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98 articles
Article
The man who never was – almost
01/2023 | 1438 | 165
Pages: 57-65
related names
Author:
Nesselrath, Arnold (Nesselrath, Arnold)
Subjects
artists:
Illustrations
Attributed works:
1. The Trinity with Sts Sebastian and Roch and The creation of Eve, by Raphael, photographed after its recent restoration. c.1499. Oil on canvas, each 266 by 94 cm. (Pinacoteca Comunale, Città di Castello).
Attributed works:
10. Portrait of a woman (‘La donna velata’), by Raphael. c.1513–14. Oil on canvas, 82 by 60.5 cm. (Palazzo Pitti, Florence).
Attributed works:
11. St Cecilia, attributed to Giovanfrancesco Penni. c.1514. Graphite, pen and ink and wash with white lead on paper, 26.8 by 16.3 cm. (Petit Palais, Musée des Beaux-Arts de la Ville de Paris).
Attributed works:
2. View of the Logge in the Vatican, by Ludwig Gruner. 1844. Chromolithograph, 54.8 by 37.3 cm. (page). (From Fresco Decorations and Stuccoes of Churches and Palaces in Italy during the Fifteenth and Sixteenth Centuries, with Descriptions by Lewis Gruner, London 1844; Royal Collection Trust; © HM King Charles III 2023).
Attributed works:
3. St Paul preaching in Athens, by the Mortlake Tapestry Manufactory after a cartoon by Raphael. After 1625. Wool, silk and linen tapestry, 433 by 538 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
4. Virgin and Child (‘The Tempi Madonna’), by Raphael. 1507–08. Oil on panel, 75 by 51 cm. (Alte Pinakothek, Munich).
Attributed works:
5. Dead boy on a dolphin, attributed to Lorenzetto, after a design by Raphael. Marble, 39 by 106 cm (State Hermitage Museum, St Petersburg).
Attributed works:
6. Detail of Procession to Calvary, by an unknown collaborator of Rapahel. c.1504–05. Oil on panel, 24.4 by 85.5 cm. (National Gallery, London).
Attributed works:
7. St George, by Raphael. c.1505. Oil on panel, 30.7 by 26.8 cm. (Musée du Louvre, Paris).
Attributed works:
8. Holy Family with a pomegranate, by Raphael. c.1507–08. Pen and ink and black and red chalk on paper, 35.3 by 23.4 cm. (Palais de Beaux-Arts, Lille).
Attributed works:
9. Vault of the Chapel of St Helena, S. Croce in Gerusalemme, Rome, designed by Baldassare Peruzzi. 1496–1509. Mosaic. (Alamy).
Article
‘The crucifixion of St Peter’: Gerard Seghers, Michelangelo and Caravaggio
02/2022 | 1427 | 164
Pages: 145-154
related names
Author:
Delvingt, Anne (Delvingt, Anne)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. The crucifixion of St Peter, here attributed to Gerard Seghers. c.1620– 22. Canvas, 232 by 201 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
10. The crucifixion of St Peter, by an anonymous painter. c.1601–50. Oil on canvas, 245 by 225 cm. (Formerly Castello Santa Margherita Ligure).
Attributed works:
2. The resurrection, by Gerard Seghers. c.1620. Oil on canvas, 324 by 240 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. The raising of the Cross, by Gerard Seghers. c.1623–25. Oil on canvas, 535 by 395 cm. (St Charles Borromeo church, Antwerp; Bridgeman Images).
Attributed works:
4. Christ at the column, by Gerard Seghers, c.1630–35. Oil on canvas, 268 by 144 cm. (St Michael’s church, Ghent; © photograph the author).
Attributed works:
5. The ecstasy of St Francis, by Gerard Seghers. c.1622–24. Oil on canvas, 236 by 161 cm. (Musée du Louvre, Paris).
Attributed works:
6. The crucifixion of St Peter, by Antoon Sallaert. c.1630s. Oil on canvas, 400 by 280 cm. (St Peter’s church, Denderwindeke; © 2014 Kerat bv Kunstatelier-Frederik Cnockaert).
Attributed works:
7. The martyrdom of St Lievin, by Gerard Seghers, 1633. Oil on canvas, 259 by 194 cm. (St Bavo’s cathedral, Ghent; © Lukasweb).
