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24 articles
Book Review
Italian Maiolica and Other Early Modern Ceramics in the Courtauld Gallery
07/2024 | 1456 | 166
Pages: 752–3
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Reviewer:
Curnow, Celia (Curnow, Celia)
Subjects
art literature:
Catalogues
museums and institutions:
Courtauld Gallery, London, Great Britain
patrons:
Parry, Thomas Gambier
subjects:
Maiolica / Italian art
Reviewed Items
subjects:
Italian Maiolica and Other Early Modern Ceramics in the Courtauld Gallery By Elisa Paola Sani. 304 pp. incl. 180 col. ills. (Paul Holberton Press, London, 2023), £50. ISBN 978–1–913645–16–8. | :
Illustrations
Attributed works:
5. Crucifixion, probably by the workshop of Orazio Fontana, perhaps painted by Antonio Patanazzi. c.1555–70. Maiolica, diameter 27.2 cm.; depth 7.8 cm. (Courtauld Gallery, London)
Exhibition Review
Precious and Rare: Islamic Metalwork from the Courtauld
11/2020 | 1412 | 162
Pages: 981-983
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Reviewer:
Kennedy, Kirstin (Kennedy, Kirstin)
Subjects
collectors and dealers:
Parry, Thomas Gambier
dates:
2020-2030
media:
Metalwork
museums and institutions:
Cartwright Hall, Bradford, Great Britain / Museum of the History of Science, Oxford, Great Britain / Courtauld Institute of Art, London, Great Britain
styles:
Islamic School
Reviewed Items
styles:
Precious and Rare: Islamic Metalwork from the Courtauld History of Science Museum, Oxford 9th October 2020– 10th January 2021 | :
Illustrations
Non-western art unattributed:
5. Detail from the lid of the metalwork bag show in Fig.6. (© The Courtauld Gallery, London; exh. History of Science Museum, Oxford).
Non-western art unattributed:
6. Metalwork bag. Mosul, Northern Iraq, 1300–30. Brass with silver and gold inlay, height 15.2 cm. (© The Courtauld Gallery, London; exh. History of Science Museum, Oxford).
Non-western art unattributed:
7. Incense burner of pierced and engraved brass inlaid with silver, with images of the planets within roundels. Mamluk (Syria), 13th century. (© The Courtauld Gallery, London; exh. History of Science Museum, Oxford).
Book Review
Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851–1900. By Jasmine Allen
12/2018 | 1389 | 160
Pages: 1073-1074
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related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
art literature:
Winston, Charles
artists:
Pugin, Augustus Welby Northmore / Parry, Thomas Gambier / Day, Lewis F. / Suffling, Ernest R. / Wiley, Kehinde / Millais, John Everett / Heaton, Butler and Bayne / Gibbs, Alexander
dates:
1850-1899
media:
Stained glass
places:
Great Britain / France / United States
subjects:
Glassmakers / Exhibitions / Cultural history / Politics / Nationalism / Race / Slavery / Style / Iconography / Historiography / Pre-Raphaelite
Illustrations
Attributed works:
4. Madonna and Child, by Kehinde Wiley. 2016. Stained glass in an aluminium frame, 249 by 117 cm. (© Kehinde Wiley Studio; courtesy the artist and Galerie Templon, Paris and Brussels).
Article
Art Dealing in the Risorgimento III
09/1979 | 918 | 121
Pages: 568-573+575-580
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Author:
Fleming, John (Fleming, John)
Subjects
artists:
Spence, William Blundell
buildings:
Villa Medici, Fiesole, Italy
collectors and dealers:
Spence, William Blundell
collectors and dealers:
Parry, Thomas Gambier
dates:
1800-1899
patrons:
Spence, William Blundell
places:
Italy / Florence / England / London
subjects:
Art market / Art dealers
subjects:
Italian Risorgimento (Italy: 1820-1880)
subjects:
Primitives (Late Medieval and Early Renaissance)
subjects:
Documents / Correspondence
Illustrations
Attributed works:
33. Portfolio Stand, by Luigi Frullini. 1873. (Victoria & Albert Museum).
Attributed works:
