17. The Judgement of Paris. Paper-Impression from Copper-Plate Marked 'Nixon and Co.' (Collection G. P. and J. Baker Ltd.)
Western art unattributed:
20. Paper-Impression from Copper-Plates Inscribed on Back 'Echantillons de Walker'. (Musée de l'Impression, Mulhouse, Alsace.)
Western art unattributed:
21. Above: Paper-Impression from Copper-Plates Marked 'Ware no.53'. (Musée de l'Impression, Mulhouse, Alsace.) Below: As above, but Marked 'Ware no.48'.
Western art unattributed:
22. Handkerchief, Plate-Printed in Red. Inscribed 'Peele and Simpson Inv.' in One Corner and 'L. Barwick and Co. Ex. March 1769' in Another Corner. (Victoria and Albert Museum, London.)
Western art unattributed:
23. Paper-Impression from Copper-Plates Marked 'Jones no.68'. (Musée de l'Impression, Mulhouse, Alsace.)
Article
William Kilburn and the Earliest Copyright Acts for Cotton Printing Designs
4. Cotton Muslin, Printed in Green and Yellow. Stamped with Customs Mark and Name 'London, Brown and Co.' English, Perhaps by Kilburn, Late Eighteenth Century. (Victoria and Albert Museum. Crown Copyright.)
Western art unattributed:
2. Cotton, Printed in Red. Inscribed 'Collins Woolmer's 1766'. English, 1766. (Victoria and Albert Museum. Crown Copyright.)
Western art unattributed:
3. Cotton, Printed in Purple. English, Late Eighteenth Century. Design Perhaps by Kilburn. (Victoria and Albert Museum. Crown copyright.)
Western art unattributed:
5. Cotton, Printed in Colours. French (Jouy), Late Eighteenth Century. (Victoria and Albert Museum. Crown Copyright.)
Western art unattributed:
6. Cotton, Printed in Colours. English, Early Nineteenth Century. (Victoria and Albert Museum. Crown Copyright.)
Article
Some Eighteenth-Century Advertisements and the English Linen and Cotton Printing Industry
Plate I. A-Cotton, Printed in Purple from Engraved Copper-Plates. Mark "Robinson, Balls Bridge." Dublin, Late 18th Century. Size of Repeat, 76 by 71 cm. (National Museum, Dublin). Linen and Cotton Printing in the 18th Century at Ballsbridge, Dublin.
Attributed works:
Plate I. B-Detail of a, Showing Factory Mark at Base of Pillars. Linen and Cotton Printing in the 18th Century at Ballsbridge, Dublin.
Western art unattributed:
Plate II. A-Linen and Cotton, Block-Printed in Blue. French, (Jouy), Late Eighteenth Century. (Victoria and Albert Museum). Linen and Cotton Printing in the 18th Century at Ballsbridge, Dublin.
Western art unattributed:
Plate II. B-Cotton, Printed in Red from Engraved Plates. English, (Old Ford). Marked and Dated 1761. (Victoria and Albert Museum). Linen and Cotton Printing in the 18th Century at Ballsbridge, Dublin.
Plate I. A-The Defence of Londonderry. Tapestry Made by Robert Baillie in Dublin for the Irish House of Lords. 1728-32. (Bank of Ireland, Dublin). Some Tapestry Makers in Ireland
Attributed works:
Plate I. B-The Battle of the Boyne. Tapestry Made by Robert Baillie in Dublin for the Irish House of Lords. 1728-32. (Bank of Ireland, Dublin). Some Tapestry Makers in Ireland
Attributed works:
Plate II. A-The Capture of Stralsund. Tapestry Made by Pierre Mercier in Berlin. 1693. Designed by Ruetger van Langerfeld. (Schlossmuseum, Berlin). Some Tapestry Makers in Ireland
Attributed works:
Plate II. B-The Royal Arms of George III. Tapestry Probably Made by Richard Pawlet in Dublin. About 1760. (The Earl of Granard). Some Tapestry Makers in Ireland
Attributed works:
Plate II. C-Portrait of George II. Tapestry Made by John van Beaver in Dublin. 1738. (Messrs. Atkinson, Dublin). Some Tapestry Makers in Ireland
A-The Provincial Review in Phoenix Park, May, 1783. Printed on Linen from Copper Plates by Edward Clarke. (Photographed from Specimen in the Possession of the First Volunteer Masonic Lodge of Ireland). Shorter Notices: Edward Clarke, Linen Printer
Western art unattributed:
Map Showing Location of Printing Yards near Dublin. Adapted from Rocque's Maps of Dublin and Environs, c. 1760.