Renoir, Impressionism, and Full-Length Painting |
institution: Frick Collection
Illustrations
Attributed works:
94. La Promenade, by Pierre-Auguste Renoir. 1875–76. Canvas, 170.1 by 108.2 cm. (Frick Collection, New York).
Attributed works:
95. The umbrellas (Les Parapluies), by Pierre-Auguste Renoir. c.1881–85. Canvas, 180.3 by 114.9 cm. (National Gallery, London; exh. Frick Collection, New York).
Attributed works:
96. Dance at Bougival, by Pierre-Auguste Renoir. 1883. Canvas, 181.9 by 98.1 cm. (Museum of Fine Arts, Boston; exh. Frick Collection, New York).
91. Seated nymph, by Antico. Probably 1503. Bronze with gilding and silvering, 19.5 cm. high. (Robert H. and Clarice Smith collection; exh. Frick Collection, New York).
Attributed works:
92. Atropos, by Antico. c.1500–11. Bronze, 29.5 cm. high. (Victoria and Albert Museum, London; exh. Frick Collection, New York).
Attributed works:
93. Atropos, by Antico. Probably after 1519. Bronze with silvering, 29 cm. high. (Kunsthistorisches Museum, Vienna; exh. Frick Collection, New York).
Exhibition Review
Picasso’s Drawings, 1890–1921. New York and Washington
75. Nudes in a forest, by Pablo Picasso. 1908. Gouache, watercolour and pencil on paper, 47.6 by 58.7 cm. (Museum of Modern Art, New York; exh. Frick Collection, New York).
Attributed works:
76. Self-portrait studies, by Pablo Picasso. 1906. Ink on paper, 31.4 by 47.9 cm. (Private collection, courtesy of Fundación Amine y Bernard Ruiz-Picasso; exh. Frick Collection, New York).
Attributed works:
77. Two women with hats, Paris, by Pablo Picasso. 1921. Pastel on paper, 105 by 74.9 cm. (Private collection; exh. Frick Collection, New York).
The Spanish Manner: Drawings from Ribera to Goya |
institution: Frick Collection
Illustrations
Attributed works:
73. David and Goliath, by Jusepe de Ribera. c.1625–30. Chalk, approx. 25.9 by 42.6 cm. (irregular). (Courtesy of the Hispanic Society of America, New York; private collection, New York; promised gift to the Hispanic Society of America; exh. Frick Collection, New York).
Attributed works:
74. Design for a processional sculpture of the Vision of St John on Patmos, with five variant plans, by Francisco de Herrera the Younger. 1660–71. Pen-and-ink wash, over metal point, 27.3 by 19.8 cm. (Morgan Library and Museum, New York; exh. Frick Collection, New York).
Attributed works:
75. ‘He appeared at dawn like this, mutilated, in Zargoza, early in 1700’, by Francisco Goya y Lucientes. 1824–28. Crayon, 19.4 by 14.8 cm. (Dian Woodner Collection, New York; exh. Frick Collection, New York).
Andrea Riccio. Renaissance Master of Bronze |
institution: Frick Collection
Illustrations
Attributed works:
83. The shouting horseman, by Andrea Riccio. Bronze, 33 cm. high. (Victoria and Albert Museum, London; exh. Frick Collection, New York).
Attributed works:
84. St Martin and the beggar, by Andrea Riccio. 1513–20. Bronze, 74.6 by 54 cm. (Galleria Giorgio Franchetti alla Ca’ d’Oro, Venice; exh. Frick Collection, New York).
Attributed works:
85. Penitent St Jerome, by Andrea Riccio. 1520–30. Bronze, 30 cm. high. (Staatliche Museen zu Berlin; exh. Frick Collection, New York).
Attributed works:
86. Shepherd, by Andrea Riccio. c.1515–25. Bronze, 22.7 by 14.5 by 18.6 cm. (Musée du Louvre, Paris; exh. Frick Collection, New York).
52. A conference of lawyers, by Gabriel de Saint-Aubin. 1776. Etching and drypoint, 17.6 by 11.9 cm. (Metropolitan Museum of Art, New York; exh. Musée du Louvre, Paris)
Attributed works:
53. Study of objects in the artist’s room, by Gabriel de Saint-Aubin. 1780. Black chalk on paper, 18.8 by 28.5 cm. (British Museum, London; exh. Musée du Louvre, Paris)
Domenico Tiepolo: A New Testament |
institution: Frick Collection
Illustrations
Attributed works:
78. The presentation of Mary in the Temple, by Domenico Tiepolo. 1786–90. Pen and wash on paper, 47.5 by 36.5 cm. (Private Collection, Indiana, on loan to the Indiana University Art Museum, Bloomington; exh. Frick Collection, New York).
Attributed works:
79. The calling of St Matthew, by Domenico Tiepolo 1786–90. Pen and wash with white gouache on paper, 45.7 by 38.1 cm. (British Museum, London; exh. Frick Collection, New York).
67. Portrait of a lady (?María Martínez de Puga), by Francisco de Goya. 1824. Canvas, 80 by 58.4 cm. (Frick Collection, New York).
Attributed works:
68. Man on a swing, by Francisco de Goya. c.1824–28. Black crayon on paper, 19 by 15.1 cm. (Hispanic Society of America, New York; exh. Frick Collection, New York).
Attributed works:
69. Heads of a child and an old woman, by Francisco de Goya. 1824–25. Watercolour on ivory, 5.5 by 5.5 cm. (Private collection; exh. Frick Collection, New York).
49. Portrait of a man in a red hat, by Hans Memling. c.1465-70. panel, 41.8 by 30.6 cm. (Städelsches Kunstinstitut, Frankfurt; exh. Groeningemuseum, Bruges).
Attributed works:
50. Portrait of a man, by Hans Memling. c.1475-80. Panel, 33.5 by 23 cm. (Frick Collection, New York; exh. Groeningemuseum, Bruges).
Attributed works:
51. Portrait of a young man, by Hans Memling. c.1475-80. Panel, 39.5 by 28.3 cm. (Robert Lehman collection, Metropolitan Museum of Art, New York; exh. Groeningemuseum, Bruges).
European Bronzes from the Quentin Collection |
institution: Frick Collection
Illustrations
Attributed works:
48. Orpheus, by Hendrick de Keyser. Bronze, 36.2 cm. high. (Quentin Collection; exh. Frick Collection, New York).
Attributed works:
49. Mars, by Giambologna. Cast before 1577. Bronze, 39.6 cm. high. (Quentin Collection; exh. Frick Collection, New York).
Western art unattributed:
50. Trotting horse. Early sixteenth century, northern Italian (Milan or Mantua). Bronze, 16 by 18.1 cm. (Quentin Collection; exh. Frick Collection, New York).