Agnes Pelton: Desert
Transcendentalist
Whitney Museum of American
Art, New York
13th March–28th June |
:
Illustrations
Attributed works:
20. Orbits, by
Agnes Pelton.
1934. Oil on
canvas, 92.1 by
76.2 cm. (Oakland
Museum of
California; exh.
Whitney Museum
of American Art,
New York).
Attributed works:
21. Departure,
by Agnes Pelton.
1952. Oil on
canvas, 61 by
45.7 cm. (Private
collection;
photograph by
Paul Salveson;
exh. Whitney
Museum of
American Art,
New York).
Attributed works:
Future, by
Agnes Pelton.
1941. Oil on
canvas, 76.2 by
66 cm. (Palm
Springs Art
Museum; exh.
Whitney Museum
of American Art,
New York).
I. The J. Paul Getty Center, Brentwood, Los Angeles, by Richard Meier & Partners. 1997. (Photograph copyright of the J. Paul Getty Trust)
Attributed works:
II. The Los Angeles County Museum of Art, by William L. Pereira and Associates. 1965. (Photograph copyright of the Museum Archives/LACMA, photographic archives, 2012)
Attributed works:
III. Installation view of The Presence of the Past: Peter Zumthor Reconsiders LACMA, showing a model of the proposed building. (Photograph copyright of the Museum Associates and LACMA, 2013; exh. Los Angeles County Museum of Art)
85. Continuous only, by Diana Thater. 2006. Nine-monitor video wall, video-wall processor, DVD player, DVD and existing architecture, dimensions variable. (J. Paul Getty Museum, Los
Angeles).
Attributed works:
86. I Will Not Make Any More Boring Art, by John Baldessari. 1971. Single-channel video, black and white, sound, 32 min., 21 sec. (J. Paul Getty Museum, Los Angeles).
Attributed works:
87. Marks, by Skip Arnold. 1984. Live video performance at MP/TV, Los Angeles, 23rd January 1984. Colour, sound, 13 min. (J. Paul Getty Museum, Los Angeles).
Exhibition Review
Current and Forthcoming Exhibitions: A Collection without Walls