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23 articles
Exhibition Review
Sargent and Spain
05/2023 | 1442 | 165
Pages: 551-554
related names
Reviewer:
Dini, Jane (Dini, Jane)
Subjects
dates:
Reviewed Items
subjects:
Sargent and Spain Fine Arts Museums of San Francisco, Legion of Honor 11th February–14th May | :
Illustrations
Attributed works:
10. La Carmencita, by John Singer Sargent. 1890. Oil on canvas, 229 by 140 cm. (Musée d’Orsay, Paris; exh. Legion of Honor, San Francisco).
Attributed works:
11. Spanish Roma dwelling, by John Singer Sargent. 1912. Oil on canvas, 71.4 by 91.4 cm. (Addison Gallery of American Art, Philips Academy, Andover MA; Bridgeman Images; exh. Legion of Honor, San Francisco).
Attributed works:
12. Majorcan fisherman, by John Singer Sargent. 1908. Oil on canvas, 69.9 by 54.6 cm. (Private collection; exh. Legion of Honor, San Francisco).
Exhibition Review
Poussin and the Dance
04/2022 | 1429 | 164
Pages: 391-394
related names
Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Poussin and the Dance J. Paul Getty Museum, Los Angeles 15th February–8th May | :
Illustrations
Attributed works:
10. Relief of five dancers before a portico, known as the Borghese Dancers. Second century AD. Marble, 72 by 187 by 14 cm. (Musée du Louvre, Paris; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
8. Adoration of the golden calf, by Nicolas Poussin. c.1633– 34. Oil on canvas, 153.4 by 211.8 cm. (National Gallery, London; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
9. A bacchanalian revel before a term, by Nicolas Poussin. c.1632– 33. Oil on canvas, 98 by 142.8 cm. (National Gallery, London; exh. J. Paul Getty Museum, Los Angeles).
Article
Donatello, musical sculpture, and the shock of sound
11/2019 | 1400 | 161
Pages: 904-915
related names
Author:
Bloch , Amy R. (Bloch , Amy R.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.6.
Attributed works:
10. Detail of Fig.6.
Attributed works:
11. Detail of Fig.6, showing Head of a man, by Donatello and workshop. c.1439 (gilded 1456). Bronze with traces of gilding, 45 by 35 by 30 cm. (Museo dell’Opera del Duomo, Florence).
Attributed works:
12. Detail of Fig.6, showing Head of a man, by Donatello and workshop, with Michelozzo (?). c.1439 (gilded 1456). Bronze with traces of gilding, 45 by 35 by 33 cm. (Museo dell’Opera del Duomo, Florence).
Attributed works:
13. Martyrs’ door of the Old Sacristy, S. Lorenzo, Florence, by Donatello. c.1437–43, bronze, 235 by 109 cm. (Alinari Archives, Florence).
Attributed works:
14. Apostles’ door of the Old Sacristy, S. Lorenzo, Florence, by Donatello. c.1437–43, bronze, 235 by 109 cm. (Alinari Archives, Florence).
Attributed works:
15. Detail of Fig.13
Attributed works:
16. Detail of Fig.14, with one handle rotated.
Attributed works:
2. Winged trumpeter from the font in the baptistery of Siena Cathedral, by Donatello. 1429. Bronze, height 36 cm. (Bridgeman Images).
Attributed works:
3. Detail of the tomb of Rainaldo Brancacci in Sant’Angelo a Nilo, Naples, by Donatello and Michelozzo. c.1426–28. Marble. (Scala).
Attributed works:
4. Feast of Herod from the font in the baptistery of Siena Cathedral, by Donatello. 1423–27. Bronze with gilding, 60 by 60 cm. (Bridgeman Images).
Attributed works:
5. Cantoria, by Luca della Robbia. 1431–38. Marble, 328 by 560 cm. (Museo dell’Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
6. Cantoria, by Donatello. 1433–39. Marble, glass, ceramic, gold, bronze, 348 by 570 cm. (Museo dell’Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
7. Pulpit of the Cathedral of Santo Stefano, Prato, by Donatello and Michelozzo. 1428–38 (figural reliefs by Donatello, 1433–38). Marble, ceramic, gold, each relief 73.5 by 79 cm. (Museo dell’Opera del Duomo, Prato; photographed post-restoration).
Attributed works:
8. The Cavalcanti Annunciation in S. Croce, Florence, by Donatello. c.1428–33. Partially gilded sandstone (macigno), height 420 cm.; width at base 248 cm.; width at top 274 cm. (Bridgeman Images).