Attributed works:
8. The crucifixion of St Peter, by Michelangelo. c.1545–50. Fresco, 625 by 661 cm. (Pauline chapel, Vatican City; Bridgeman Images).
Attributed works:
9. The conversion of St Paul, by Caravaggio. c.1600–01. Oil on cypress panel, 237 by 189 cm. (Palazzo Odescalchi, Rome; Bridgeman Images).
Exhibition Review
The Morozov Collection: Icons of Modern Art
02/2022 | 1427 | 164
Pages: 204-206
related names
Reviewer:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
dates:
patrons:
Reviewed Items
subjects:
The Morozov Collection: Icons of Modern Art Fondation Louis Vuitton, Paris 22nd September 2021– 22nd February 2022 | :
Illustrations
Attributed works:
23. Ivan Abramovitch Morozov, Moscow, 1910, by Valentin Serov. 1910. Tempera on cardboard, 63.5 by 77 cm. (State Tretyakov Gallery, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
24. The cork or Country inn (La Guinguette), by Édouard Manet. c.1878. Oil in canvas, 72.4 by 92 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
25. Bathers, by Paul Cézanne. 1892–94. Oil on canvas, 26 by 40 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Article
Revisiting Titian’s ‘Flight into Egypt’ at Ca’ Loredan, Venice
01/2021 | 1414 | 163
Pages: 28-33
related names
Author:
Jewitt, James R. (Jewitt, James R.)
Subjects
artists:
dates:
museums and institutions:
sources:
Illustrations
Attributed works:
1. Flight into Egypt, by Titian. c.1507. Oil on canvas, 204 by 324.5 cm. excluding eighteenth-century addition of ten centimetres to the righthand edge. (State Hermitage Museum, St Petersburg).
Attributed works:
2. Allegorical figure (Diligence?), by Antonio Zanetti, after Titian. 1760. Etching with watercolour, 28.7 by 20.5 cm. (Biblioteca Hertziana, Rome).
Attributed works:
3. Façade of the Ca’ Vendramin Calergi (formerly Ca’ Loredan), by Mauro Codussi (completed by Domenico Codussi?). c.1502–09. (San Marcuola, Cannaregio, Venice).
Attributed works:
4. Judgment of Solomon, by Sebastiano del Piombo. c.1505–10. Oil on canvas, 208 by 315 cm. (Bankes Collection, The National Trust, Kingston Lacy, Dorset).
Attributed works:
5. The portego on the first piano nobile, Ca’ Vendramin Calergi (formerly Ca’ Loredan), San Marcuola, Cannaregio, Venice, with eighteenthcentury fittings. (Photograph courtesy Ca’ Vendramin Calergi).
Attributed works:
6. Virgin and Child with four saints, by Titian and studio. c.1517–20. Oil on panel, 139 by 191 cm. (Staatliche Kunstsammlungen Gemäldegalerie, Dresden).
Letter
Chinese imperial white glass in Russia
11/2020 | 1412 | 162
Pages: 921
Subjects
museums and institutions:
Illustrations
Non-western art unattributed:
2. Cup, China 1720–30. Cast and moulded glass, 5.9 by 5.8 by 4 cm. Cover, Russia 1730s. Gold, silver and diamonds, 8.8 by 8.2 by 7 cm. (Photograph © The State Hermitage Museum / Yuri Molodkovets).
Book Review
Un rêve d’Italie. La collection du Marquis Campana. Edited by Françoise Gaultier, Laurent Haumesser and Anna Trofimova
01/2020 | 1402 | 162
Pages: 79-80
related names
Reviewer:
Greer, Elena (Greer, Elena )
Subjects
art literature:
collectors and dealers:
Reviewed Items
subjects:
Un rêve d’Italie. La collection du Marquis Campana Edited by Françoise Gaultier, Laurent Haumesser and Anna Trofimova. 608 pp. incl. 800 col. ills. (Liénart editions, Paris, 2018), £62. ISBN 978–2–35906–250–2. | :
Illustrations
Western art unattributed:
5. Finger (fragment). Roman, 1st or 4th century AD. Bronze, 14 by 38 cm. (Musée du Louvre, Paris, on long term loan to the Capitoline Museums, Rome; courtesy RMNGrand Palais and Hervé Lewandowski).
