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8 articles
Short Notice
Chinese Paintings and Ceramics of the Ch'ing Period in the British Museum
06/1952 | 591 | 94
Pages: 168+170-171
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Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
artists:
Jin Nong, 1687-1764
artists:
Lo Ping, 1733-1799
artists:
Gao Fenghan, 1683-c.1748
artists:
Gao Qipei, 1672-1732
artists:
Gai Qi, 1774-1829
artists:
Zheng Xie, 1693-1765
collectors and dealers:
Kaempfer, Engelbert, 1651-1716
dates:
1700-1799
museums and institutions:
British Museum, London, Great Britain
places:
China / England
subjects:
Chinese painting / Qing / Ceramics / Chinese / Chinese Art
subjects:
Japanese painting / Woodcuts / Collections, Private
subjects:
Kangxi / Yangzhou
subjects:
Prints / Scrolls (Rolls)
Illustrations
Attributed works:
18. Section of Scroll: Chrysanthemum, Bamboo and Orchids, by Chêng Hsieh. 1755. Ink on Paper. (British Museum.)
Attributed works:
19. Lady and Maid, by Kao Ch'i-p'ei. From an Album of Sketches. Ink and Light Colour on Paper. (British Museum, Presented by General Sir George S. de Barrow, G. C. B., K. C. M. G.)
Non-western art unattributed:
20. Swallows and Plum-Blossom. Poem by Jui-lin. Seventeenth-Century Colour Print. (British Museum, from the Kaempfer Collection.)
Article
The Exhibition of T'ang Art in the British Museum
08/1951 | 581 | 93
Pages: 254-257+259
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Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
artists:
Wang Wei, 8th c.
collectors and dealers:
Stein, Aurel
dates:
0700-0799
dates:
1950-1959
museums and institutions:
British Museum, London, Great Britain
places:
China / England / London
subjects:
Chinese Art / Chinese / Exhibitions / Tang
subjects:
Chinese sculpture / Buddhas / Bodhisattva
subjects:
Art objects / Metalwork / Textiles / Mirrors
subjects:
Ceramics / Pilgrim bottles
Illustrations
Non-western art unattributed:
10. Oblong Silver Dish with Foliage Scrolls and Birds Engraved in the Centre. Repoussé Scrolls with Birds on the Rim. No Gilding. (British Museum.)
Non-western art unattributed:
8. Oblong Silver Dish Showing Horsemen approaching a Man Fishing, who Is Apparently Chiang Tzū-ya. Gilt on the Reliefs and on Main Features of Engraved Design. Scrolls on the Rim in repoussé. (British Museum.)
Non-western art unattributed:
9. Fragment Showing Scenes from the Life of Buddha. Above: Farewell of Chandaka and Kanthaka; below: The Departure of Chandaka. (British Museum.)
Article
Late Chou and Han Art at the British Museum
05/1951 | 578 | 93
Pages: 152-157
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related names
Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
museums and institutions:
British Museum, London, Great Britain
places:
China / England
subjects:
Chinese Art / Chinese / Art objects / Decorative arts
subjects:
Jewellery / Bronzes / Mirrors
subjects:
Zhou (Chou) / Han
subjects:
Huai
subjects:
Chinese sculpture
subjects:
Animals / Gods / Xian (Taoist immortals) / Iconography
Illustrations
Non-western art unattributed:
10. Buckle. Here Attributed to the Han Period (? E. Han). Gilt Bronze with Turquoise Inlay; Length 20.3 cm., Width 4.1 cm. (Raphael Bequest, British Museum.)
Non-western art unattributed:
11. Buckle. Here Attributed to the Han Period (? Late E. Han). Gilt Bronze Inlaid with Glass Bead; Length 18.7 cm. (Oppenheim Bequest, British Museum.)
Non-western art unattributed:
12. Left: Mirror. Late W. Han or Early E. Han. Bronze, with Decoration Carried out in Gold-Leaf, Applied to the Flat Surface; Diameter 19.4 cm. (Eumorfopoulos Collection, British Museum.) Right: Mirror. Pre-Han, Excavated in Shouchou. Bronze; Diameter 25.4 cm. (Raphael Bequest, British Museum.)
