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4 articles
Short Notice
'Waiting: An English Fireside of 1854-5': Ford Madox Brown's First Modern Subject Picture
12/1986 | 1005 | 128
Pages: 903-904
related names
Author:
Bennett, Mary (Bennett, Mary)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
64. Waiting: An English Fireside of 1854-5, by Ford Madox Brown. 30.5 by 20 cm. (Walker Art Gallery, Liverpool).
Short Notice
An Early Drawing for 'The Tempest' by John Everett Millais
08/1984 | 977 | 126
Pages: 502-504
related names
Author:
Bennett, Mary (Bennett, Mary)
Subjects
dates:
places:
Illustrations
Attributed works:
19. Ferdinand and Ariel, by John Everett Millais. Pen and Black Ink on Paper, 28.4 by 20 cm. Signed and Dated 1848. (Walker Art Gallery, Liverpool).
Attributed works:
20. Ferdinand Lured by Ariel, by John Everett Millais. 14.6 by 10.9 cm. (Walker Art Gallery, Liverpool).
Article
Ford Madox Brown at Southend in 1846: Some Lost Paintings
02/1973 | 839 | 115
Pages: 74-78
related names
Author:
Bennett, Mary (Bennett, Mary)
Subjects
dates:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
1. Millie Smith, by Ford Madox Brown. Signed and Dated 1846. Paper Laid down on Panel, 22.8 by 17.5 cm. (Walker Art Gallery, Liverpool.)
Attributed works:
2. Two Studies of a Little Girl's Head, by Ford Madox Brown. Signed and Dated 1847. Linen, 35.5 by 45.8 cm. (City of Manchester Art Galleries.)
Attributed works:
3. Study of Clasped Hands for 'The Seraphs' Watch', by Ford Madox Brown. Black Chalk, 16.5 by 28 cm. (City Museum and Art Gallery, Birmingham.)
Attributed works:
4. Pretty Baa Lambs, by Ford Madox Brown. Signed and Dated 1851-1859. Panel, 61 by 76 cm. (City Museum and Art Gallery, Birmingham.)
Attributed works:
5. Wycliffe Reading His Translation of the Bible to John of Gaunt, in the Presence of Chaucer and Gower. (The First Translation of the Bible into English), by Ford Madox Brown. Canvas, 119.5 by 153.5 cm. (City Art Gallery and Museums, Bradford.)
Attributed works:
6. The Seraphs' Watch, Copy by Dante Gabriel Rossetti after Ford Madox Brown. Canvas, 49.5 by 34.3 cm. (Collection Mrs Jane Elliott.)
Attributed works:
7. 'Oure Ladye of Saturday Night' (Oure Ladye of Good Children), by Ford Madox Brown. Signed and Dated 1847-61. 78 by 59 cm. (Tate Gallery.)
Article
A Check List of Pre-Raphaelite Pictures Exhibited at Liverpool 1846-67, and Some of Their Northern Collectors
11/1963 | 728 | 105
Pages: 477+486-493+495
related names
Author:
Bennett, Mary (Bennett, Mary)
Subjects
artists:
artists:
collectors and dealers:
collectors and dealers:
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
23. Fazio's Mistress (Aurelia), by Dante Gabriel Rossetti. Signed and Dated 1863; Retouched 1873. Panel, 43 by 37 cm. Exhibited Liverpool Academy 1864. (Tate Gallery.)
Attributed works:
24. Wycliffe Reading His Translation of the Bible, by Ford Madox Brown. Signed. Canvas, 119.5 by 153.5 cm. Exhibited Free Exhibition, and Liverpool Academy 1848. (Art Gallery, Bradford.)
Attributed works:
25. Jesus washing Peter's Feet, by Ford Madox Brown. Signed and Dated 1852-56. Canvas, 117 by 133 cm. Exhibited Royal Academy 1852 and Prize Picture Liverpool Academy 1856. (Tate Gallery.)
Attributed works:
26. Study of a Waterfall, by John Everett Millais. Oil on Board, 23 by 33 cm. Probably Liverpool Academy 1862. (Samuel and Mary R. Bancroft Collection, The Wilmington Society of the Fine Arts, Wilmington, Delaware.)
Attributed works:
27. Mrs Leathart and Children, by Arthur Hughes. Signed. Canvas, 77.5 by 103 cm. Exhibited Royal Academy and Liverpool Academy 1865. (Private Collection.)
Attributed works:
28. A Christmas Carol, by Dante Gabriel Rossetti. Signed and Dated 'XMAS / 1857-8'. Water-Colour, 33.7 by 29.2 cm. Exhibited Liverpool Academy 1858. (Fogg Art Museum, Harvard University, Grenville L. Winthrop Bequest.) By Courtesy of the Fogg Art Museum.