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2 articles
Exhibition Review
Ecstasy. Los Angeles
02/2006 | 1235 | 148
Pages: 149–150
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related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
dates:
2000-2009
museums and institutions:
Geffen Contemporary at MOCA, Los Angeles, United States
places:
United States / Los Angeles
print:
Contemporary art
print:
Höller, Carsten
print:
Redl, Erwin
print:
Noble, Paul
subjects:
Reviews / Exhibitions
subjects:
Perception / Installations (visual works) / Conceptual art / Popular culture
Reviewed Items
subjects:
Ecstasy: In and About Altered States | :
Illustrations
Attributed works:
93. Upside-down mushroom room, by Carsten Höller. 2000. Nine mushrooms, about four revolutions per minute, overall 427 by 579.5 by 1250.5 cm. (Fondazione Prada, Milan; exh. Geffen Contemporary, Museum of Contemporary Art, Los Angeles).
Attributed works:
94. Matrix II, by Erwin Redl. 2000/05. Mixed media, 670 by 1525 cm. (Courtesy of the artist; exh. Geffen Contemporary Art, Los Angeles).
Attributed works:
94. Ye olde ruin, by Paul Noble. 2003–04. 424.4 by 731.5 cm. (Courtesy of Museum Boijmans Van Beuningen, Rotterdam, and Maureen Paley, London; exh. Geffen Museum of Contemporary Art, Los Angeles).
Exhibition Review
Sam Francis. Los Angeles
06/1999 | 1155 | 141
Pages: 382-383
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related names
Reviewer:
Carrier, David (Carrier, David)
Subjects
artists:
Francis, Sam
dates:
1990-1999
museums and institutions:
Museum of Contemporary Art (MOCA), Los Angeles, United States
museums and institutions:
Geffen Contemporary at MOCA, Los Angeles, United States
places:
Los Angeles / United States
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
87. Côte d'Azur, by Sam Francis. 1953. Water-Colour, 76.2 by 55.9 cm. (Eli and Edythe L. Broad Collection, Los Angeles; Exh. Geffen Contemporary, Los Angeles).
Attributed works:
88. Blue Balls VII, by Sam Francis. 205.8 by 205.8 cm. (Collection of Ruth and Theodore Baum; Exh. Geffen Contemporary, Los Angeles).
Attributed works:
89. Red in Red, by Sam Francis. 1955. 199 by 199 cm. (Collection of Harry W. and Mary Margaree Anderson; Exh. Geffen Contemporary, Los Angeles).