Exhibition Review
Works by Jordaens in Russia Pushkin State Museum of Fine Arts, Moscow
09/2019 | 1398 | 161
Pages: 759-762
related names
Reviewer:
Phillips, Catherine (Phillips, Catherine)
Subjects
artists:
dates:
Illustrations
Attributed works:
11. Meleager and Atalanta, by Jacob Jordaens. 1617–18. Canvas, 156.5 by 123 cm. (Museum of Fine Arts, Ekaterinburg; exh. Pushkin State Museum of Fine Arts, Moscow).
Attributed works:
12. ‘Diliget’ (allegory of the choice between Virtue and Vice), by Jacob Jordaens. c.1645. Black and red chalk, pen and brown ink, brown wash, 29 by 18 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. Bean king (the king drinks), by Jacob Jordaens. c.1638. Oil on canvas, 160 by 213 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images).
Exhibition Review
Piero della Francesca: Monarch of Painting. State Hermitage Museum, St Petersburg
03/2019 | 1392 | 161
Pages: 233-235
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
4. Portrait of a boy, attributed to Piero della Francesca. c.1480. Tempera on panel, 41 by 27.5 cm. (Museo Nacional Thyssen- Bornemisza, Madrid; exh. State Hermitage Museum, St Petersburg). 5. Sigismondo
Attributed works:
5. Sigismondo Malatesta, by Piero della Francesca. 1450s. Oil and tempera on panel, 44 by 34 cm. (Musée du Louvre, Paris; exh. State Hermitage Museum, St Petersburg).
Attributed works:
6. The Annunciation, by Piero della Francesca. 1459–68. Oil and tempera on panel, 338 by 230 cm. (Galleria Nazionale dell’Umbria, Perugia; exh. State Hermitage Museum, St Petersburg).
Article
The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum
12/2018 | 1389 | 160
Pages: 1006-1015
related names
Author:
Hardiman, Louise (Hardiman, Louise)
Subjects
Illustrations
Attributed works:
1. Copy of decoration in a sixteenth-century manuscript of the Gospels in the Patriarchal Library, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 39.3 by 26.7 cm. (Victoria and Albert Museum, London, no.M.10.b: 8881).
Attributed works:
10. Detail of The mitre of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 30.5 by 21.6 cm. (Victoria and Albert Museum, London; no.M.10.b: 8854).
Attributed works:
11. Detail of Two pairs of eyeglasses, and cases for same, of the Patriarch Nikon (1652–1658) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 25.4 cm. (Victoria and Albert Museum, London; no.M.10.a: 8858).
Attributed works:
12. A saccos (dalmatic) of the Metropolitan Dionysy, made by order of Tsar Ivan Vasilievich (1530–1584) in the treasury of the Patriarch, Moscow, 16th century (second half), by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 38 by 26.8 cm. (Victoria and Albert Museum, London; no.M.10.b: 8873).
Attributed works:
2. Detail of Church of the Holy Trinity, Ostankino, near Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.9 by 24.2 cm. (Victoria and Albert Museum, London; no.M.10.a: 8845).
Attributed works:
4. Detail of The Panagia of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 25.4 by 36.3 cm. (Victoria and Albert Museum, London; no.M.10.a: 8842).
Attributed works:
5. Detail of A halo from the image of the Virgin in the sacristy of the Convent of the Transfiguration of Our Lord, Staraya Russa, Novgorod, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 28.5 cm. (Victoria and Albert Museum; London; no.M.10.a: 8861).
Attributed works:
6. Detail of The Pastoral Staff of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 28.5 by 35.5 cm. (Victoria and Albert Museum, London; no.M.10.a: 8855).
Attributed works:
7. A censer at the Convent of the Blessed Virgin, Serpukhov, Province of Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 37 by 28.5 cm. (Victoria and Albert Museum, London, no.M.10.a: 8849).
Attributed works:
8. Detail of The klobouk (headdress of the Greek friars), of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 33 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8853).
Attributed works:
9. A sash of the Patriarchs, in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.8 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8877).
Non-western art unattributed:
3. Reliquary or triple cross, after a seventeenth-century original at the Cathedral of the Dormition, Moscow, at the time of reproduction. c.1881. Electrotype, 32.4 by 16.5 by 3.2 cm. (Metropolitan Museum of Art, New York).
Book Review
Museo Statale Ermitage. La scultura italiana dal XVII al XVIII secolo: Da Bernini a Canova. Catalogo della Collezione. Edited by Sergej Androsov
12/2018 | 1389 | 160
Pages: 1076-1077
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