Non-western art unattributed:
13. Detail from Eumorfopoulos Mirror Reproduced in Fig. 12 (Left).
Non-western art unattributed:
14. Robe-hook. Probably W. Han. Bronze, with a Blue Glass Bead Inset; Length 8.9 cm. (British Museum.)
Non-western art unattributed:
15. Plaque. Late Chou. Bronze; Length 12.1 cm., Width 14.6 cm. (Oppenheim Bequest, British Museum.)
Non-western art unattributed:
9. Cylindrical Container. Probably Late W. Han. Bronze; Height 10.2 cm. (British Museum.)
Short Notice
Chinese Art of the Ming Period (A. D. 1368-1644)
09/1950 | 570 | 92
Pages: 271-272
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Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
artists:
Tang Yin, 1470-c. 1523
dates:
1950-1959
museums and institutions:
British Museum, London, Great Britain
places:
England / China
subjects:
Chinese Art / Chinese / Exhibitions / Ming
subjects:
Chinese painting / Ceramics / Art objects
Short Notice
The Exhibition of the "Goddess of Mercy" at the Berkeley Galleries
12/1943 | 489 | 83
Pages: 311
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related names
Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
dates:
1940-1949
places:
China / England
private galleries:
Berkeley Galleries, London, Great Britain
subjects:
Guanyin / Chinese / Chinese Art / Exhibitions
Short Notice
Animals in Chinese Art
07/1943 | 484 | 83
Pages: 177-178+180
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related names
Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
dates:
1940-1949
places:
China / England
private galleries:
Berkeley Galleries, London, Great Britain
subjects:
Chinese / Chinese Art / Animals / Sculpture / Exhibitions
Illustrations
Non-western art unattributed:
C-Two Tiger-Like Animals, Belonging to a Bridle. 4th-3rd Century B. C. Length, 17.2 cm. (Berkeley Gallery). Shorter Notices: Animals in Chinese Art
Non-western art unattributed:
D-Horse's Head. Period of the Six Dynasties. Height, 15.2 cm. (Berkeley Gallery). Shorter Notices: Animals in Chinese Art
Article
Neolithic Symbols and the Purpose of Art in China
04/1943 | 481 | 82
Pages: 91-99+101
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related names
Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
places:
China
subjects:
Chinese Art / Chinese / Prehistoric / Ceramics / Pottery
subjects:
Pattern / Symbolism (artistic concept)
subjects:
Decorative arts / Han
subjects:
Mirrors / Vases / Funerary art
subjects:
Neolithic / Gansu
subjects:
Choukoutien / Zhou (Chou) / Han / Warring States
subjects:
Sculpture / Metalwork
Illustrations
Non-western art unattributed:
Drawings (Partly Reconstructed) of Neolithic Pottery Symbols. Figures 1, 2, 3, 4, 5, 6, 7, 8, 11, 9, 10, 14, 12, 18, 13, 17, 15, 16, 20, 22, 21, 19
Non-western art unattributed:
Plate I. A-Kuei, Food Vessel. (Sir Neil Malcolm). Found at Hsin Ts'un near Hsün Hsien. Early Chou Period. Sun/Moon Symbols Alternating with Fire Spirals Symbol. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate I. B-T. L. V. or Cosmic Mirror. (Musee Guimet. Paris). Period of the Warring States (ca. 481-221 B. C.) Diameter 18.5 cm. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate I. C-Funerary Vase. Kansu. (Ostasiatiska Samlingarna, Stockholm). Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate I. D-Stone-Rubbing from Tomb of Wu Family, A. D. 148. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate II. A-Funerary Ware (Ming Ch'i). Clay Model of a Gate with Impressed Scenery and Patterns. Rosettes between Trees Are an Old Star- or Sun-Symbol in the Calendar Symbolism of Western Asia. (Musée Cernuschi, Paris). On This Gate Are Represented Also Rows of Gates Flanked by Trees and Birds. This Scene Might Stand for a Constellation Myth. The Stag Whose Head Adorns the Middle of the Gate Plays a Part in Autumn and Marriage Rites. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate II. B-Pillar from the Entrance to the Grave of Shen. Szchuan, Second Century, A. D. The Upper Part of This Pillar Imitates Wooden Beams and from One of the Beams Is Suspended the Symbol of the Emperor and the Solar Year, the "Pi" Disc. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate III. A-Carved Marble Slab. A. D. 114. 88 by 119 cm. (Baron von der Heydt, Lent to Victoria and Albert Museum). Another Performance of a Cosmological Myth. The Tree on the Left Is Probably the Joh-Tree, Whose Flowers Light the World before the Sun Rises; It Is Connected with the Moon. Jugglers, Dancers, Acrobats, Etc., Make It Plain That This Represents a Performance. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate III. B-Mirror, Bronze. End of the Han Period or Later. Sun, Moon and Star Symbols Are Replaced by Representations of King Mu and Hsi Wang Mu. This Strengthens Our Point That the Myth Takes Its Root in Neolithic Astronomical Imitation Plays and Can, Therefore, Replace the Sun, Moon and Star Symbols. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate III. C-Hu. Bronze Vessel. Height 37 cm. Period of the Warring States. (Chinese Government). Symbols Replaced by Representations of Performances, e. g., a Man Performs a Ritual Dance, Others Fight with Tigers and Wild Boars. Yao Shooting the Wild Boar and a Light between Two Pretenders for the Throne of Yü (See Lower Row) Are Recorded in the T'ien Wên. Neolithic Symbols and the Purpose of Art in China
Article
Two Models of Chinese Homesteads
10/1937 | 415 | 71
Pages: 153-155+158-163+167
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related names
Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
collectors and dealers:
Eumorfopoulos, George, 1863-1939
dates:
1600-1649
places:
China
subjects:
Animals / Chi Lin
subjects:
Chinese architecture / Architectural models / Funerary art / Ming
Illustrations
Non-western art unattributed:
Fig. 1. Timber-Work of the Gate in the Eumorfopoulos Collection.
