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11/2023 | 1448 | 165
Pages: i-xxvii
Subjects
advertisements:
Illustrations
Attributed works:
A dalmatian hound (possibly owned by the Medici family), by Pandolfo Reschi (1640–96). Oil on canvas, 74.5 by 97 cm. [GALERIE ENRICO FRASCIONE, FLORENCE Fine Arts La Biennale]
Attributed works:
Andrea di Bartolo, Saint Benedict, Sienna, 14th Century £20,000-£40,000 [Sloane Street Auctions]
Attributed works:
ANTOINE-LAURENT DANTAN (Saint-Cloud, 1798 – Paris, 1878) Presumed self-portrait White marble H : 64.5 cm; L : 49 cm; D : 30 cm Signed and dated on the right side : DANTAN aîné 1850 [Charles Ratton & Guy Ladrière]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Charles Hoyau (d. 1644) Active in Le Mans, France Angel Terracotta with original paint and gilding Circa 1630 73 cm high [Daniel Katz Gallery]
Attributed works:
Circle of Lorenzo Monaco, The Prophet Jeremiah £70,000-£100,000 [Sloane Street Auctions]
Attributed works:
Desiderio da Settignano Umkreis, € 150,000 - 300,000 [Kinsky]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Carlo Orsi/Nicholas Hall]
Attributed works:
GEORG PFRÜNDT (1603–1663) GERMAN, SCHWÄBISCH HALL OR NUREMBERG, CIRCA 1625–1635 CAIN AND ABEL Solnhofen stone, 20.5 by 17 cm. [Erik Bizet]
Attributed works:
Giambologna Birdcatcher Cast by Antonio Susini (1558–1624) Florence, c. 1580 Bronze, Height: 31 cm [Stuart Lockhead]
Attributed works:
Gian Maria Falconetto (Veronese, 1468 - 1540), A mythological or historical scene £200,000-£400,000 [Sloane Street Auctions]
Attributed works:
Giovan Battista Foggini (1652 – Florence – 1725) After a model by Giambologna of 1589 Hercules and the Erymanthian Boar Bronze: h. 45.4 cm [Patricia Wengraf]
Attributed works:
Giovanni di Pietro, 1432-pre 1479 A Court Scene £100,000-£200,000 [Sloane Street Auctions]
Attributed works:
Guido Reni Bologna, 1575 - 1642 Christ Bearing the Cross Oil on copper, 49.5 x 36.5 cm [Moretti]
Attributed works:
Jewellery presentation project, by Salvador Dalí (1904–89). 1949– 51. Watercolour, gouache, pencil and collage on cardboard, 30.2 by 18.4 cm. [GALERIA MAYORAL, BARCELONA AND PARIS/Fine Arts La Biennale]
Attributed works:
Jupiter and Antiope, by Rembrandt (1606–69). 1659. Etching and drypoint on paper, 13.7 by 20.4 cm. [GALERIE H.H. RUMBLER, FRANKFURT Fine Arts La Biennale]
Attributed works:
Le Palais de rideaux (The Palace of curtains), by René Magritte (1898–1967). 1928. Oil on canvas, 81 by 116 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/Fine Arts La Biennale]
Attributed works:
Niccolo Giolfino (1476 – 1555), Mucius Scaevola thrusting his hand into the Flame £100,000-£200,000 [Sloane Street Auctions]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes Fine Art]
Attributed works:
Vase, by Arthur Craco (1869–1955). c.1900. Enamelled terracotta, height 18.5 cm. [LANCZ GALERIE, BRUSSELS Fine Arts La Biennale]
Attributed works:
Virgin of the Immaculate Conception, attributed to Gervais Il Delabarre (1603–1650/53). France, c.1630–40. Gilt and polychrome terracotta, 70 by 55 by 35 cm. GALERIE SISMANN, PARIS/Fine Arts La Biennale]
Attributed works:
Vrancke van der Stockt, Two altar-piece fragments, 15th Century £20,000-£30,000 [Sloane Street Auctions]
Attributed works:
Winter landscape with ice skater and a bird trap, by Pieter Brueghel the Younger (1564–1638). Oil on panel, 38 by 55.2 cm. [DE JONCKHEERE GALLERY, GENEVA/Fine Arts La Biennale]
Non-western art unattributed:
Folio from the Dastan-i Amir Hamza. Bikaner, Rajastan, c.1680. Ink, watercolour and gold on paper, 24.9 by 16 cm. [ART PASSAGES, SAN FRANCISCO Fine Arts La Biennale]
Non-western art unattributed:
Makonde anthropomorphic pipe. Tanzania or Mozambique, early 20th century. Wood, height 32.5 cm. [BERNARD DE GRUNNE, BRUSSELS. Fine Arts La Biennale]
Western art unattributed:
Head of a king. France, 15th century. Stone, height 26 cm. [GALERIE RATTON  LADRIÈRE, PARIS/Fine Arts La Biennale]
Western art unattributed:
The Master of Monte Oliveto, Christ on the Cross, Early 14th Century £100,000-£200,000 [Sloane Street Auctions]
Short Notice
Notes on 'Painting in Renaissance Siena'
03/1990 | 1044 | 132
Pages: 205-213
related names
Author:
Christiansen, Keith (Christiansen, Keith; Christiansen, K.)