Attributed works:
9. Detail of Fig.6. (Alinari Archives, Florence).
Exhibition Review
Judson Dance Theater: The Work Is Never Done. Museum of Modern Art, New York
12/2018 | 1389 | 160
Pages: 1058-1060
related names
Reviewer:
Bradnock, Lucy (Bradnock, Lucy)
Subjects
dates:
Illustrations
Attributed works:
24. See-saw, by Simone Forti. 1960. Performed by Yvonne Rainer and Robert Morris at Reuben Gallery, New York, 16th–18th December 1960. (Photograph Robert R. McElroy Photographs of Happenings and Early Performance Art; Getty Research Institute, Los Angeles).
Attributed works:
25. The branch, by Anna Halprin. 1957. Performed by A.A. Leath, Anna Halprin ad Simone Forti on the Halprin’s family Dance Deck, Kentfield CA, 1957. Photograph Warner Jepson (Courtesy the Estate of Warner Jepson).
Attributed works:
26. We shall run, by Yvonne Rainer. 1963. Performed by Robert Rauschenberg, Joseph Schlichter (hidden), Sally Gross, Tony Holder, Deborah Hay, Yvonne Rainer, Alex Hay, Robert Morris (behind) and Lucinda Childs at Two Evenings of Dances by Yvonne Rainer at Wadsworth Atheneum, Hartford CT, 7th March 1965. Photograph by Peter Moore (© Barbara Moore; courtesy Paula Cooper Gallery, New York).
Exhibition Review
Merce Cunningham. Minneapolis and Chicago
10/2017 | 1375 | 159
Pages: 852-853
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
media:
subjects:
subjects:
Reviewed Items
subjects:
Merce Cunningham: Common Time at the Walker Art Center, Minneapolis and the Museum of Contemporary Art, Chicago. | :
Illustrations
Attributed works:
96. Set for Walkabout Time, by Jasper Johns. 1968 (Walker Art Center, Minneapolis; © Jasper Johns).
Attributed works:
97. Merce Cunningham Dance Company performing Event for the Garden, Minneapolis Sculpture Garden, 12th September 1998 (Walker Art Center Archives, Minneapolis).
Attributed works:
98. MC9, by Charles Atlas. Nine-channel synchronised video work. Installation image from Charles Atlas and Collaborators, BMW Tate Live, Tate Modern, London, 2013. (Photograh Gabrielle Fonseca Johnson for Tate Photography © Charles Atlas and Tate).
Book Review
Nancy Spero, Encounters
12/2012 | 1317 | 154
Pages: 858
Exhibition Review
Art and dance. Paris
02/2012 | 1307 | 154
Pages: 138-139
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
museums and institutions:
places:
print:
Reviewed Items
subjects:
Danser sa vie. Art et danse de 1900 à nos jours | institution: Centre Georges Pompidou
Illustrations
Attributed works:
56. Page from ‘Tanzkurven. Zu den Tänzen der Palucca’, Das Kunstblatt (10th March 1926), by Wassily Kandinsky and Charlotte Rudolph. (Collection of Adrien Sina; exh. Centre Georges Pompidou, Paris).
Attributed works:
57. Stills from Dance serpentine II (Cat. Lumière no.765–1), by Auguste and Louis Lumière. 1897–99. 35 mm. film. (Centre Georges Pompidou, Paris).
Attributed works:
58. Dance diagram (6): The Charleston double side kick man and woman, by Andy Warhol. 1962. Casein and pencil on linen, 181.6 by 135.9 cm. (Daros Collection, Zürich; exh. Centre Georges Pompidou, Paris).
Exhibition Review
Film and Video. New York (Daria Martin)
05/2009 | 1274 | 151
Pages: 345-347
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
artists:
artists:
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Daria Martin | institution: New Museum of Contemporary Art
Illustrations
Attributed works:
82. Still from Minotaur, by Daria Martin. 2008. Film. (New Museum, New York).
Publication Received
Tanz in der Moderne. Von Matisse bis Schlemmer
10/1997 | 1135 | 139
Pages: 708
related names
Reviewer:
Rhodes, Colin (Rhodes, Colin)
Subjects
subjects:
Reviewed Items
subjects:
Tanz in der Moderne. Von Matisse bis Schlemmer | author: Adelsbach, Karin , author: Firmenich, Andrea
Article
Matisse's Second Visit to London and His Collaboration with the 'Ballets Russes'
09/1997 | 1134 | 139
Pages: 588-599
related names
Author:
Labrusse, Rémi (Labrusse, Rémi)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Matthew Stewart Prichard, by Henri Matisse. 1914. Etching, 20 by 15 cm. (Private Collection).
Attributed works:
10. Courtesan's Costume, by Henri Matisse. 1919. Pencil, Pen and Ink with Water-Colour, 27 by 21 cm. (Private Collection).
Attributed works:
11. Costume of a Mourner, Made by Marie Muelle in the Atelier of Paul Poiret after Design by Henri Matisse. 1919. Felt and Velvet, 160 by 168 cm. (Musée d'art et d'histoire, Genève).
