10. Christ and the woman of Samaria, by John Linnell. 1828. Board, 25.4 by 20.3 cm. (Henry E. Huntington Library and Art Gallery, San Marino, California).
Attributed works:
2. Primrose Hill, by John Linnell. Signed and Dated 1811. Pen and Brown Ink, with Brown and Grey Wash, Heightened with White Chalk, 39.5 by 67.8 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
3. Orange Twilight (Or Yellow Twilight), by Samuel Palmer, c. 1830. Pen and Water-Colour, 16.5 by 27.4 cm. (Private Collection).
Attributed works:
4. Bonchurch, Isle of Wight, by John Linnell. Signed and Dated 1815. Pencil, Heightened with White, on Blue-Grey Paper, 27.4 by 41.5 cm. (Minneapolis Institute of Arts).
Attributed works:
5. The Valley of Vision, by Samuel Palmer. Pen and Brown Ink with Black, Grey and Brown Wash over Pencil Heightened with White, on Brown Paper, 28 by 44.5 cm. (Paul Mellon Collection, Yale Center for British Art).
Attributed works:
6. Midday, by John Linnell. 1818. Etching, 10.2 by 20.4 cm.
Attributed works:
7. Shoreham, by John Linnell. c. 1829. Water-Colour over Black Lead, Heightened with White on Brown-Grey Paper, 27.9 by 44.1 cm. (Private Collection).
Attributed works:
8. The Flock and the Star, by Samuel Palmer. c. 1831-32. Indian Ink, 15 by 17.8 cm. (Ashmolean Museum, Oxford).
Attributed works:
9. A Beech Tree, by John Linnell. c. 1828. Pen and brown ink with water-colour over black lead heightened with white chalk on Grey paper, 55.1 by 45.1 cm. (Private collection).
Book Review
Samuel Palmer's Italian Honeymoon [and Samuel Palmer - Shoreham and After]