• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
34 articles
Article
The Paston prospective
07/2018 | 1384 | 160
Pages: 536-544
Subscribe to read
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
Taylor, John / Liedtke, Walter
artists:
Stone, Nicholas, the Elder / Stone, Nicholas, the Younger / Repton, John Adey / Faithorne, William / Vredeman de Vries, Hans / Vredeman de Vries, Paul / Keyser, Hendrick de / Jones, Inigo / Caus, Isaac de / Pearce, Edward, the Elder / Janssen van Ceulen, Cornelius / Dyck, Anthony van / Portman, George / Tempesta, Antonio / Houckgeest, Gerard / Bassen, Bartholomeus van
buildings:
Oxnead Hall, Oxnead, Great Britain / Wilton House, Salisbury, Great Britain
collectors and dealers:
Charles I, King of England, 1600-1649
dates:
1600-1649
media:
Paintings / Drawings / Sketches / Watercolours / Sculpture / Prints / Architecture / Architectural components / Gardens
patrons:
Paston, William, 1st Baronet / Paston, Clement / Frederick V, Elector Palatine, 1596–1632
places:
Great Britain / Norfolk
subjects:
British painting / British architecture / Grand tours / Reconstructions / Collections, Private / Coats of arms / Heraldry / Pattern books / Patronage / Perspective / Hunting / Country houses / Attribution / Identification / Titles of works of art
Illustrations
Attributed works:
10. Charles I, Henrietta Maria and Charles II when Prince of Wales, dining in public, by Gerrit Houckgeest. 1635. Panel, 63.2 by 92.4 cm. (The Royal Collection; © H.M. Queen Elizabeth II).
Attributed works:
2. Oxnead Hall, by John Adey Repton. c.1843. Pen and ink and watercolour, 19.5 by 29 cm. (Nicholas Poole-Wilson).
Attributed works:
5. Frontispiece of Le Jardin de la Noblesse Françoise, by Abraham Bosse. Etching, 14.7 by 9.3 cm. (British Museum, London).
Attributed works:
6. Hortvs Pembrochianvs (The garden of Wilton House, seen from the house), by Isaac de Caus. Etched c.1640, edition of 1654. Etching, 41.7 by 52.3 cm. (British Museum, London).
Attributed works:
7. Fountain formerly at Oxnead, by John Cleghorn after John Adey Repton. 1844. Wood engraving, 7.3 by 7.8 cm., from The Gentleman’s Magazine 21 (1844), p.21.
Attributed works:
8. A Garden and Princely Villa, for Coelum Britannicum, Scene 5, by Inigo Jones and/or Edward Pearce. 1634. Pen and brown ink over graphite, 43.7 by 56.5 cm. (The Trustees of the Chatsworth Settlement; Bridgeman Images).
Western art unattributed:
1. Detail of Fig.4.
Western art unattributed:
3. Detail of Fig.4 showing the escutcheon with the coat of arms of Paston and Hewitt impaled.
Western art unattributed:
4. The Paston prospective. c.1640. Canvas, 117 by 164 cm. (Private collection).
Western art unattributed:
9. Detail of Fig.4, showing figures here identified as William Paston and Margaret Hewitt.
Publication Received
Public Sculpture of Norfolk and Suffolk. By Richard Cocke.