34. Self Portrait, by William Blundell Spence. 1862. (Uffizi, Florence).
Article
Art Dealing in the Risorgimento II
08/1979 | 917 | 121
Pages: 492-494+497-500+502-508
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Author:
Fleming, John (Fleming, John)
Subjects
artists:
Spence, William Blundell
collectors and dealers:
Spence, William Blundell
collectors and dealers:
Parry, Thomas Gambier
collectors and dealers:
Barker, Alexander
dates:
1800-1899
places:
England / Italy
places:
Florence
subjects:
Italian Risorgimento (Italy: 1820-1880)
subjects:
British painting / Italian painting / Art market / Art dealers
subjects:
Primitives (Late Medieval and Early Renaissance)
subjects:
Documents / Correspondence
Illustrations
Attributed works:
45. Teresina Spence, by Joseph Karl Stieler. c.1836. (Schloss Nymphenburg, Munich).
Attributed works:
46. William Blundell Spence by Alfred Stevens. c.1850. (Tate Gallery).
Article
An Apollonio di Giovanni for an Historic Marriage
03/1977 | 888 | 119
Pages: 174+176-179+181
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related names
Author:
Callmann, Ellen (Callmann, Ellen)
Subjects
artists:
Apollonio di Giovanni
collectors and dealers:
Parry, Thomas Gambier
dates:
1400-1499
museums and institutions:
Indiana University Art Museum, Bloomington, United States
patrons:
Pazzi family
places:
Italy / Florence
subjects:
Italian painting / Cassoni
subjects:
Putti / Iconography
subjects:
Marriage
Illustrations
Attributed works:
18. Two Heraldic Putti, by Apollonio di Giovanni. Panel, 48 by 178 cm. (Indiana University Art Museum, Bloomington, Ind.).
Attributed works:
23. Detail of Fig.18. [Two Heraldic Putti, by Apollonio di Giovanni. Panel, 48 by 178 cm. (Indiana University Art Museum, Bloomington, Ind.).]
Attributed works:
24. Two Nude Boys, from the shop of Apollonio di Giovanni. Panel. (North Carolina Museum of Art, Raleigh, N. C.).
Attributed works:
25. Amor Talking to Venus, by Apollonio di Giovanni. From the Aeneid. (Biblioteca Riccardiana, Florence, MS.492, Fol.73v).
Western art unattributed:
19. Two Heraldic Putti. Florentine, Third Quarter of the Fifteenth Century. Panel 47.5 by 158.7 cm. (Victoria & Albert Museum).
Western art unattributed:
20. Four Putti. Florentine, Third Quarter of the Fifteenth Century. Panel, 52 by 180.3 cm. (Fondazione Roberto Longhi, Florence).
Western art unattributed:
21. Three Putti. Florentine, c.1450-60. Panel, Sight 45.5 by 195 cm. (Private Collection).
Western art unattributed:
22. A Putto. Florentine, c.1450-60. Panel, Painted Surface 47 by 37 cm. (Nationalmuseum, Stockholm).
Article
Lippo Vanni versus Lippo Memmi
07/1970 | 808 | 112
Pages: 437-441
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Author:
Vertova, Luisa (Vertova, Luisa; Vertova, Luisa Felicita)
Subjects
art literature:
Sandberg-Vavalà, Evelyn
art literature:
Berenson, Bernard
artists:
Barna da Siena
artists:
Lippo Memmi
artists:
Lippo Vanni
collectors and dealers:
Parry, Thomas Gambier
dates:
1300-1399
museums and institutions:
Courtauld Gallery, London, Great Britain
places:
Siena / Italy
subjects:
Italian painting / Attribution / Formal analysis
subjects:
Visual sources / Christian iconography / Peter, Saint / Mary, Virgin: and Child
subjects:
Attributions
Illustrations
Attributed works:
10. Feast of All Souls, with St Peter as Leader of Saints. Florentine School, Second Half of the Fourteenth Century. Miniature on f. CII Recto of a Coral. (S. Lorenzo Martire, Santa Croce sull'Arno (Pisa).)