Subjects
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
51. The Entry of Christ into Jerusalem, by Pietro di Giovanni d'Ambrogio, after Cleaning. Tempera and Gold on Wood, 26 by 54 cm. (Pinacoteca Giuseppe Stuard, Parma).
Attributed works:
52. Flight into Egypt, by the Master of the Osservanza. Tempera on Wood, 16.6 by 13.3 cm. (Formerly in the Collection of Major J. R. Abbey).
Attributed works:
53. The Descent into Limbo, by the Master of the Osservanza. Tempera and Gold on Wood, 38 by 47 cm. (Fogg Art Museum, Cambridge). Shown Together with Fig.54 in Painting in Renaissance Siena.
Attributed works:
54. Resurrection, by the Master of the Osservanza. Tempera and Gold on Wood, 36.9 by 45.9 cm. (Institute of Arts, Detroit).
Attributed works:
55. Fragmentary Scene from the Width of St Catherine Beseeching Christ to Resuscitate Her Mother, by Giovanni di Paolo. Tempera on Wood, 1.6 cm Thick. (The Metropolitan Museum of Art, New York).
Attributed works:
56. Back of the Panel of Giovanni di Paolo's St Catherine Beseeching Christ to Resuscitate Her Mother, 28.2 by 22 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
57. The Vision of Saint Augustine, by Giovanni di Paolo. (Gemäldegalerie, Berlin).
Attributed works:
58. Madonna of Mercy, by Domenico di Bartolo. Fresco with Gold Embellishments, Centre 231 by 262 cm. (Spedale di Santa Maria della Scala and Pinacoteca Nazionale, Siena).
Attributed works:
59. The Nativity, with God the Father Surrounded by Angels and Cherubim, by Francesco di Giorgio. Tempera and Gold on Wood, 52.6 by 60 cm and 32.3 by 51.6 cm. (The Metropolitan Museum of Art, New York and The National Gallery of Art, Washington).
Attributed works:
60. Madonna and Child, Here Attributed to Francesco di Giorgio. Tempera and Gold on Panel, 63.2 by 44.7 cm. (The Metropolitan Museum of Art, New York).
Article
The Development of Realistic Painting in Siena-II
06/1944 | 495 | 84
Pages: 139-145
related names
Author:
Pope-Hennessy, John (Pope-Hennessy, John; Hennessy, John Wyndham Pope-; Pope-Hennessy, J.; P.-H., J.)
Subjects
dates:
places:
Illustrations
Attributed works:
Plate I. A-St. John the Baptist. By the Master of the Ovile Annunciation. Panel (S. Pietro Ovile, Siena). The Development of Realistic Painting in Siena-II
Attributed works:
Plate I. B-St. Ansanus. By Vecchietta. Fresco. (S. Ansano in Castelvecchio, Siena). The Development of Realistic Painting in Siena-II
Attributed works:
Plate I. C-St. Bernardino. By the Master of the Ovile Annunciation. Panel (S. Pietro Ovile, Siena). The Development of Realistic Painting in Siena-II
Attributed works:
Plate II. A-Madonna and Child with SS. Jerome and Barbara. By Matteo di Giovanni. Panel. (Accademia, Ravenna). The Development of Realistic Painting in Siena-II
Attributed works:
Plate II. B-Christ on the Cross between the Fathers of the Church. Here Attributed to Matteo di Giovanni. Panel, 47 by 39.4 cm. (Platt Collection). The Development of Realistic Painting in Siena-II
Attributed works:
Plate III. A-The Miracle of St. Anthony of Padua. Here Attributed to Benvenuto di Giovanni. Panel, 28 by 63 cm. (Alte Pinakothek, Munich). The Development of Realistic Painting in Siena-II
Attributed works:
Plate III. B-The Marriage of the Virgin. By the Master of the Ovile Annunciation. Panel, 22.8 by 44.5 cm. (Johnson Collection, Philadelphia). The Development of Realistic Painting in Siena-II