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Article

‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori

11/2018 | 1388 | 160

Pages: 912-919

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Author:

Avery, Charles (Avery, Charles)

Subjects

art literature:

Baldinucci, Filippo

artists:

Giambologna / Zuccaro, Federico / Santi di Tito / Michelangelo / Pollaiolo, Antonio del

dates:

1550-1599

media:

Sculpture / Marbles / Bronzes / Wax sculpture / Models (representations) / Paintings

museums and institutions:

Loggia dei Lanzi, Florence, Italy

patrons:

Cosimo I, Grand Duke of Tuscany, 1519-1574 / Philip II, King of Spain, 1527-1598 / Francesco I, Grand Duke of Tuscany, 1541-1587 / Christian I, Elector of Saxony, 1560–1591

places:

Italy / Florence

subjects:

Italian sculpture / Models (people) / Sitters / Ginori, Bartolommeo di Lionardo / Ginori family / Biographies / Soldiers / Crucifixes / Portraits / Statuettes / Gifts / Commissions / Rape of the Sabines / Mars / Hercules / Prometheus / Titles of works of art / Identification

Illustrations

Attributed works:

1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).

Attributed works:

10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).

Attributed works:

2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).

Attributed works:

3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).

Attributed works:

4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).

Attributed works:

5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).

Attributed works:

6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).

Attributed works:

7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).

Attributed works:

8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).

Attributed works:

9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).

Short Notice

The Subject of Domenico Morone's 'Tournament' Panels in the National Gallery, London

01/1994 | 1090 | 136

Pages: 21-22

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Author:

Henry, Tom (Henry, Tom)

Subjects

artists:

Morone, Domenico

dates:

1450-1549

museums and institutions:

National Gallery, London, Great Britain

places:

Italy

sources:

Plutarch

subjects:

Italian painting / Iconography

subjects:

Rape of the Sabines

Illustrations

Attributed works:

22. The Rape of the Sabines (Before the Signal), by Domenico Morone. c.1490. Probably Oil on Spruce, 45 by 49 cm. (National Gallery, London).

Attributed works:

23. The Rape of the Sabines (After the Signal), by Domenico Morone. c.1490. Probably Oil on Spruce, 45 by 49 cm. (National Gallery, London).

Article

Rediscovered Oil Sketches by Rubens: I

07/1969 | 796 | 111

Pages: 433-445

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Author:

Jaffé, Michael (Jaffé, Michael)

Subjects

artists:

Rubens, Peter Paul

dates:

1600-1699

museums and institutions:

National Gallery, London, Great Britain

places:

Netherlands / Flanders

subjects:

Flemish painting / Oil sketches / Attributions

subjects:

Landscapes (visual works) / Composition (artistic arrangement)

subjects:

Rape of the Sabines

Illustrations

Attributed works:

18. Detail from The Landscape with a Shepherd, by Peter Paul Rubens. Oak Panel. (National Gallery, London No.2924.)

Attributed works:

19. Sketch for Landscape with a Shepherd, by Peter Paul Rubens. Oils, over Preliminary Drawing in Pen, on Oak Panel, 47.9 by 41.7 cm. (Private Collection, Pennsylvania.)

Attributed works:

20. Infra-Red Photograph of the Painting by Rubens Reproduced in Fig.19. [Sketch for Landscape with a Shepherd, by Peter Paul Rubens. Oils, over Preliminary Drawing in Pen, on Oak Panel, 47.9 by 41.7 cm. (Private Collection, Pennsylvania.)]

Attributed works:

21. Study of Trees, by Peter Paul Rubens. Pen and Ink and Black Chalk, 58.2 by 48.9 cm. (Cabinet des Dessins, Musée du Louvre.)

Attributed works:

22. Rape of the Sabines, by Peter Paul Rubens. Oak Panel, 29 by 60 cm. (Private Collection, Paris.)

Attributed works:

23. Rape of the Sabines, by Peter Paul Rubens. Oak Panel, 170 by 235 cm. (National Gallery, London, No.38.)

Attributed works:

24. Rape of the Sabines, by Willem Panneels after Rubens. Pen and Ink over Indications in Black Chalk on White Paper, 20.1 by 30.8 cm. (Department of Prints and Drawings, Statens Museum for Kunst, Copenhagen.)

Attributed works:

25. Rape of the Sabines, by Peter Paul Rubens. Oak Panel, 54.6 by 86.3 cm. (Collection Mr Garfield Weston.)

Attributed works:

26. The Hunt of the Calydonian Boar. Workshop of Peter Paul Rubens. Canvas, 327 by 416 cm. (Kunsthistorisches Museum, Vienna.)

Attributed works:

28. The Hunt of the Calydonian Boar, by Peter Paul Rubens. Oak Panel, 47 by 74 cm. (Collection Mr Norton Simon, Los Angeles.)

