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8 articles
Editorial
The purposes of art
06/2021 | 1419 | 163
Pages: 491
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Subjects
museums and institutions:
Tate Britain, London, Great Britain
subjects:
Turner Prize / Arts funding / Art education
subjects:
Artists' collectives
Exhibition Review
Turner Prize 2019. Turner Contemporary, Margate
12/2019 | 1401 | 161
Pages: 1057-1059
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related names
Reviewer:
White, Kirsty (White, Kirsty)
Subjects
artists:
Cammock, Helen / Abu Hamdan, Lawrence / Murillo, Oscar / Shani, Tai
dates:
2010-2019
museums and institutions:
Turner Contemporary, Margate, Great Britain
subjects:
Turner Prize
subjects:
Politics / Prisons / Social history / Installations (visual works) / Film (cinema) / Gender / Feminism
Illustrations
Attributed works:
28. Installation view of the Turner Prize 2019 at Turner Contemporary, Margate, showing The Long Note, by Helen Cammock (2018) (Photograph David Levene; courtesy the artist and Turner Contemporary, Margate).
Attributed works:
29. Installation view of the Turner Prize 2019 at Turner Contemporary, Margate, showing works by Oscar Murillo (Photograph David Levene; courtesy the artist and Turner Contemporary, Margate).
Attributed works:
30. Installation view of the Turner Prize 2019 at Turner Contemporary, Margate, showing DC: Semiramis, by Tai Shani (Photograph David Levene; courtesy the artist and Turner Contemporary, Margate).
Exhibition Review
Turner Prize. Hull & Frieze. London
11/2017 | 1376 | 159
Pages: 924-926
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related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Anderson, Hurvin / Himid, Lubaina / Büttner, Andrea
artists:
Nashashibi, Rosalind
museums and institutions:
Ferens Art Gallery, Hull, Great Britain
subjects:
Turner Prize / Frieze Art Fair, London, Great Britain
Illustrations
Attributed works:
49. Study for Ascension I, by Hurvin Anderson. 2017 (Courtesy the artist; photograph Richard Ivey; exh. Ferens Art Gallery, Hull).
Attributed works:
50. Still from Vivian's Garden, by Rosalind Nashashibi. 2017 (Courtesy the artist; exh. Ferens Art Gallery, Hull).
Attributed works:
51. A fashionable marriage, by Lubaina Himid. 1987 (Hollybush Gardens, London; exh. Ferens Art Gallery, Hull).
Attributed works:
52. Selected wall collages, by Mary Beth Edelson. 1972-2011 (Acquired from David Lewis, New York, by Tate, London; exh. Frieze London 2017).
Exhibition Review
Turner Prize; Glasgow exhibitions
01/2016 | 1354 | 158
Pages: 053–055
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related names
Reviewer:
Jeffrey, Moira (Jeffrey, Moira)
Subjects
artists:
Assemble (art collective) / Camplin, Bonnie, b. 1970 / Kerbel, Janice, b. 1969 / Wermers, Nicole, b. 1971
dates:
2010-2019
museums and institutions:
Tramway, Glasgow, Great Britain / Glasgow Sculpture Studios, Glasgow, Great Britain / Museum of Modern Art, Glasgow, Great Britain
places:
Scotland / Glasgow
private galleries:
42 Carlton Place, Glasgow, Great Britain
subjects:
Reviews / Exhibitions / Turner Prize
Illustrations
Attributed works:
67. Untitled chairs, a part of Infrastruktur, by Nicole Wermers. 2015 (Herald Street Gallery, London; exh. Tramway, Glasgow)
Attributed works:
68. Installation view of Granby workshop, by Assemble. 2015 (exh. Tramway, Glasgow)
Attributed works:
69. Concrete building, by Adrian Morris. 1972 (Courtesy the artist's estate; exh. 42 Carlton Place, Glasgow)
Attributed works:
70. Installation view of Darling, Gutter, by Nicolas Deshayes. 2015 (Glasgow Sculpture School)
Exhibition Review
Willie Doherty; Turner Prize
01/2014 | 1330 | 156
Pages: 49-51
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related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Doherty, Willie
dates:
2010-2019
museums and institutions:
Ebrington Square, Derry - Londonderry, Great Britain / City Factory Gallery, Derry - Londonderry, Great Britain
places:
Derry - Londonderry / Northern Ireland
subjects:
Reviews / Exhibitions / Turner Prize
Illustrations
Attributed works:
60. Stone upon stone, by Willie Doherty. 1986. Black-and-white photographic diptych with text, 122 by 183 cm. each. (Matt's Gallery, London; exh. City Factory Gallery, Derry).
Attributed works:
61. Remains (kneecapping behind Creggan shops), by Willie Doherty. 2013. Photograph, 120 by 160 cm. (Matt's Gallery, London; exh. City Factory Gallery, Derry).
Attributed works:
62. Wantee, by Laure Prouvost. 2013. Film installation. (Tate, London; exh. Ebrington Square, Derry).
Attributed works:
63. Installation view of the Turner Prize 2013, Ebrington Square, Derry, showing Bound over to keep the faith, by Lynette Yiadom Boakye. 2013. Canvas, 250 by 200 cm. (Courtesy of the artist; exh. Ebrington Square, Derry).
Attributed works:
64. Life model, by David Shrigley. 2012. Mixed-media installation, dimensions variable. (Courtesy of the artist; exh. Ebrington Square, Derry).
Exhibition Review
Contemporary exhibitions. London (Turner Prize)
01/2011 | 1294 | 153
Pages: 52-54
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related names
Reviewer:
Major, George (Major, George)
Subjects
dates:
2010-2019
museums and institutions:
Tate Britain, London, Great Britain
places:
England / London
print:
Turner Prize
subjects:
Reviews / Exhibitions / Turner Prize
Reviewed Items
subjects:
Turner Prize | institution: Tate Britain
Exhibition Review
Contemporary art. London
01/2004 | 1210 | 146
Pages: 40-42
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related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
artists:
Rae, Fiona / Wearing, Gillian
artists:
Rothenberg, Susan / McCarthy, Paul
dates:
2000-2009
places:
England / London
print:
Contemporary art
subjects:
Exhibitions / Reviews / Modern Art
subjects:
Turner Prize
Reviewed Items
subjects:
Fiona Rae: Hong Kong Garden | institution: Timothy Taylor Gallery
subjects:
Gillian Wearing | institution: Interim Art
subjects:
Paul McCarthy | institution: Hauser & Wirth
subjects:
Susan Rothenberg | institution: Waddington Galleries
subjects:
Turner Prize 2003 | institution: Tate Britain
Illustrations
Attributed works:
because I could not stop, by Anya Gallaccio. 2002. Bronze cast from an apple tree, apples and rope. (Private collection; exh. Tate Britain, London).
Attributed works:
Dominoes squared, by Susan Rothenberg. 2001–03. 90.2 by 174 cm. (Exh. Waddington Galleries, London).
Attributed works:
Moonlight bunny ranch, by Fiona Rae. 2003. 231.1 by 190.5 cm. (Exh. Timothy Taylor Gallery, London).
Attributed works:
Piccadilly, by Paul McCarthy. 2003. Mixed media installation with six video projections. (Exh. Hauser & Wirth, London).
Attributed works:
Self-portrait as my brother Richard Wearing, by Gillian Wearing. 2003. Digital C-type print, 191 by 130.5 cm. (Exh. Interim Art, London).