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18 articles
Editorial
The end of reproduction fees?
02/2024 | 1451 | 166
Pages: 111
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Subjects
subjects:
Reproduction fees / Copyright / The Art Newspaper, London, Great Britain / Grosvenor, Bendor / Art museums / Museums
Article
Whistler’s ‘Symphony in white no.1’ through the lens of copyright history
05/2022 | 1430 | 164
Pages: 486-491
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Author:
Cooper, Elena (Cooper, Elena)
Subjects
artists:
Whistler, James Abbott McNeill
dates:
1860-1869
museums and institutions:
Royal Academy of Arts, London, Great Britain
subjects:
Copyright / Victorian art / Models (people) / Hiffernan, Joanna / Titles of works of art
Illustrations
Attributed works:
1. Symphony in white no.1: the white girl, by James Abbott McNeill Whistler. 1862. Oil on canvas, 213 by 107.9 cm. (National Gallery of Art, Washington; exh. Royal Academy of Arts, London).
Attributed works:
2. Symphony in white no.2: the little white girl, by James Abbott McNeill Whistler. 1864. Oil on canvas, 76.5 by 51.1 cm. (Tate; exh. Royal Academy of Arts, London).
Attributed works:
3. Symphony in white no.3, by James Abbott McNeill Whistler. 1865–67. Oil on canvas, 51.4 by 76.9 cm. (Barber Institute of Fine Arts, University of Birmingham; Bridgeman Images; exh. Royal Academy of Arts, London).
Attributed works:
4. Weary, by James Abbott McNeill Whistler. 1863. Drypoint on Japanese paper, 25.4 by 16.5 cm. (National Gallery of Art, Washington).
Attributed works:
5. Nocturne: grey and gold – Chelsea snow, by James Abbott McNeill Whistler. 1878. Oil on canvas, 47 by 62.2 cm. (Fogg Art Museum, Harvard University).
Attributed works:
6. The Woman in White, by Frederick Walker. 1872. Gouache on paper, 217.2 by 128.9 cm. (Tate; exh. Royal Academy of Arts, London).
Article
The ‘visual turn’ in copyright history and its relevance to art history
12/2021 | 1425 | 163
Pages: 1148-1157
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Author:
Cooper, Elena (Cooper, Elena)
Subjects
artists:
Hunt, William Holman
subjects:
Copyright / Reproductions / Copies / Law / Prints / Photographs / Art history / British art
Illustrations
Attributed works:
1. Photograph of Bianca by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
2. Photograph of The light of the world by William Holman Hunt accompanying the copyright application dated 20th January 1904. (National Archives, London, COPY1/211).
Attributed works:
3. Photograph of The Lady of Shalott by William Holman Hunt accompanying the copyright application dated 9th June 1905. (National Archives, London, COPY1/230).
Attributed works:
4. Photograph of The ship by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
5. Photograph of Master Hilary – the tracer by William Holman Hunt accompanying the copyright application dated 9th November 1906. (National Archives, London, COPY1/325).
Attributed works:
6. Master Hilary – the tracer, by William Holman Hunt. 1885(?), 1886–87. Oil on canvas, 122.2 by 66 cm. (Private collection; Bridgeman Images).
Book Review
Art and Modern Copyright: The Contested Image
09/2021 | 1422 | 163
Pages: 875-876
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Reviewer:
Fuhring, Peter (Fuhring, Peter)
Subjects
dates:
1850-1919
places:
United Kingdom
subjects:
Copyright / Prints / Photographs / Paintings / Authors
Reviewed Items
subjects:
Art and Modern Copyright: The Contested Image By Elena Cooper. 304 pp. incl. 13 b. & w. ills. (Cambridge University Press, Cambridge, 2018), £85. ISBN 978–1–107–17972–1. | :
Book Review
Becoming Property: Art, Theory, and Law in Early Modern France. By Katie Scott
05/2020 | 1406 | 162
Pages: 460-461
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related names
Reviewer:
Cooper, Elena (Cooper, Elena)
Subjects
subjects:
Law / Legislative bills / Copyright / France / Copying / Art criticism
Reviewed Items
subjects:
Becoming Property: Art, Theory, and Law in Early Modern France By Katie Scott. 384 pp. incl. 117 col. + b. & w. ills. (Yale University Press, New Haven and London, 2018),  55. ISBN 978–0–300–22279–1. | :
Editorial
Open access and printed journals
03/2020 | 1404 | 162
Pages: 179
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Subjects
subjects:
Open access / Art literature / scholars / Research / Art historians / art history publishing / Copyright / Digital technology
Book Review
Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War. By Elizabeth Prettejohn
01/2018 | 1378 | 160
Pages: 69-70
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related names
Reviewer:
Tromans, Nicholas (Tromans, Nicholas)
Subjects
art literature:
Pater, Walter
artists:
Rossetti, Dante Gabriel
dates:
1850-1919
media:
Paintings
places:
England
styles:
Aesthetic Movement / Pre-Raphaelite art
subjects:
Influence / Copyright
works:
The Arnolfini Portrait (National Gallery, London)
Illustrations
Attributed works:
5. The Adoration of the Kings and Annunciation, by Edward Burne-Jones for St Paul’s, Brighton. 1860–61. (Private collection).
Editorial
Copyright: fair or foul?
10/2006 | 1243 | 148
Pages: 659
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Subjects
print:
Copyright
subjects:
Editorials / Copyright
Editorial
The cost of copyright
08/2003 | 1205 | 145
Pages: 551
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Subjects
subjects:
Reproductions / Copyright
Publication Received
Art and Copyright
02/2002 | 1187 | 144
Pages: 115
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related names
Reviewer:
Schubert, Karsten (Schubert, Karsten)
Subjects
print:
Copyright
subjects:
Art / and / Copyright
Reviewed Items
subjects:
Art and Copyright | author: Stokes, Simon
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