Attributed works:

29. Adoration of the Magi, by Peter Paul Rubens. 1617-18. Oak Panel, 51 by 37 cm. (Collection the Marquis of Bute.)

Attributed works:

30. Adoration of the Magi, by an Imitator of Peter Paul Rubens. Oak Panel, 50.8 by 38.7 cm. (Metropolitan Museum of Art, New York.)

Attributed works:

31. Adoration of the Magi, by Peter Paul Rubens. Oak Panel, 66.7 by 50 cm. (Collection Earl Spencer, Althorp House.)

Western art unattributed:

27. Roman Sarcophagus Relief, with The Hunt of the Calydonian Boar. (Palazzo dei Conservatori, Rome.)

Article

Unknown Tapestries at the Mobilier National

01/1966 | 754 | 108

Pages: 16-20

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Author:

Jarry, Madeleine (Jarry, Madeleine)

Subjects

artists:

Hecke, Jan Frans van den

artists:

Hecke, Leo van den

artists:

Reymbouts, Martin I, 1570-1619

artists:

Salviati, Francesco

dates:

1960-1969

dates:

1500-1599

museums and institutions:

Mobilier National, Paris, France

places:

Netherlands / France / Flanders / Paris

places:

Italy

subjects:

Netherlandish painting / Textiles / Tapestries / Exhibitions

subjects:

Italian painting / French painting

subjects:

Stephen, Saint

subjects:

Rape of the Sabines

subjects:

Belshazzar's Feast

subjects:

Mercury

Illustrations

Attributed works:

23. Grotesque Decoration: Belshazzar's Feast. Flemish Tapestry, Second Half of the Sixteenth Century. 3.1 by 3.35 m. (Collection Château d'Azay le Rideau; Exh. Mobilier National, Paris.)

Attributed works:

26. Mercury. Tapestry Woven in Studio of Martin Reynbouts, Brussels, Late Sixteenth Century. 3.42 by 4.04 m. (Collection Château de Chaumont sur Loire; Exh. Mobilier National, Paris.)

Western art unattributed:

22. The Rape of the Sabines, Flemish Tapestry, Second Half of the Sixteenth Century. 3.4 by 6 m. (Collection Château d'Azay le Féron; exh. Mobilier National, Paris.)

Western art unattributed:

24. The Banquet. Tapestry Woven in Florence (?), Sixteenth Century. 4.037 by 8.23 m. (Collection Château d'Oiron; Exh. Mobilier National, Paris.)

Western art unattributed:

25. Birth of St Stephen. Tapestry Woven in Toulouse 1531-5. Bears Monogram 'I. P.' and Date 1532. 5.9 by 6.68 m. (Cathédrale St Etienne, Toulouse; Exh. Mobilier National, Paris.) [tentatively attributed to a member of the family of Hector Pachaut].

Article

A Signed Ivory Tankard by Ignaz Elhafen

07/1962 | 712 | 104

Pages: 288-291

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Author:

Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)

Subjects

artists:

Elhafen, Ignaz

dates:

1650-1749

places:

Germany / Austria / Vienna

subjects:

Rape of the Sabines

subjects:

German sculpture / Ivories / Tankards

subjects:

Austrian sculpture

subjects:

Roman iconography

Illustrations

Attributed works:

16. Rape of the Sabine Women, by Ignaz Elhafen. ?Signed with Initials. Ivory Relief. (Collection Prince Fürstenberg, Donaucschingen.)

Attributed works:

17. Rape of the Sabine Women. Engraving by Pietro Aquila after Pietro da Cortona.

Attributed works:

18. Rape of the Sabine Women, by Ignaz Elhafen. Signed with Initials. Drum of Ivory Tankard, with Silver-Gilt Mounts Bearing Vienna Hall-Mark of 1792. Height, 21 cm.; Lower Diameter, 14 cm.; Height of Drum, 14.5 cm. (Victoria and Albert Museum.)

Attributed works:

19. Another View of the Ivory Tankard Reproduced in Fig. 18. [Rape of the Sabine Women, by Ignaz Elhafen.]

Short Notice

A Sebastiano Ricci 'Rape of the Sabines'

01/1956 | 634 | 98

Pages: 18-19+21

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Author:

Ivanoff, Nicola (Ivanoff, Nicola)

Subjects

artists:

Ricci, Sebastiano

dates:

1700-1749

places:

Italy / Venice

places:

Rome

subjects:

Italian painting / Roman iconography / Attributions

subjects:

Rape of the Sabines

Illustrations

Attributed works:

24. Allegory, by Sebastiano Ricci. Canvas. (Sala dello Scrutinio, Doges' Palace, Venice.)

Attributed works:

25. Rape of the Sabines, Here Attributed to Sebastiano Ricci. Canvas. (Mr Randolph Curtis, Palazzo Barbaro, Santo Stefano, Venice.)

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