102. St John the Baptist, by Tanzio da Varallo. c.1627–29. Canvas, 165.1 by 114 cm. (Philbrook Museum of Art, Tulsa; exh. National Gallery of Canada, Ottawa).
Attributed works:
103. St John the Baptist, by Juan Bautista Maíno. c.1608–10. Canvas, 130 by 102 cm. (Kunstmuseum, Basel; exh. National Gallery of Canada, Ottawa).
Western art unattributed:
101. St Augustine, by an anonymous painter. Before 1638. Canvas, 120 by 99 cm. (Private collection; exh. National Gallery of Canada, Ottawa).
Exhibition Review
Bernini and Baroque portrait sculpture. Los Angeles, Ottawa and Florence
73. Portrait of Cardinal Alessandro Damasceni Peretti Montalto, by Gian Lorenzo Bernini. 1622–23. Marble, 79 cm. high. (with socle). (Kunsthalle, Hamburg; exh. National Gallery of Canada, Ottawa).
Attributed works:
74. Portrait of the dwarf in the service of the Duke of Créquy, by François du Quesnoy. 1633–34. Marble, 49 cm. high. (with socle). (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome; exh. National Gallery of Canada, Ottawa).
Attributed works:
75. Portrait of Costanza Bonarelli, by Gian Lorenzo Bernini. 1636–38. Marble, 72 cm. high. (Museo Nazionale del Bargello, Florence; exh. National Gallery of Canada, Ottawa).
Attributed works:
76. Portrait of Maria Cerri Capranica, here attributed to the circle of Algardi. c.1640. Marble, 90 cm. high. (J. Paul Getty Museum, Los Angeles; exh. National Gallery of Canada, Ottawa).
Leonardo da Vinci, Michelangelo, and the Renaissance in Florence |
institution: National Gallery of Canada
Illustrations
Attributed works:
77. The Virgin and Child with Sts Elizabeth and John the Baptist, by Bachiacca. c.1545. Panel, 120.7 by 90.8 cm. (Frick Art and Historic Center, Pittsburgh; exh. National Gallery of Canada, Ottawa).
Attributed works:
78. The myth of Apollo and Daphne and the myth of Narcissus, by Antonio di Donnino del Mazziere. Early 1520s. Panel, 30 by 44.5 cm. (Galleria Corsini, Florence; exh. National Gallery of Canada, Ottawa).
Attributed works:
79. Study for a Pietá, by Agnolo Bronzino. Here dated to the mid-1540s. Black chalk, 31.4 by 21.9 cm. (Private collection, New York; exh. National Gallery of Canada, Ottawa).
80. Circumcision, by Parmigianino. c.1523-24. Panel. 41.9 by 31.4 cm. (Detroit Institute of Arts; exh. Frick Collection, New York).
Attributed works:
81. Circumcision, by Parmigianino. c.1523-24. Pen and brown ink and brown wash with white heightening, 26.4 by 20.4 cm. (Musée du Louvre, Paris; exh. Frick Collection, New York).
Attributed works:
82. Sleeping man, by Parmigianino. c.1527-30. Red chalk, 19.1 by 27.3 cm. (Devonshire collections, Chatsworth; exh. Frick Collection, New York).
Attributed works:
83. Resurrection of Christ, by Parmigianino. Here dated to c.1527–30. Etching and engraving, 20.6 by 13.5 cm. (National Gallery of Canada, Ottawa; exh. Frick Collection, New York)
Attributed works:
84. Study for two canephori on the Steccata ceiling and self-portrait, by Parmigianino. c.1534-35. Pen and brown ink, 10.5 by 7.3 cm. (Devonshire collections, Chatsworth; exh. Frick Collection, New York).