05/2014 | 1334 | 156
Pages: 327
Subscribe to read
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
places:
Norfolk / Suffolk / England
subjects:
British sculpture / Public sculpture / Historic monuments / Commemorative monuments
Exhibition Review
Houghton Revisited. Houghton Hall, Norfolk
07/2013 | 1324 | 155
Pages: 501-502
Subscribe to read
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
collectors and dealers:
Walpole, Robert, First Earl of Orford, 1676-1745
dates:
2010-2019
museums and institutions:
Houghton Hall, nr. Kings Lynn, Great Britain / Hermitage Museum, Saint Petersburg, Russia
places:
Norfolk / King's Lynn
places:
England
subjects:
Reviews / Exhibitions
subjects:
Interiors / Country houses
Illustrations
Attributed works:
55. Holy Family with Sts Elizabeth and John, by Nicolas Poussin (State Hermitage Museum, St Petersburg; exh. Houghton Hall, Norfolk, as shown in the exhibition in the frame that surrounded it when it was originally at Houghton Hall)
Attributed works:
56. Portrait of Pope Clement IX, by Carlo Maratti (State Hermitage Museum, St Petersburg; exh. Houghton Hall, Norfolk)
Publication Received
English panel paintings 1400–1558: A survey of figure paintings on East Anglian rood screens
12/2012 | 1317 | 154
Pages: 859
Subscribe to read
related names
Reviewer:
Wrapson, Lucy (Wrapson, Lucy)
Subjects
dates:
1400-1549 / 1550-1559
places:
Norfolk / Suffolk / England
subjects:
British painting / Panel paintings / Surveys / Rood screens / English
subjects:
East Anglian (Style)
Book Review
Flint Flushwork. A Medieval Masonry Art
09/2009 | 1278 | 151
Pages: 621-622
Subscribe to read
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
places:
Norfolk / Suffolk / England
print:
Flint flushwork
print:
Medieval architecture
subjects:
Architectural history / Architecture / Medieval / Ornament / Stone / English / Churches
subjects:
East Anglian (Style)
Reviewed Items
subjects:
Flint Flushwork. A Medieval Masonry Art | author: Hart, Stephen
Illustrations
Western art unattributed:
41. Exterior view of the flushwork of the restored porch, Chelmsford Cathedral, Essex. Freestone and flint.
Book Review
The Thornham Parva Retable: Technique, Conservation and Context of an English Medieval Painting
01/2006 | 1234 | 148
Pages: 39
Subscribe to read
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
places:
England / Norfolk
print:
Medieval art
subjects:
Conservation / Technical analysis / Techniques / Paintings / Medieval
Reviewed Items
subjects:
The Thornham Parva Retable: Technique, Conservation and Context of an English Medieval Painting | reviewer: Luxford, Julian , editor: Massing, Ann
Exhibition Review
Norfolk Portraits. Norwich
11/1992 | 1076 | 134
Pages: 740-741
Subscribe to read
related names
Reviewer:
Egerton, Judy (Egerton, Judy; E., J.)
Subjects
dates:
1990-1999
museums and institutions:
Norwich Castle Museum and Art Gallery, Norwich, Great Britain
places:
England / Norfolk
subjects:
Exhibitions / Reviews / British painting / Portraits
Illustrations
Attributed works:
42. Sir Robert and Lady Buxton and Their Daughter Anne, by Henry Walton. 73.6 by 92.5 cm. (Norfolk Museum Service; Exh. Castle Museum, Norwich).
Attributed works:
43. Boy at Marbles (Henry Cotman), by John Sell Cotman. 1808. 76.2 by 63.5 cm. (Norfolk Museums Service; Exh. Castle Museum, Norwich).
Attributed works:
44. Cyril Flower, Lord Battersea, by Frederick Sandys. 1877. 110.5 by 75 cm. (Norfolk Museums Service; Exh. Norwich Castle Museum).
Short Notice
Antonio Pellegrini and Marco Ricci at Burlington House and Narford Hall
11/1988 | 1028 | 130
Pages: 846-853
Subscribe to read
related names
Author:
Knox, George (Knox, George)
Subjects
artists:
Ricci, Marco
artists:
Pellegrini, Giovanni Antonio
buildings:
Burlington House, London, Great Britain
buildings:
Narford Hall, Norfolk, Great Britain
dates:
1700-1749
places:
Italy / England / London
places:
Norfolk
subjects:
Italian painting / Documents
subjects:
Frescoes
subjects:
Country houses
Illustrations
Attributed works:
34. Infancy of Achilles, Here Attributed to Antonio Pellegrini and Marco Ricci. 1709. 274 by 366 cm. (Narford Hall, Norfolk).
Attributed works:
35. Rape of Europa, Here Attributed to Antonio Pelligrini and Marco Ricci. 1709. 274 by 228 cm. (Narford Hall, Norfolk).
Attributed works:
36. Story of Arachne, Here Attributed to Antonio Pellegrini and Marco Ricci, 1709. 274 by 337 cm. (Narford Hall, Norfolk).
Attributed works:
37. Narcissus, Here Attributed to Antonio Pellegrini and Marco Ricci. 1709. After Cleaning and before Restoration. 274 by 183 cm, (Narford Hall, Norfolk).
Attributed works:
38. Nessus and Dejanira, Here Attributed to Antonio Pellegrini and Marco Ricci. 1709. 274 by 183 cm. (Narford Hall, Norfolk).
