By using this website you agree to our Cookie policy

Search

38 articles
Article
A statue of Marcantonio Colonna by Guglielmo della Porta
11/2020 | 1412 | 162
Pages: 928-937
related names
Author:
Extermann, Grégoire (Extermann, Grégoire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Marcantonio Colonna, here attributed to Guglielmo della Porta. c.1572–74. Marble, height 240 cm. (Palazzo dei Conservatori, Rome; © Roma – Sovrintendenza capitolina ai beni culturali).
Attributed works:
10. Detail of Fig.1, showing two horn-playing tritons on the cuirass.
Attributed works:
11. Detail of Fig.1, showing the cingulum.
Attributed works:
12. Detail of a drawing depicting a cingulum, by Pierre Jacques de Reims. c.1572–74. Pen on paper, sheet 14.6 by 11 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
13. Detail of Fig.1, showing a lappet with tritons and nereids.
Attributed works:
14. Detail of Fig.1, showing a lappet with a triton and nereid.
Attributed works:
15. Detail of Fig.1, showing a lappet with a putto and dolphin.
Attributed works:
16. Detail of a drawing depicting Eros and a dolphin, by Pierre Jacques de Reims. c.1572–74. Pen on paper, sheet 14.5 by 11 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
17. Detail of Henri IV, by Nicolas Cordier, showing two lappets, one with a man slaying a lion and another with an Amazon. 1606–08. Bronze. (S. Giovanni in Laterano, Rome).
Attributed works:
18. Detail of Fig.1, showing the face of Marcantonio Colonna.
Attributed works:
19. Detail of Fig.1, showing Colonna’s right sandal.
Attributed works:
2. Marcantonio Colonna, by Niccolò Pippi (Nicolas d’Arras). c.1584, with alterations by Ippolito Buzzi, 1610. Marble, height 246 cm. (Palazzo Colonna, Rome).
Attributed works:
3. Detail of Fig.1, showing the front of the helmet.
Attributed works:
4. Detail of Fig.1, showing the back of the helmet.
Attributed works:
5. Detail of the tomb of Francisco de Solis, which now forms part of the tomb of Paul III, by Guglielmo della Porta. c.1544–45. Bronze. (St Peter’s, Rome; sepia photograph courtesy Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, Rome).
Attributed works:
6. Neptune calming the waters after the shipwreck of Aeneas, by Giulio Bonasone. Engraving, 22.8 by 32.1 cm. (Gabinetto Nazionale dei Disegni e delle Stampe, Bologna).
Attributed works:
7. Study of armour for the statue of Marcantonio Colonna, by Guglielmo della Porta. c.1572. Pen and brown ink, 28.6 by 29.8 cm. (Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence).
Attributed works:
8. Studies of helmets for the statue of Marcantonio Colonna, by Guglielmo della Porta. c.1572. Pen and brown ink, 28.3 by 20.3 cm. (Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence).
Attributed works:
9. Detail of Fig.8, showing a variant for the cuirass.
Western art unattributed:
20. Julius Caesar. First–second century. Marble, height 310 cm. (Capitoline Museum, Rome; Bridgeman Images).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
10/2018 | 1387 | 160
Pages: 836-839
related names
Author:
Puddu, Pier Ludovico (Puddu, Pier Ludovico)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Scenes from the lives of the Virgin and other saints, by Giovanni da Rimini. c.1300–05. Panel, 54.4 by 36.5 cm. (National Gallery, London).
Attributed works:
2. The Garden of Eden, by Jan Brueghel the Elder. 1613. Oil on copper, 23.7 by 36.8 cm. (Private collection, on loan to the National Gallery, London).
Article
A bronze after Michelangelo’s model for ‘Earth’
06/2018 | 1383 | 160
Pages: 462-469
related names
Author:
Krahn, Volker (Krahn, Volker)
Subjects
dates:
media:
patrons:
places:
Illustrations
Attributed works:
1. Earth, after a model here attributed to Michelangelo. Probably c.1600. Bronze, height 28.8 cm. (Bayerishes Nationalmuseum, Munich; photograph Walter Haberland).
Attributed works:
10. Nude female figure, by Michelangelo. c.1530. Unfired clay, height 35 cm. (Casa Buonarroti, Florence).
Attributed works:
2–4. Fig.1 from alternate angles.
Attributed works:
5. Studies of a model of a standing nude woman, by Guglielmo della Porta. 1540–50. Pen and brown ink on paper, 15.4 by 11.2 cm. (Museum of Fine Arts, Budapest).
Attributed works:
6. Earth, by Tommaso Arrighetti after a marble by Niccolò Tribolo. Before 1759. Pen and ink on paper, height 12 cm. (Galleria degli Uffizi, Florence).
Attributed works:
7. Tomb of Giuliano de'Medici, New Sacristy, S. Lorenzo, Florence, by Michelangelo. 1521–34. Marble. (Bridgeman Images).
Attributed works:
8. Studies of bases for the New Sacristy, S. Lorenzo, Florence, by Michelangelo. 1524. Red chalk and pen on paper, 28.3 by 21.4 cm. (Casa Buonarroti, Florence; Scala Images).