Non-western art unattributed:
Fig. 2. Model of a Little House of the Han Period, Found by Mr. Th. Torrance in Ssu-ch'uan (From Segalen, Voisins and Lartique: L'Art funéraire à l'Epoque des Han, p. 258)
Non-western art unattributed:
Fig. 3.-Triangular construction in the form of the so-called "man-beam," typical of the Wei period. Fig. 4.-Construction of the consoles. Sung period (from the Ying tsao fa shih). Fig. 5.-Transformation of the triangular construction into a homogeneous, decorative motif (from CHAVANNES: "Mission Archéologique," the timber-work of a triumphal arch from Shantung, Pl. ccccix). Fig. 6.-Spirals on the halo of a statue of Buddha, A. D. 536 (from Sirén: Chinese Sculpture from the Fifth to the Fourteenth Century). Fig. 7.-Construction of consoles with protruding rafters and simple decorative finishes. Sung period (from the Ying tsao ya Shih). Fig. 8.-Triangular construction in the form of a "Camelback," typical of the Sui and the first half of the T'ang periods. Fig. 9.-Spirals on the ridge of the Hall and on the Gate in the Eumorfopoulos Collection. Fig. 10.-Porcelain pedestal. About A. D. 1500 (from HOBSON: Catalogue of the Eumorfopoulos Collection, IV., D. 171). Fig. 11.-Ch'i-lin on a mirror. Six Dynasties (from YETTS: Catalogue of the Eumorfopoulos Collection, II., B. 24, Pl. xv). Fig. 12.-Ch'i-lin on a brocade. Fifteenth century (State Museums, Berlin). Fig. 13.-Ch'i-lin on a brush-pot. Early seventeenth century (from HOBSON: Catalogue of the Eumorfopoulos Collection, IV, D. 195, Pl. 43). Fig. 14.-Ch'i-lin on a mirror. A. D. 167 (from YETTS: Catalogue of the Eumorfopoulos Collection, II., London. B. 16, Pl. X). Fig. 15.-Porcelain pedestal. About A. D. 1500 (from HOBSON: The Wares of the Ming Dynasty). Fig. 16.-Ch'i-lin, after a painting on a vase. Chia-ching period. A. D. 1522-66 (from HOBSON: Catalogue of the Eumorfopoulos Collection, IV., No. 18, D. 97).
Non-western art unattributed:
Plate I. A-Baked Clay Model of a Homestead. From a Set of Tomb-Furniture (The Small Gate in the Centre Should Stand at the Entrance of the Courtyard, as in B; The Great Gate and the Spirit-Wall outside the Enclosure). (The Eumorfopoulos Collection, British Museum). Two Models of Chinese Homesteads
Non-western art unattributed:
Plate I. B-Baked Clay Model of a Homestead. From a Set of Tomb-Furniture Found in Central Honan (Ontario Museum, Toronto). Two Models of Chinese Homesteads
Non-western art unattributed:
Plate II. A-The Principal Gate of the Model in the Eumorfopoulos Collection. Height, 41.9 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate II. B-The Hall in the Eumorfopoulos Collection. Length, 53.9 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. A-The Spirit-Wall in the Eumorfopoulos Collection. Height, 22 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. B-The Spirit-Wall in the Ontario Museum. Height, 20.3 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. C-Detail of D. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. D-The Hall in the Ontario Museum. Height, 40.6 cm. Two Models of Chinese Homesteads