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2 articles
Exhibition Review
Sheila Hicks: Off-Grid
09/2022 | 1434 | 164
Pages: 926-929
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Sheila Hicks: Off-Grid The Hepworth Wakefield 7th April–25th September | :
Illustrations
Attributed works:
26. Installation view of Sheila Hicks: Off-Grid at the Hepworth Wakefield, 2022, showing in the foreground La mer (the sea). 1976/2022. Linen and synthetic rafia, 470 cm. (Private collection; courtesy Hepworth Wakefield; photograph Tom Bird).
Attributed works:
27. Installation view of Sheila Hicks: Off-Grid at the Hepworth Wakefield, 2022, showing on the right Nowhere to Go. 2022. Pigmented acrylic fibre, dimensions variable; and on the wall Peace Barrier. 2018. Linen and wood, 150 by 300 cm.; and Ripe rip. 2019. Linen, wood and aluminium, 130 by 170 cm. (All private collection; courtesy Hepworth Wakefield; photograph Tom Bird).
Attributed works:
28. Calligraphy sauvages, by Sheila Hicks. Cotton, wool, linen, silk, bamboo and synthetic fibre, 231 by 162 by 34 cm. (Courtesy Alison Jacques, London; exh. Hepworth Wakefield).
Exhibition Review
Glasgow International. Glasgow
07/2016 | 1360 | 158
Pages: 574-576
related names
Reviewer:
Vasey, George (Vasey, George)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
58. Installation view of Seasons End, by Tamara Henderson. 2016 (Courtesy of the artist and Rodeo; exh. Mitchell Library, Glasgow)
Attributed works:
59. The Mighty Mathilde and Her Consort, by Sheila Hicks. 2016 (Courtesy of the artist and Alison Jacques Gallery; exh. Tramway, Glasgow)
Attributed works:
60. Installation view of Bright Bodies, by Claire Barclay. 2016 (Courtesy of the artist and Stephen Friedman Gallery; exh. Mitchell Library, Glasgow)