By using this website you agree to our Cookie policy

Search

8 articles
Exhibition Review
Pioneers of the Downtown Scene. London
06/2011 | 1299 | 153
Pages: 421-423
related names
Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Laurie Anderson, Trisha Brown, Gordon Matta-Clark: Pioneers of the Downtown Scene | institution: Barbican Art Gallery
Illustrations
Attributed works:
59. Woman walking down a ladder, by Trisha Brown. 1973. Gelatin silver prints. (Courtesy of Broadway 1602, New York; exh. Barbican Art Gallery, London).
Attributed works:
60. Splitting: four corners, by Gordon Matta-Clark. 1974. Painted wood, plaster and tar, dimensions variable. (San Francisco Museum of Modern Art; exh. Barbican Art Gallery, London).
Attributed works:
61. Open house, by Gordon Matta-Clark. 1972, recreated 2011. Industrial container with wood and doors, 260 by 240 by 600 cm. (Exh. Barbican Art Gallery, London).
Exhibition Review
Japanese fashion. London, Munich (Future Beauty: 30 Years of Japanese Fashion)
03/2011 | 1296 | 153
Pages: 192-194
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
places:
print:
Reviewed Items
subjects:
Future Beauty: 30 Years of Japanese Fashion | institution: Barbican Art Gallery , institution: Haus der Kunst
Illustrations
Attributed works:
80. Collection A-Poc King and Queen, by Issey Miyake. 1998. Red nylon, cotton and polyurethane knit. (Exh. Barbican Art Centre, London).
Attributed works:
81. Collection Spring/Summer 1990, by Rei Kawakubo for Comme des Garçons. White dress of non-woven fabric with ribbon around hem. (Exh. Barbican Art Centre, London).
Exhibition Review
The Surreal House. London
08/2010 | 1289 | 152
Pages: 562-563
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
The Surreal House | institution: Barbican Art Gallery
Illustrations
Attributed works:
59. Zebra and parachute, by Christopher Wood. 1930. Canvas, 45.7 by 55.9 cm. (Tate, London; exh. Barbican Art Gallery, London).
Attributed works:
60. Femme maison, by Louise Bourgeois. 1994. Marble, 11.4 by 31.1 by 6.7 cm. (Cheim & Read, Hauser & Wirth and Galerie Karsten Greve; exh. Barbican Art Gallery, London).
Attributed works:
61. Concert for anarchy, by Rebecca Horn. 1990. Painted wood, metal and electronic components, 150 by 106 by 155.5 cm. (Tate, London; exh. Barbican Art Gallery, London).
Exhibition Review
Le Corbusier. Rotterdam, Weil-am-Rhein, Lisbon, Liverpool and London
05/2009 | 1274 | 151
Pages: 329-330
related names
Reviewer:
Amery, Colin (Amery, Colin)
Subjects
artists:
dates:
places:
print:
Reviewed Items
subjects:
Le Corbusier – The Art of Architecture | institution: Barbican Art Gallery , institution: Cathedral of Christ the King , institution: Museu Berado , institution: Netherlands Architecture Institute , institution: Vitra Design Museum
Illustrations
Attributed works:
51. Notre-Dame-du-Haut chapel, Ronchamp, by Le Corbusier. 1950–52. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
52. Fitted kitchen from Unité d’Habitation de Marseille, by Le Corbusier. 1945. Photograph. (Photographie industriele du Sud Ouest; exh. Barbican Art Gallery, London).
Attributed works:
53. Palais de l’Assemblée, Chandigarh, by Le Corbusier. 1955. Photograph. (Exh. Barbican Art Gallery).
Exhibition Review
New British Art. London and Gateshead
12/2005 | 1233 | 147
Pages: 840-841
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Bloomberg New Contemporaries | institution: Barbican Art Gallery
subjects:
British Art Show 6 | institution: Baltic
Illustrations
Attributed works:
59. Harry takes a holiday, by Stuart McCaffer. 2005. Mixed media, 426.7 by 365.7 by 243.8 cm. (The artist; exh. Barbican Art Gallery, London).
Attributed works:
60. Installation view at Baltic, Gateshead, of British Art Show 6, 2005, showing (left): Mrs Miami, by Gary Webb. 2005. Mixed media, 173 by 170 by 107.5 cm.; (centre): Arkitectony - after K Malevich, by Goshka Macuga. 2005. Mixed media, 450 by 100 by 100 cm. and 600 by 100 by 100 cm.; and (background): Untitled, by Toby Paterson. 2005. Wall painting.
Exhibition Review
Transition: London
05/2002 | 1190 | 144
Pages: 306-307
related names
Reviewer:
Garlake, Margaret (Garlake, Margaret)
Subjects
dates:
dates:
places:
subjects:
Reviewed Items
subjects:
Transition: the London Art Scene in the Fifties | institution: Barbican Art Gallery
Illustrations
Attributed works:
25. City, by Allen Jones. 1961. 152 by 398 cm. (Museum Kunst Palast, Düsseldorf; Exh. Barbican Art Gallery, London).
Attributed works:
26. Chicken in a Bucket, by Lucian Freud. 1944. 38 by 39.3 cm. (Private Collection, Courtesy of Faggionato Fine Arts, London; Exh. Barbican Art Gallery, London).
Attributed works:
27. Sunday on the Grass, by Alfred Daniels. 1951. 70.5 by 41.3 cm. (Collection of Margot Hamilton Hill ARCA; Exh. Barbican Art Gallery, London).
Attributed works:
28. Orthodox Boys, by Bernard Perlin. 1948. Tempera on Board, 76.2 by 101.6 cm. (Tate, London; Exh. Barbican Art Gallery, London).
Exhibition Review
Contemporary American art: London
01/2002 | 1186 | 144
Pages: 47-48
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Ashley Bickerton | institution: White Cube2
subjects:
Peter Halley | institution: Waddington Galleries
subjects:
The Americans. New Art | institution: Barbican Art Gallery
Illustrations
Attributed works:
58. Beverley Edmier, 1967, by Keith Edmier. 1998. Cast Resin, Silicone, Fabric and Paint, 129 by 80 by 67 cm. (Tate, London; Exh. Barbican Art Gallery, London).
Attributed works:
59. Lost and Sick: Winter Version, by Tony Matelli. 2000-01. Polyester, Urethane and Paint, 305 by 274 cm. (Courtesy Leo Koenig inc., New York; Exh. Barbican Art Gallery, London).
Attributed works:
60. Incoding Rules, by Peter Halley. 2001. Acrylic Paints, 162.6 by 144.8 cm. (Exh. Waddington, London).
Attributed works:
61. Nia-Toni: Painting That Has Something To Do with Glossy Magazines, by Ashley Bickerton. 2001. Acrylic, Aniline Dye, Oil, Pencil, Leather and Flotsam on Wood, 183 by 244 by 38 cm. (Exh. White $text{Cube}^{2}$, London).