Attributed works:
39. Susanna and the Elders, by Antonio Pellegrini. 1709. 121 by 92 cm. (Narford Hall, Norfolk).
Attributed works:
40. Angelica and Medor, by Antonio Pellegrini. 1709. 121 by 92 cm. (Narford Hall, Norfolk).
Attributed works:
41. Tarquin and Lucretia, by Antonio Pellegrini. 1719. 121 by 169 cm. Before Cleaning and Restoration. (Narford Hall, Norfolk).
Attributed works:
42. Sophonisba, by Antonio Pellegrini (Or Vincenzo Damini?). 1719. 121 by 92 cm. (Narford Hall, Norfolk).
Attributed works:
43. A Putto with a Crown, Antonio Pellegrini. 1719. c.100 by 100 cm. (Narford Hall, Norfolk).
Attributed works:
44. A Putto with a Wreath, Antonio Pellegrini. 1719. c.100 by 100 cm. (Narford Hall, Norfolk).
Attributed works:
45. Britannia, Antonio Pellegrini. 1719. c.100 by 150 cm. (Narford Hall, Norfolk).
Attributed works:
46. Nursing of Jupiter, Here Attributed to Antonio Pellegrini and Marco Ricci. 1709. 274 by 122 cm. (Narford Hall, Norfolk).
Attributed works:
47. Rape of Europa, by Antonio Pellegrini. Pen and Wash, 248 by 192 cm. (National Museum, Stockholm).
Article
Oxford, Cambridge and London: Towards a Theory for 'Grouping' Gothic Manuscripts
02/1988 | 1019 | 130
Pages: 107-115
Subscribe to read
related names
Author:
Michael, Michael (Michael, Michael; Michael, Michael A.; Michael, M. A.)
Subjects
dates:
1300-1399
places:
England / London / Oxford / Cambridge
places:
Kent / Canterbury
places:
Norfolk / Norwich
subjects:
British painting / Gothic (Medieval) / Illuminated manuscripts
subjects:
Attributions / Methodology
subjects:
East Anglian (Style)
Illustrations
Attributed works:
44. Border Surround and Initial. Artist of the De Lisle Psalter Initials, Canterbury?, c.1325. Page Size 19.5 by 13.2 cm. (Missal, Durham, Ushaw College MS 18).
Attributed works:
45. Border Detail, Prophets. By the Artist of the Barlow Psalter, Cambridge?, c.1320. Page Size 42 by 30.7 cm. (Missal, New York Pierpont Morgan Library MS 107, Folio 149).
Attributed works:
46. Border Detail, Apostle or Prophet. By the Artist of the Croyland Apocalypse, Cambridge? c.1320. Page Size 42 by 30.7 cm. (Missal, New York Pierpont Morgan Library MS 107, Folio 69).
Western art unattributed:
39. The Virgin and Child. Norwich c.1310-20. Page Size 25 by 14.2 cm. (Matins of the Hours of the Virgin, Norwich Castle Museum, 158.926.4f, Folio 27).
Western art unattributed:
40. Teacher with Students. Oxford?, c.1320-30. Page Size 40.5 by 26.2 cm. (Liber Sextus with Apparatus, Cambridge, Gonville and Caius College MS 256/662 Folio 1).
Western art unattributed:
41. King David Ringing Bells. Made for Evesham at Oxford?, c.1320-30. Page Size 16.2 by 10.4 cm. (The 'Exultate' Division of the Psalter, Evesham Almonry Museum, 'Psalter' Folio 81).
Western art unattributed:
42. Lady in Mourning as the Office of the Dead Is Read over the Bier. Oxford?, c.1320-30. Page Size 19 by 12.1 cm. (Initial to 'Dilexi Quoniam' of the Office of the Dead from an Hours of the Virgin, San Marino, Huntington Library MS 1346, Folio 119).
Western art unattributed:
43. Initial and Border with Kneeling Donor? Canterbury?, c.1325. Page Size 19.5 by 13.2 cm. (Canon of the Mass from a Missal, Durham, Ushaw College MS 18, Folio 326).
Book Review
Nineteenth Century Norfolk Stained Glass
02/1985 | 983 | 127
Pages: 104
Subscribe to read
related names
Reviewer:
Archer, Michael (Archer, Michael)
Subjects
dates:
1800-1899
places:
England / Norfolk
subjects:
Stained glass / British painting
Reviewed Items
subjects:
Nineteenth Century Norfolk Stained Glass | author: Haward, Birkin
next
load more