Attributed works:
9. Study after an antique torso, by Michelangelo. c.1523–26. Black chalk on paper, 25.6 by 18 cm. (British Museum, London).
Western art unattributed:
11. Venus with a mirror, Antique torso with later additions. Marble, height 39 cm. (Villa Corsini, Castello).
Western art unattributed:
12. Vanitas, Florence. Mid-sixteenth century. Engraving, 35.8 by 25 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Book Review
In Michelangelo’s Mirror. Perino del Vaga, Daniele da Volterra, Pellegrino Tibaldi, M. Steen Hansen
09/2014 | 1338 | 156
Pages: 604
related names
Reviewer:
Franklin, David (Franklin, David)
Subjects
dates:
Letter
Not nicotine
07/2012 | 1312 | 154
Pages: 491
related names
Author:
Smith, Henry (Smith, Henry)
Subjects
artists:
print:
Exhibition Review
Perino del Vaga. New York
03/2012 | 1308 | 154
Pages: 225-226
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Perino del Vaga in New York Collections | institution: Metropolitan Museum of Art
Illustrations
Attributed works:
68. Presentation of the Virgin in the temple, by Perino del Vaga. c.1521. Pen and brown ink, brush and wash with white gouache, squared in black chalk, 22.6 by 25.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
69. Jupiter and Juno on their marriage bed, by Perino del Vaga. c.1532–35. Pen and brown ink with wash heightened with white, 43.1 by 40 cm. (Metropolitan Museum of Art, New York).
Article
A new painting by Perino del Vaga: recent cleaning and technical observations
10/2011 | 1303 | 153
Pages: 650-652
related names
Author:
Gallagher, Michael (Gallagher, Michael)
Subjects
artists:
dates:
Illustrations
Attributed works:
10. The Holy Family with St John the Baptist, by Perino del Vaga. c.1524–26. Panel, 88 by 65 cm. (Metropolitan Museum of Art, New York), before treatment.
Attributed works:
11. Fig.10 during cleaning: removal of overpaint.
Attributed works:
12. X-radiograph of Fig.10.
Attributed works:
13. Infra-red reflectogram, normal light and X-radiograph of The Holy Family with St John the Baptist, by Perino del Vaga. c.1524–26. Panel, 88 by 65 cm. (Metropolitan Museum of Art, New York), detail comparison of the Christ Child’s foot.
Article
A new painting by Perino del Vaga for the Metropolitan Museum of Art, New York
10/2011 | 1303 | 153
Pages: 644-649
related names
Author:
Wolk-Simon, Linda (Wolk-Simon, Linda)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Holy Family with St John the Baptist, by Perino del Vaga. c.1524–26. Panel, 88.3 by 65.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Madonna of the long thigh, by Marcantonio Raimondi after Raphael. c.1520–30. Engraving, 38.8 by 25.5 cm. (British Museum, London).
Attributed works:
3. Modello for the Pala Baciadonne, by Perino del Vaga. c.1532–34. Red chalk, 40.6 by 33.5 cm. (Albertina, Vienna).
Attributed works:
4. Virgin and Child (‘The Strozzi Madonna’), by Filippino Lippi. c.1485. Tempera, oil and gold on wood, 81.3 by 59.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Holy Family with St John the Baptist, by Perino del Vaga. c.1527–30. Panel, 106.6 by 77.5 cm. (Courtauld Gallery, London).
Attributed works:
6. Lamentation, by Perino del Vaga. c.1524–26. Fresco. (S. Stefano del Cacco, Rome).
Attributed works:
7. Study for a Sacra conversazione, by Perino del Vaga. c.1522–23. Pen and brown ink, heightened with white, on brownish paper, 22.2 by 18.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Detail of the Holy Family from a study for the altar wall of the Cappella della Madonna, S. Marcello al Corso, Rome, by Perino del Vaga. c.1520–21. Metalpoint, heightened with white, on pale green prepared paper, 37 by 26.6 cm. (British Museum, London).
Attributed works:
9. Holy Family with St John the Baptist, by Ridolfo Ghirlandaio and workshop. c.1510–15. Panel, 89.2 by 66.6 cm. (Present whereabouts unknown).
Advertisements
Advertisements March 2009 (front)
03/2009 | 1272 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernheimer-Colnaghi. Munich and London. David and Bathsheba, by Lucas Cranach the elder (1472-1553). Signed lower right with the device of a winged serpent and dated: 1534. Oil on panel, 115 by 79.3cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Fancisco José de Goya y Lucientes (Fuendetodos 1746-1828 Bordeaux). Bajan rinendo. Brush and grey wash, scraping. 9 1/4 x 5 1/8 in. (234 x 143mm)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Franz Xaver Winterhalter (1805-1873). Portrait of Duchess Rosalie Paulee Duchatel (detail). Oil on canvas, 1841, 256 x 158 cm]
Attributed works:
[Douwes Fine Art. Amsterdam. A young man, half-length, wearing a burgundy jacket and a feathered cap, by Jan van Bijlert (1597/8-1671). Signed: Jv. bylert. fe:. Oil on panel, 55.5 by 45 cm]
Attributed works:
[Douwes Fine Art. Stadhouderskade 40. Amsterdam. 37 Duke St. St James’s. London. Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam). "Beggar in a brimmed Hat", circa 1645-1650. Black chalk: 145 x 100 mm: on laid paper.]
