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Article
Reconsidering Giorgio de Chirico’s early exhibition history: ‘The red tower’ and ‘The enigma of a day’
10/2017 | 1375 | 159
Pages: 807-811
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related names
Author:
Greeley, Anne (Greeley, Anne)
Subjects
artists:
Chirico, Giorgio de
dates:
1910-1919
museums and institutions:
Salon des Indépendants / Salon d'Automne, Paris
styles:
Pittura Metafisica / Surrealism
subjects:
Identification / Exhibitions
works:
The enigma of a day, Giorgio de Chirico. 1914 (MoMA) / The enigma of a day.1914 Giorgio de Chirico (Sao Paolo) / The red tower, Giorgio de Chirico. 1913 (Peggy Guggenheim Collection, Venice) / The rose tower, by Giorgio de Chirico. 1913 (Barnes Foundation)
Illustrations
Attributed works:
40. The rose tower, by Giorgio de Chirico. 1913 (Barnes Foundation, Philadelphia; © 2017 Artists Rights Society, New York, and SIAE, Rome; photograph Scala and Art Resource, New York).
Attributed works:
41. The red tower, by Giorgio de Chirico. 1913 (Peggy Guggenheim Collection, Venice; © 2017 Artists Rights Society, New York, and SIAE, Rome; photograph Scala and Art Resource, New York).
Attributed works:
42. The enigma of a day, by Giorgio de Chirico. 1914 (Museu de Arte Contemporânea da Universidade de São Paolo; © 2017 Artists Rights Society, New York and SIAE, Rome).
Attributed works:
43. Illustration from Caras y Caretas (25th April 1914) of the 1914 salon des Independants, showing the version of Enigma of a day now in São Paolo. (Photograph Jer Nelson).
Attributed works:
44. The eniga of a day, by Giorgio de Chirico. 1914 (Museum of Modern Art, New York; © 2017 Artists Rights Society, New York, and SIAE, Rome).
Attributed works:
45. André Breton in front of Giorgio de Chirico's The enigma of a day. Photograph by Man Ray. 1925 (© Man Ray Trust, Artists Rights Society, New York, and ADAGP, Paris, 2017).