Attributed works:
12. St Peter, by Lippo Vanni. (Lehman Collection, New York.)
Attributed works:
13. St John the Evangelist, by Lippo Vanni. Miniature on f. XXVIII of Coral 'In Medio Ecclesiae Aperuit os Eius'. (Parish Church, Casole d'Elsa.)
Attributed works:
15. Madonna and Child Holding a Pelican; Redeemer in Roundel above, by Lippo Vanni. Panel, 73 by 35 cm. Including Old Frame; Height to Top of Cusp, 55 cm. (Collection Paolo Volponi, Milan.)
Attributed works:
16. St Peter as a Pope; Evangelist. in Roundel above, by Lippo Vanni. Panel, 61 by 25 cm. Including Old Frame; Height to Top of Cusp, 44 cm. (Gambier-Parry Collection; University Art Galleries, London.)
Attributed works:
17. Redeemer. Detail Showing Roundel above Madonna Illustrated in Fig.15. [Madonna and Child Holding a Pelican; Redeemer in Roundel above, by Lippo Vanni. Panel, 73 by 35 cm. Including Old Frame; Height to Top of Cusp, 55 cm. (Collection Paolo Volponi, Milan.)]
Attributed works:
18. Triptych: Madonna Enthroned with Saints, and Annunciation, by Niccolò di Buonaccorso. (Castle of Konopist.)
Western art unattributed:
11. St Peter as a Pope, Florentine School, Second Half of the Fourteenth Century. Miniature on f. LXXXV Recto of a Coral. (San Niccolò Vescovo, Cecina, near Larciano (Pistoia))
Western art unattributed:
14. St Peter, Sienese School, Fourteenth Century. (Lehman Collection, New York.)
Western art unattributed:
19. St John the Baptist. Detail from a Polyptych. Sienese School, Fourteenth Century. (Pinacoteca, Siena.)
Article
An Italian Miniature in the Gambier-Parry Collection
01/1969 | 790 | 111
Pages: 7-12
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Author:
Stones, Alison (Stones, Alison)
Subjects
artists:
Olivetan Master
artists:
Master of the Vitae Imperatorum
collectors and dealers:
Parry, Thomas Gambier
dates:
1400-1449
places:
Italy / Milan
subjects:
Italian painting / Illuminated manuscripts
subjects:
Collections, Private
subjects:
Attributions
Illustrations
Attributed works:
11. Initial 'V'. [attributed to the workshop of the Olivetan Master] (Bodleian Library, Oxford, MS. Douce d. 13 fo.13). Copyright Bodleian Library.
Attributed works:
12. Bibliothèque Nationale, Paris, MS. it. 2017 fo.361. [Dante and Vergil facing giants, attributed to the Master of the Vitae Imperatorum] Copyright Bibliothèque Nationale.
Attributed works:
6. Initial 'C'. [From a choir-book, enclosing figures of David and a group of Saints praising God, here attributed to the Olivetan Master] (Gambier-Parry Collection, Courtauld Institute of Art.) Copyright Courtauld Institute.
Attributed works:
7. Initial 'D'. [showing the Baptism of Christ here attributed to the Olivetan Master] (Pierpont Morgan Library, New York, M 558B.) Copyright Pierpont Morgan Library.
Attributed works:
8. Initial 'L'. [with three martyred Saints here attributed to the Olivetan master] (Pierpont Morgan Library, New York, M 558A.) Copyright Pierpont Morgan Library.
Attributed works:
9. Initial 'C'. [showing the Communion of the Apostles] (Cini Collection, Venice No. CXXIII.) Copyright Cini Collection.
Western art unattributed:
10. [Christ between Adam and Eve, attributed to the workshop of Giovanni di Benedetto da Como] Bibliothèque Nationale, Paris, MS. lat. 757, fo.53. Copyright Bibliothèque Nationale.