Attributed works:
12. Study for the Costume and Accessories of Death, by Henri Matisse. 1919. Pencil, 21 by 13.5 cm. (Private Collection).
Attributed works:
13. Study for the Emperor's Throne, by Henri Matisse. 1919. Pencil, Pen and Ink with Water-Colour, 24.5 by 18 cm. (Private Collection).
Attributed works:
14. Study for the Emperor, by Henri Matisse. 1919. Pencil, 27.6 by 21.7 cm. (Private Collection).
Attributed works:
15. Study for the Dragon on the Central Medallion of the Back Stage Curtain (See Fig.9), by Henri Matisse. 1919. Pencil, Pen and Ink with Water-Colour on Two Sheets of Stuck Down Cardboard, 27 by 25.5 cm. (Private Collection).
Attributed works:
16. Study for a Warrior, by Henri Matisse. 1919. Pencil, 22 by 17 cm. (Private Collection).
Attributed works:
17. Costume of a Mandarin, Made by Marie Muelle at the Atelier of Paul Poiret after Designs by Henri Matisse. Satinised Cotton Decorated with Gilded Circles and Floral Patterns Painted in Ink. (Israel Museum, Jerusalem).
Attributed works:
18. Study for the Costume of a Mourner, by Henri Matisse. Brush and Ink, 27 by 21 cm. (Private Collection).
Attributed works:
19. Study for a Tree (Stage Prop), by Henri Matisse. 1919. Pencil, 22 by 17 cm. (Private Collection).
Attributed works:
2. The Chamberlain's Costume, Made by Marie Muelle in the Atelier of Paul Poiret after Designs by Henri Matisse. Embroidered Satinised Cotton, with Motifs Painted in Ink and Gouache. (Israel Museum, Jerusalem).
Attributed works:
21. Study for a Warrior for the Opera Le Rossignol, by Alexandre Benois. 1914. Pencil, Pen and Ink with Water-Colour. (Ashmolean Museum, Oxford).
Attributed works:
22. Warrior, Copy after a Chinese Sculpture in the Musée Guimet, by Henri Matisse. 1919. Pencil, 22 by 17 cm. (Private Collection).
Attributed works:
24. Lion, Copied after a Chinese Sculpture in the Musée Guimet, Paris, by Henri Matisse. 1919. Pencil, 27.6 by 21.7 cm. (Private Collection).
Attributed works:
26. Study for the Back Wall in Chant de Rossignol, by Henri Matisse. 1919. Pencil and Gouache on Paper, Cut-Out and Pasted, 16.3 by 13.9 cm. (Private Collection).
Attributed works:
27. Three Masks, Study for the Central Medallion of the Front Curtain, by Henri Matisse. 1919. Brush and Ink on Two Squared Sheets, Pasted together, 121 by 47 cm. (Private Collection).
Attributed works:
28. Study for the Front Curtain, by Henri Matisse. 1919. Pencil, 47 by 61 cm. (Private Collection).
Attributed works:
3. Study for the Chamberlain's Costume, by Henri Matisse. 1919. Pencil, Pen and Ink with Water-Colour, 27 by 21 cm. (Private Collection).
Attributed works:
4. Study for a Lantern, by Henri Matisse. 1919. Pencil, 28 by 22 cm. (Private Collection).
Attributed works:
5. Study for the Nightingale, by Henri Matisse. 1919. Pen and Ink, 14.5 by 11.5 cm. (Private Collection).
Attributed works:
6. Sketch for Jewellery, by Henri Matisse. 1919. Pencil on Squared Paper, 22 by 17 cm. (Private Collection).
Attributed works:
7. Study for the Front Curtain, by Henri Matisse. 1919. Pencil, 48 by 31.5 cm. (Private Collection).
Attributed works:
8. Three Masks, Study for the Central Section of the Front Curtain, by Henri Matisse. 1919. Pencil, 10.2 by 15.7 cm. (Private Collection).
Non-western art unattributed:
20. Fragment of Ceramic Mosaic, Covered with Turquoise-Blue and Manganese-Purple Enamels. From a Mosque in Konia, Asia Minor. Turkish, 13th Century. 25.4 by 16.5 cm. (Victoria & Albert Museum, London).
Non-western art unattributed:
25. The Salles de la Chine et du Japon in the Musée Guimet before 1924, Showing Two Chinese Lion Statues. Photograph. (Musée Guimet, Paris).
Western art unattributed:
23. The Celestial King (Loka Pala). Central Asia, Eighth Century. Polychromed Wood with Gilded Arms, 99 by 75 by 32.2 cm. (Musée Guimet, Paris).
Western art unattributed:
9. Final Scene of Le Chant du Rossignol, as Performed in the Théâtre de l'Opéra, Paris, in the Spring of 1920. Photograph. (Private Collection).
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