90. Cup and saucer. Meissen Porcelain Factory, 1745-47 (Musée du Louvre, Paris; exh. Louvre Lens)
Attributed works:
91. Italianate landscape with a tomb and a fountain, a seated woman and a flute player in the foreground, by Francisque Millet the Younger and Antoine Watteau. c.1715-17 (Musée de Grenoble; exh. Musée des Beaux-Arts, Valenciennes)
Attributed works:
92. La Chute d'eau, by Antoine Watteau. c.1715 (Musée des Beaux-Arts, Valenciennes)
Attributed works:
93. Kneeling woman and separate study of her head (study for la Fontaine's 'La Courtisane amoureuse'), by Jean-Baptiste Pater (Musée du Louvre, Paris; exh. Louvre Lens)
Jean Baptiste Vanmour 1671–1737, Peintre de la Sublime Porte |
institution: Musée des Beaux-Arts
Illustrations
Attributed works:
56. The Grand Vizir Nevsehirli Damat Ibrahim Pasha, by Jean Baptiste Vanmour. Canvas, 33.5 by 27 cm. (Rijksmuseum, Amsterdam; exh. Musée des Beaux-Arts, Valenciennes).
Attributed works:
57. Greek men and women dancing the khorra, by Jean Baptiste Vanmour. Canvas, 44.5 by 58 cm. (Rijksmuseum, Amsterdam; exh. Musée des Beaux-Arts, Valenciennes).
46. Les Deux cousines, by Jean-Antoine Watteau. c.1717-18. 30.4 by 35.6 cm. (Musée du Louvre, Paris; exh. Musée des Beaux-Arts, Valenciennes).
Attributed works:
47. Garden of Love, by Peter Paul Rubens. c.1632-35. Pen in brown ink with grey wash and white heightening, 48 by 71 cm. (Metropolitan Museum of Art, New York; exh. Musée des Beaux-Arts, Valenciennes).
Attributed works:
48. Le Contrat de mariage, by Jean Antoine Watteau. c.1712-14. 47 by 55 cm. (Museo del Prado, Madrid; exh. Musée des Beaux-Arts, Valenciennes).
Attributed works:
49. Planting of the maypole, by Antoine Quillard. c.1720-25. 37.5 by 45 cm. (Musée du Louvre, Paris; exh. Musée des Beaux-Arts, Valenciennes).
Attributed works:
50. Dancing couple, by Jean Antoine Watteau. c.1716-18. Panel, 22.9 by 17.2 cm. (Musée des Beaux-Arts, Valenciennes).
Cicero discovering the tomb of Archimedes, by Pierre-Henri de Valenciennes. 1787. 199 by 162 cm. (Musée des Augustins, Toulouse; exh. Musée Paul-Dupuy, Toulouse).
Attributed works:
View of Porto Ferraio, by Pierre-Henri de Valenciennes. 1777. Pen and ink, brown wash, over traces of black chalk, 11.1 by 18.5 cm. (Musée Paul-Dupuy, Toulouse).
Attributed works:
View of Vouvray, by Pierre-Henri de Valenciennes. 1775. Pencil, black chalk and grey and brown wash, 19 by 30.5 cm. (Musée du Louvre, Paris; exh. Musée Paul-Dupuy, Toulouse).
Book Review
L'Academie de Peinture et de Sculpture a Valenciennes au XVIIIe siecle