Letter
The Gambier-Parry Madonna
06/1967 | 771 | 109
Pages: 364
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related names
Author:
Gould, Cecil (Gould, Cecil)
Subjects
artists:
Verrocchio, Andrea del
artists:
Signorelli, Luca
collectors and dealers:
Parry, Thomas Gambier
subjects:
Italian painting / Mary, Virgin / Attributions
Article
The History of Thomas Gambier Parry's Collection
03/1967 | 768 | 109
Pages: 112-116+119+135+141+145-146+150+153+159-160+167+171
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Author:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
Subjects
buildings:
Highnam Court, Highnam, Great Britain
collectors and dealers:
Parry, Thomas Gambier
collectors and dealers:
Gambier-Parry family
dates:
1800-1899
museums and institutions:
Courtauld Gallery, London, Great Britain
places:
Italy / England
subjects:
Collections, Private / Italian painting / Primitives (Late Medieval and Early Renaissance)
subjects:
Italian sculpture / Collecting
Illustrations
Attributed works:
2. Polyptych: Crucifixion with Saints, by Bernardo Daddi. Panel, Overall Size, 167 by 228 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
3. Coronation of the Virgin, with Angels, by Lorenzo Monaco. Top of an Altar-Piece. Panel, Overall Size, 185 by 155 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
30. Virgin and Infant St John adoring the Christ Child, with St Peter Martyr, here attributed to the 'Master of the Fiesole Epiphany'. Panel, 75.5 by 43.5 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
49. Dish. Tin-glazed earthenware with lustre decoration, representing one of the Magi, based on a design by Pietro Perugino. Deruta; c. 1515-20. Diameter, 40.8 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
5. Pietà with Magdalen and St John, from the School of Fra Angelico. Predella Panel, 20 by 54.5 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
6. The Creation and the Fall, by Mariotto Albertinelli. Panel, 57 by 164 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
67. Adoration of the Magi, by the so-called Monvaerni. Limoges enamel in gilt-copper frame mounted as a Pax; end of fifteenth century. Area of enamel, 9.9 by 6.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
69. Charlemagne, attributed to Pierre Pénicaud(?) or Martin Didier, called Pape. Limoges enamel, mid-sixteenth century. Diameter, 9.5 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
7. Annunciation, by Pesellino. Panel, 20 by 28.3 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
70. David vanquishing Goliath, by Pierre Reymond. Signed with initials. Limoges enamel, mid-sixteenth century. Diameter, 8.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
71. Naked Man riding a Horse, attributed to Pierre Reymond. Limoges enamel, sixteenth century. 5.7 by 5.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
72. Nativity, by Léonard Limosin. Limoges enamel, sixteenth century. 17.1 by 16.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
8. Madonna and Child with Four Angels, by Mino da Fiesole. Signed. Marble, 45.5 by 36 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
91. Bowl-shaped Box and Cover, by Mahmud al-Kurdi. Signed. Venetian-Saracenic, Late Fifteenth Century; Height, 7.7 cm; Diameter, 15.3 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Non-western art unattributed:
81. Wallet. Mosul, mid-thirteenth century. Brass, with silver and gold inlay; height, 15.3 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
39. Six seated Apostles. German, late eleventh century, now mounted as a Casket (front view). Walrus ivory, 12.7 by 22.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
4. Nativity and Adoration of the Magi. Riminese School, Fourteenth Century. Panel, 45.3 by 27.8 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
40. The Redeemer enthroned with the Symbols of the Evangelists (centre). The Carinal Virtues (sides.) German, late eleventh century, now mounted as a Casket (top view). Walrus ivory, 12.7 by 22.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
45. Christ on the Cross. English, first half of the fourteenth century. Ivory; height, 24.2 cm. (Formerly Gambier-Parry Collection; Victoria and Albert Museum, No. A2-1921).
Western art unattributed:
46. The Filling of the Water-Pots at the Miracle of Cana. Fragment of an ivory relief. Early Christian? 11.5 by 9.3 cm. (Formerly Gambier-Parry Collection; Victoria and Albert Museum No. A1-1921).
Western art unattributed:
50. Dish. Tin-glazed earthenware with lustre decoration, representing a Pelican in Piety. Deruta; c.1520-25. Diameter, 40.5 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
57. Drug-jar (Albarello). Tin-glazed earthenware, with the name of the drug inscribed on a ribbon accompanied by an eagle. Deruta, c.1510-15; height, 23.8 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
61. Adoration of the Magi. Limoges Enamel Châsse. (Formerly Gambier-Parry Collection; Now Widener Collection, National Gallery of Art, Washington, D. C.)
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