paint on Canvas, 100 by 130 cm. (Fondazione Lucio Fontana, Milan; Exh. Hayward Gallery, London).
Attributed works:
74. Concetto spaziale/La fine di Dio, by Lucio Fontana. 1963. 178 by 123 cm. (Private Collection, Milan; Exh. Hayward Gallery, London).
Attributed works:
75. Arlecchino, by Lucio Fontana. 1949. Polychrome Ceramic, 54 by 31 by 20 cm. (Private Collection, Milan; Exh. Hayward Gallery, London).
Attributed works:
76. Mappa, by Alighiero e Boetti. 1988. Embroidery, 115 by 213 cm. (Caterina Boetti, Rome; Exh. Whitechapel Art Gallery, London).
Attributed works:
77. Mobili capovolti (Upside-down Furniture), by Michelangelo Pistoletto. 1999. Mixed Media Installation. (Exh. Museum of Modern Art, Oxford).
Attributed works:
78. Shifting Perspective ('I Am the Other'), by Michelangelo Pistoletto. 1999. Mixed Media Installation. (Exh. Henry Moore Studio, Dean Clough, Halifax).
Attributed works:
79. Io che prendo il sole a Torino il 19 gennaio 1969, by Alighiero e Boetti. 1969. Cement and Butterfly, 177 by 90 cm. (Private Collection; Exh. Whitechapel Art Gallery, London).
Exhibition Review
Here and Now. Yorkshire
05/1999 | 1154 | 141
Pages: 308-310
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related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
Rodin, Auguste / Thrupp, Frederick / Charlton, Alan / Wall, Jeff / Sandback, Fred / Tuttle, Richard
artists:
Lincoln, Paul Etienne
artists:
Torok, Karl / Snæbjörnsdóttir, Bryndís
buildings:
Saint Paulinus, Brough Park, Great Britain
dates:
1990-1999
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
Leeds / Halifax / Brough Park / England
private galleries:
Henry Moore Sculpture Studio, Halifax, Great Britain / Dean Clough, Halifax, Great Britain
subjects:
Exhibitions / Reviews
subjects:
Sculpture / Installations (visual works) / Paintings / Performance art / Textiles / Photographs / Drawings / Models (representations) / Reviews / Exhibitions
Illustrations
Attributed works:
60. 10 Horizontal Parts (Left); 20 Horizontal Parts (Right), by Alan Charlton. 1999. Acrylic Emulsion on Cotton Duck, 198 by 49.5 cm (Each Part); 198 by 22.5 cm. (Each Part). (Exh. Henry Moore Institute, Leeds).
Attributed works:
61. Untitled Broken Triangle, by Fred Sandback. 1999. Acrylic Yarn, 594.7 by 1555.5 by 396.5 cm. (Exh. Henry Moore Institute, Leeds).
Attributed works:
62. The Nature of the Gun, by Richard Tuttle. 1980s. Two Beechwood Chairs and Two Benches with Whitened Ash Seats and Red Leather Cushions; Table with Whitened Ash Surface and Beech Supports, 450 by 300 cm. Base Area. (Exh. St Paulinus, Brough Park, nr. Catterick).
Attributed works:
63. Passerby (Left); Volunteer (Right), by Jeff Wall. 1996. Photographs; 229 by 335 cm.; 250 by 350 cm. (Exh. Henry Moore Institute, Leeds).
Exhibition Review
Plensa, Hamilton, Gormley. Halifax, Liverpool and Dublin
04/1994 | 1093 | 136
Pages: 253-254
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related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
Plensa, Jaume
dates:
1990-1999
museums and institutions:
Henry Moore Sculpture Studio, Halifax, Great Britain
places:
England / Halifax
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
46. Twins, by Jaume Plensa. Cast Iron, Steel Net and Earth. (Exh. Henry Moore Studio, Halifax).
Attributed works:
47. Mneme, by Ann Hamilton. Three-Room Installation (Detail). (Exh. Tate Gallery, Liverpool).
Attributed works:
48. Field (Detail), by Antony Gormley. 1991. Terracotta, 10 to 30 cm Each. (Salvatore Ala Gallery, New York; Exh. Tate Gallery, Liverpool).
Exhibition Review
Alison Wilding. Liverpool and Halifax
09/1991 | 1062 | 133
Pages: 636-637
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related names
Reviewer:
Cork, Richard (Cork, Richard)
Subjects
artists:
Wilding, Alison
dates:
1990-1999
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
museums and institutions:
Dean Clough, Halifax, Great Britain
places:
Halifax / Liverpool / England
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
83. Installation View of Stain, by Alison Wilding. 1991. Steel, Rubber and Woollen Cloth, 297 by 1000 by 485 cm. (Exh. Henry Moore Sculpture Trust Studio, Dean Clough, Halifax).
Attributed works:
84. Receiver, by Alison Wilding. Oak, Galvanised Steel, Pigment and Beeswax. 1988. 194.5 by 140.5 by 100 cm. (Karsten Schubert Ltd, London; Exh. Tate Gallery, Liverpool).
Exhibition Review
Giuseppe Penone. Bristol and Halifax
04/1989 | 1033 | 131
Pages: 314-315
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related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
artists:
Penone, Giuseppe
dates:
1980-1989
museums and institutions:
Dean Clough, Halifax, Great Britain
places:
England / Scotland / Bristol / Halifax
private galleries:
Arnolfini Gallery, Bristol, Great Britain
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
66. Pages of Earth, by Giuseppe Penone. 1987. Fired Clay, Wood and Tools. (Galerie Durand-Dessert, Paris; Exh. Arnolfini, Bristol).