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5 articles
Letter
Brett and Constable
11/2012 | 1316 | 154
Pages: 790-791
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related names
Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
Brett, John
dates:
1830-1909
subjects:
Correspondence / Reviews
subjects:
Pre-Raphaelite
subjects:
British painting
Article
John Brett’s ‘Christmas morning, 1866'
12/2008 | 1269 | 150
Pages: 813-820
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Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
Brett, John
buildings:
Fonthill Abbey, Fonthill Gifford, Wiltshire, Great Britain
collectors and dealers:
Morrison, Alfred, 1821-1897
dates:
1860-1869
museums and institutions:
Russell-Cotes Art Gallery and Museum, Bournemouth, Great Britain
print:
Brett, John
subjects:
British painting / Collections, Public / Pre-Raphaelite / Identification / Biographies / Shipwrecks / Seascapes / Commissions
subjects:
Provenance
Illustrations
Attributed works:
10. Christmas morning, 1866, by John Brett. 1868. Canvas, 152.4 by 243.8 cm. (Russell-Cotes Art Gallery and Museum, Bournemouth).
Attributed works:
11. Deatil of Fig.10.
Attributed works:
12. Sunrise, Xmas Day, Beaumaris, 1866, by John Brett. 1866. Graphite on paper, page from Sketchbook no.21, ‘Towyn 1866–67’, PAF 9179–80v. (National Maritime Museum, Greenwich, London).
Attributed works:
14. Study of a rough sea, by John Brett. Dated 22nd July 1867. Graphite and white chalk on grey paper, 14 by 35.6 cm. (Private collection).
Attributed works:
15. Sketch for Christmas morning, 1866, by John Brett. 1868. Monochrome wash and white chalk on grey paper, 19 by 29.2 cm. (Private collection).
Attributed works:
16. Photograph of the Music Room, Fonthill Abbey. 1890s. (National Monuments Record, English Heritage, Swindon). Christmas morning, 1866 is hanging over the fireplace on the right-hand wall.
Attributed works:
17. The British Channel seen from the Dorsetshire cliffs, by John Brett. 1871. Canvas, 106 by 212.7 cm. (Tate, London).
Attributed works:
18. Britannia’s realm, by John Brett. 1880. Canvas, 105 by 212 cm. (Tate, London).
Western art unattributed:
13. ‘Foundering of the Australian Screw Steamer, “London”, in the Bay of Biscay, on the 11th of January, 1866’. Engraving from The Life-boat Journal (2nd July 1866), facing p.196. (Bodleian Library, Oxford).
Publication Received
Where the Sea Meets the Land. Artists on the Coast in Nineteenth-Century Britain
10/2007 | 1255 | 149
Pages: 712-713
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related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
1800-1899
places:
England / Scotland / Wales / Northern Ireland
print:
British art
subjects:
Landscapes (visual works) / Seascapes
subjects:
British painting
Reviewed Items
subjects:
Where the Sea Meets the Land. Artists on the Coast in Nineteenth-Century Britain | author: Payne, Christiana
Letter
'A Storm in Harvest' by Richard Westall
10/1982 | 955 | 124
Pages: 634
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related names
Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
Westall, Richard
dates:
1750-1799
museums and institutions:
Whitworth Art Gallery, Manchester, Great Britain
places:
England
sources:
Farington, Joseph
subjects:
British painting
subjects:
Sources
Article
John Linnell and Samuel Palmer in the 1820s
03/1982 | 948 | 124
Pages: 131-136
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related names
Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
Linnell, John, painter, 1792-1882
artists:
Palmer, Samuel
artists:
Blake, William
dates:
1800-1829
places:
England
places:
Shoreham
subjects:
British painting
subjects:
Visual sources / Landscapes (visual works)
Illustrations
Attributed works:
10. Christ and the woman of Samaria, by John Linnell. 1828. Board, 25.4 by 20.3 cm. (Henry E. Huntington Library and Art Gallery, San Marino, California).
Attributed works:
2. Primrose Hill, by John Linnell. Signed and Dated 1811. Pen and Brown Ink, with Brown and Grey Wash, Heightened with White Chalk, 39.5 by 67.8 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
3. Orange Twilight (Or Yellow Twilight), by Samuel Palmer, c. 1830. Pen and Water-Colour, 16.5 by 27.4 cm. (Private Collection).
Attributed works:
4. Bonchurch, Isle of Wight, by John Linnell. Signed and Dated 1815. Pencil, Heightened with White, on Blue-Grey Paper, 27.4 by 41.5 cm. (Minneapolis Institute of Arts).
Attributed works:
5. The Valley of Vision, by Samuel Palmer. Pen and Brown Ink with Black, Grey and Brown Wash over Pencil Heightened with White, on Brown Paper, 28 by 44.5 cm. (Paul Mellon Collection, Yale Center for British Art).
Attributed works:
6. Midday, by John Linnell. 1818. Etching, 10.2 by 20.4 cm.
Attributed works:
7. Shoreham, by John Linnell. c. 1829. Water-Colour over Black Lead, Heightened with White on Brown-Grey Paper, 27.9 by 44.1 cm. (Private Collection).
Attributed works:
8. The Flock and the Star, by Samuel Palmer. c. 1831-32. Indian Ink, 15 by 17.8 cm. (Ashmolean Museum, Oxford).
Attributed works:
9. A Beech Tree, by John Linnell. c. 1828. Pen and brown ink with water-colour over black lead heightened with white chalk on Grey paper, 55.1 by 45.1 cm. (Private collection).