6. Intaglio set into a modern gold ring. Intaglio: Roman, 2nd–1st century
BCE. Carnelian, 2.1 by 1.1 cm. (Private collection; photograph Gabriele
de Vangelli de Cresci).
Western art unattributed:
1. Intaglio, shown actual size. Roman, mid- to late 1st century BCE.
Carnelian, height 8.5 mm, thickness 1.5 mm. (Private collection;
photograph the author).
Western art unattributed:
2. Fig.1 backlit.
Western art unattributed:
3. Six-spouted oil lamp featuring New Comedy theatre masks (the
maison type is third from the left). Greek, 1st century BCE. Terracotta,
9.3 by 23 cm. (Musée du Louvre, Paris).
Western art unattributed:
4. Cast copy of a 1st century BCE Roman intaglio. 18th century. Glass, 2.1
by 1.4 cm. (From E. Zwierlein-Diehl, Glaspasten im Martin-von-Wagner-
Museum der Universität Würzburg, Munich 1986, Taf.109, no.604).
Western art unattributed:
7. Hercules and Omphale. Roman, 54–79 CE. Fresco, 103 by 88 cm.
(Museo Archeologico Nazionale, Naples; Bridgeman Images).
Western art unattributed:
Opposite
5. Figs.1 and 2, shown enlarged.
Article
‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori
1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
42. Side view of Young Hercules resting, by Cristoforo Solari, showing inscription on the base. c.1512–13. Marble, 20.8 by 36 by 14.2 cm. (Private collection).
Attributed works:
43. Front view of Fig.42.
Attributed works:
44. Hercules and Cacus, by Cristoforo Solari. 1516–17. Marble, 35.3 cm. high; base 51.5 by 18 cm. (Museum für Kunst und Gewerbe, Hamburg).
Attributed works:
45. Lazarus or Job, by Cristoforo Solari. c.1510 or later. Marble, 202 cm. high. (Museo del Duomo, Milan).
Western art unattributed:
46. Reclining Hercules (the ‘Chiaramonti Hercules’). Roman copy of a Greek original, the head restored in 1568. Marble. (Giardino della Pigna, Vatican Palace).
Article
Michelangelo in Florence: 'David' in 1503 and 'Hercules' in 1506
27. Hercules, by John Michael Rysbrack. Signed and Dated 1744. Terracotta, Washed with Brown-Red Paint, Height 59.7 cm. (The National Trust, Stourhead).
Attributed works:
28. Hercules in the Garden of the Hesperides, by J. F. Greuter, after Pietro da Cortona. 1644 (Published 1646). Engraving, 31.4 by 23 cm.
Attributed works:
29. Flora, by John Michael Rysbrack. Signed and Dated 1759. Terracotta, Height 57.3 cm. (Victoria and Albert Museum).
Attributed works:
30. Flora, by John Michael Rysbrack. 1759-61. Marble, Life Size. (The National Trust, Stourhead).
25. Le Jardin de l'Etang, Fontainebleau, by Israel Silvestre. 1649. Etching.
Attributed works:
26. Hercules (After Michelangelo?), by Peter Paul Rubens. Drawing. (Musée du Louvre).
Attributed works:
27. Hercules, by Baldassare Peruzzi, Here Described as after Michelangelo. Drawing. (Kupferstich-kabinett, Dresden).
Attributed works:
28. Fountain (After Primaticcio?) Attributed to Jacques Androuet du Cerceau. Drawing from Album c.1555-60. (Petit Palais, Paris).
Attributed works:
29. Hercules. Florentine, Early Sixteenth Century, Here Described as after Michelangelo. Drawing. (Albertina, Vienna).
Attributed works:
30. Hercules, Here Described as after Michelangelo. Bronze Statuette. (Victoria and Albert Museum).
Attributed works:
31. Another View of the Bronze Illustrated in Fig.30. [Hercules, Here Described as after Michelangelo. Bronze Statuette. (Victoria and Albert Museum).]
Book Review
Michelangelo's Last Paintings [and: Der Wiederentdeckte Herkules des Michelangelo]