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2 articles
Article
New evidence concerning the original version of Robert Delaunay’s ‘The runners’
12/2024 | 1461 | 166
Pages: 1230–37
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Author:
Greeley, Anne (Greeley, Anne)
Subjects
artists:
Delaunay, Robert, 1885-1941
dates:
1900-1929
museums and institutions:
Musee d'Art moderne de Troyes, Troyes, France
subjects:
French painting / Exhibitions / Versions / overpainting / Exhibition catalogues / Sports
Illustrations
Attributed works:
1. The runners, by Robert Delaunay. 1924. Oil on canvas, 114 by 146 cm. (Musée d’art moderne de Troyes; photograph Olivier Frajman).
Attributed works:
2. The runners, by Robert Delaunay. (From the catalogue of the exhibition Kunst und Sport, Düsseldorf 1926; Harry Ransom Center, University of Texas at Austin, Book Collection).
Attributed works:
3. The runners, by Robert Delaunay. 1924–25. Oil on canvas, 153 by 203 cm. (Fridart Foundation; photograph Courtauld Institute, London).
Attributed works:
4. The runners, by Robert Delaunay. 1930. Oil on canvas, 112.8 by 145.5 cm. (Private collection).
Attributed works:
5. The version of The runners exhibited at the Salon des Indépendants, Paris, 1925. (From L’Art vivant, 20th March 1925; Bibliothèque nationale de France, département Sciences et techniques, FOL-V-5897).
Attributed works:
6. Record I, by Robert Delaunay. (From the catalogue of the exhibition Französische Kunst der Gegenwart, Vienna, 1926; Library, National Gallery of Art, Washington, David K.E. Bruce Fund).
Attributed works:
7. The runners, by Robert Delaunay. 1926. Oil on canvas, 171 by 190 cm. (Private collection; photograph akg-images).
Attributed works:
8. The runners, by Robert Delaunay. 1926. Oil on canvas, 65 by 81 cm. (Private collection).
Attributed works:
9. Installation view of the exhibition Kunst und Sport in Düsseldorf, 1926. Photograph by Julius Söhn, Düsseldorf. (Harry Ransom Center, University of Texas at Austin; Carlton Lake Collection of French Manuscripts, 204.8).
Article
Reconsidering Giorgio de Chirico’s early exhibition history: ‘The red tower’ and ‘The enigma of a day’
10/2017 | 1375 | 159
Pages: 807-811
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related names
Author:
Greeley, Anne (Greeley, Anne)
Subjects
artists:
Chirico, Giorgio de
dates:
1910-1919
museums and institutions:
Salon des Indépendants / Salon d'Automne, Paris
styles:
Pittura Metafisica / Surrealism
subjects:
Identification / Exhibitions
works:
The enigma of a day, Giorgio de Chirico. 1914 (MoMA) / The enigma of a day.1914 Giorgio de Chirico (Sao Paolo) / The red tower, Giorgio de Chirico. 1913 (Peggy Guggenheim Collection, Venice) / The rose tower, by Giorgio de Chirico. 1913 (Barnes Foundation)
Illustrations
Attributed works:
40. The rose tower, by Giorgio de Chirico. 1913 (Barnes Foundation, Philadelphia; © 2017 Artists Rights Society, New York, and SIAE, Rome; photograph Scala and Art Resource, New York).
Attributed works:
41. The red tower, by Giorgio de Chirico. 1913 (Peggy Guggenheim Collection, Venice; © 2017 Artists Rights Society, New York, and SIAE, Rome; photograph Scala and Art Resource, New York).
Attributed works:
42. The enigma of a day, by Giorgio de Chirico. 1914 (Museu de Arte Contemporânea da Universidade de São Paolo; © 2017 Artists Rights Society, New York and SIAE, Rome).
Attributed works:
43. Illustration from Caras y Caretas (25th April 1914) of the 1914 salon des Independants, showing the version of Enigma of a day now in São Paolo. (Photograph Jer Nelson).
Attributed works:
44. The eniga of a day, by Giorgio de Chirico. 1914 (Museum of Modern Art, New York; © 2017 Artists Rights Society, New York, and SIAE, Rome).
Attributed works:
45. André Breton in front of Giorgio de Chirico's The enigma of a day. Photograph by Man Ray. 1925 (© Man Ray Trust, Artists Rights Society, New York, and ADAGP, Paris, 2017).