Attributed works:
[G. Sarti. Paris. Adam and Eve mouring over dead Abel, by Giovanni Battista Caracciolo, called Battistello (1578-1635). c. 1625. Oil on canvas, 144 by 178 cm]
Attributed works:
[Galerie Berès. Paris. Composition 1952, by Oscar Gauthier (b.1921). 1952. Signed and dated lower right: OSCAR GAUTHIER 52. Gouache on paper, 50 by 32 cm]
Attributed works:
[Galerie Canesso, Paris. The singer, by Pietro Bellotti (1625-1700). Oil on canvas, 72.5 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Michael Sweerts. Bruxelles, 1618 - Goa, India, 1664. The Great Laundry Day. Oil on canvas, 49 x 78,5 cm (19 5/16 x 30 7/8 in)]
Attributed works:
[Galerie David Levy. Paris. Personage 1945, by Victor Brauner (1903-1966). 1945. Monogram at lower left, dated at lower right: 22 x 11 x 45 x. Wax on paper, watercolour and indian ink, 14.1 by 9 cm]
Attributed works:
[Galerie de La Scala. Paris. Project for a plate, by André Derain (1880-1954). Signed: a derain. Watercolour on paper, 15.8 by 16.4 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris, London & New York. L'Amour, by Charles-Joseph Natoire (1700-77). Dated at bottom: 1745. Red chalk, pastel and white chalk on beige paper, 27 by 35.1 cm]
Attributed works:
[Galerie Laurentin. Paris. Don Quichotte, by Gérard Garouste (b.1946). c. 1997. Gouache, 97 by 55.5 cm]
Attributed works:
[Galerie Laurentin. Paris. Portrait of Madeleine au Chapeau, by Tsugouharu Foujita (1886-1968). 1932. Ink on paper, 48.5 by 38.2 cm]
Attributed works:
[Galerie Talarbardon & Gautier. Paris. Cornelia, mother of the Grachhi, by Jean-Guillaume Moitte (1746-1810). Pen, ink and grey wash, 29 by 54.8 cm]
Attributed works:
[Galerie Zlotowski. Paris. Study for the portrait of Jacques Nayral, by Albert Gleizes (1881-1953). Wash and Indian ink, with blue pencil squaring, 62 by 47.8 cm]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Sebastiano del Piombo. Portrait of Michelangelo. Oil on panel, 88.5 x 74cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. David Bomberg 1890-1957. Zahara, Andalucia, circa 1935. Oil on canvas. 24 1/2 x 29 1/2 inches; 62.5 x 75 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Louis-Jean Desprez (Auxerre 1743-1804 Stockholm) and Francesco Piranesi (Rome 1756 - 1810 Paris). The Temple of Serapis in Pozzuoli. Etching by Piranesi, with extensive watercolour and gouache by Dsprez; 1781. Wollin 5 i/II, before the engraved names of the artists and before the title. Desprez's signeture and title faintly visible. Piranesi's inscription at lower right: se vend chez Mr. François Piranesi - Rome. An extremely fine impression with Desprez's watercolour addition still very fresh and intense.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Giovanni Battista Piranesi. Venise 1720-Rome 1778. Study of a man. Brush and brown ink, 137 x 85 mm. Dated around 1770-1775]
Attributed works:
[Paul Prouté. Paris. Study for the 'Bois sacré' or Paysage Idyllique', by François-Louis Français (1814-1897). Watercolour, gouache, pen and brown ink, 32.3 by 39.7 cm]
Attributed works:
[Sebastian + Barquet. New York & London. Bench by George Nakashima. American black walnut, and hickory with one East Indian rosewood bey, 78.7 by 289.5 by 104.7 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giovanni Battista Foggini (1652-1725). Il Porcellino. Height: 16.5 cms.]
Attributed works:
[Trinity Fine Art. London. Charity, by Richard Cosway R.A. (c.1742-1821). Pencil, 23 by 14 cm]
Attributed works:
[W.M. Brady. New York. La tasse, by Pablo Picasso (1881-1973). Signed and dated, lower right: Picasso/22-5-21. Charcoal and stump on paper, 23.3 by 34.3 cm]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of alabaster vases with chased gilt-bronze serpent décor. Russia (?), late 18th century, circa 1790-1800. H. 4 cm (16 1/2in). Base 17x17 cm (6 1/2 x 6 1/2 in)]
Western art unattributed:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. French School. Late XVIth Century. Allegory of Charity. Oil on canvas, 119 x 99.5 cm]
load more