By using this website you agree to our Cookie policy

Search

2 articles
Article
Continental Sources of Early Damask Patterns in Scotland
11/1965 | 752 | 107
Pages: 559-563
related names
Author:
Cavallo, Adolph S. (Cavallo, Adolph S.; Cavallo, Adolpho Salvatore)
Subjects
dates:
places:
subjects:
Illustrations
Western art unattributed:
15. The Annunciation. Linen Damask Napkin. Scottish. Dated 1722. (Private Collection; on Loan to the National Museum of Antiquities of Scotland, Edinburgh.)
Western art unattributed:
16. The Annunciation. Linen Damask Napkin. Dutch, Haarlem, First Half Seventeenth Century. (Private Collection, The Netherlands.) Photo Institute of the History of Art, State University, Utrecht.
Western art unattributed:
17. Story of Joseph. Linen Damask Napkin. Dutch, Haarlem, First Half Seventeenth Century. (Private Collection, The Netherlands.) Photo Institute of the History of Art, State University, Utrecht.
Western art unattributed:
18. The Annunciation. Linen Damask Napkin. Dutch, Probably Haarlem, First Half Seventeenth Century. Courtesy of H. Q. Forbes Irvine, Esq., Drum Castle.
Western art unattributed:
19. The Seasons (Spring and Winter). Linen Damask Napkin, Scottish. Dated 1713. Courtesy National Museum of Antiquities of Scotland.
Western art unattributed:
20. The Seasons (Winter, Autumn and Summer). Scottish. Dated 1748 or 1743. Courtesy National Museum of Antiquities of Scotland.
Western art unattributed:
21. The Seasons (Summer and Spring). Linen Damask Napkin. Dutch, Probably Haarlem, First Half Seventeenth Century. (Collection His Majesty the King of Sweden.) Photo Nordiska Museet, Stockholm.
Western art unattributed:
22. The Seasons (Winter and Autumn). Linen Damask Napkin. Dutch, Probably Haarlem, First Half Seventeenth Century. (Collection His Majesty the King of Sweden.) Photo Nordiska Museet, Stockholm.
Article
A Newly Discovered Trecento Orphrey from Florence
12/1960 | 693 | 102
Pages: 505-512+515
related names
Author:
Cavallo, Adolph S. (Cavallo, Adolph S.; Cavallo, Adolpho Salvatore)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
10. Scenes from the Life of the Virgin, by Taddeo Gaddi. Frescoes. (Baroncelli Chapel, Santa Croce, Florence.)
Attributed works:
11. Birth of the Virgin, by Agnolo Gaddi. Fresco. (Chapel of the Holy Girdle, Cathedral, Prato.)
Attributed works:
12. Detail from Presentation of the Virgin in the Temple, by Taddeo Gaddi, Fresco. (Baroncelli Chapel, Santa Croce, Florence.)
Attributed works:
15. Detail from Presentation of the Virgin in the Temple, by a Follower of Giovanni da Milano, Fresco. (Rinuccini Chapel, Santa Croce, Florence.)
Attributed works:
16. Detail from Left Half of Embroidered Altar Frontal, by Jacopo Cambi (Superfrontal Only Shown). Signed and Dated 1336. (Museo degli Argenti, Florence.)
Attributed works:
18. The Marriage of the Virgin, by Taddeo Gaddi, Fresco, (Baroncelli Chapel, Santa Croce, Florence.)
Attributed works:
19. Detail from Marriage of the Virgin, by Agnolo Gaddi. Fresco. (Chapel of the Holy Girdle, Cathedral, Prato.)
Attributed works:
20. The Dormition, Attributed to Jacopo del Casentino. Panel. (Formerly Loeser Collection, Florence.)
Attributed works:
9. Detail from Meeting of Joachim and Anna at the Golden Gate, by Giovanni da Milano. Fresco. (Rinuccini Chapel, Santa Croce, Florence.)
Western art unattributed:
13. Birth of the Virgin. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
14. Presentation of the Virgin in the Temple. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
17. The Dormition. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
2. Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)
Western art unattributed:
3. Orphrey from a Cope, Re-Assembled and Mounted on a Chasuble. Florence, Middle of the Fifteenth Century. (Victoria and Albert Museum, London.)
Western art unattributed:
4. Detail from Cope with Complete Orphrey and Hood. Florence, First Half of the Fifteenth Century. (Santa Margherita a Montici, near Florence.)
Western art unattributed:
5. Orphrey from a Cope. Re-Assembled and Mounted on a Chasuble. Florence, Fourteenth Century. (Musée de Douai.)
Western art unattributed:
6. Back of Chasuble Reproduced in Fig.5. Showing Other Sections of Fourteenth-Century Orphrey.
Western art unattributed:
7. The Annunciation to Joachim. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
8. Meeting of Joachim and Anna at the Golden Gate. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]