2. Plan of Villa Madama, Rome, showing the reconstructed final scheme,
including the gardens: A – Road leading to the Vatican; B – New land
purchased in 1519; C – Facade towards Vatican; and D – Terrace in
front of the stables. Drawn by the author, after D.R. Coffin: ‘The plans
of Villa Madama’, Art Bulletin 49 (1967).
Attributed works:
3. Project for the south east part of the Villa Madama incorporating
the newly purchased land, by Antonio da Sangallo the Younger. 1519.
Pen-and-ink over incised lines on paper, 56.3 by 43.2 cm. (Galleria degli
Uffizi, Florence, GDSA 179A).
Attributed works:
4. Detail of a large project for the Villa Madama, Rome, showing the
south-east corner of the villa and the area designated for the new
gardens, by Antonio da Sangallo the Younger. 1519. Pen-and-ink on paper,
max. 60.1 by 125.8 cm. (Galleria degli Uffizi, Florence, GDSA 314A).
Attributed works:
5. Elevation and section of the Villa Madama, Rome, with survey
details of the land designated for the garden, by Antonio da Sangallo
the Younger. 1519. Pen-and-ink over incised lines on paper, max.
38.5 by 59.4 cm. (Galleria degli Uffizi, Florence, GDSA 1518A).
Attributed works:
6. Project for a terraced garden at Villa Madama, Rome, by Raphael.
1519. Pen and ink over incised lines on paper, 53.1 by 39.5 cm.
(Galleria degli Uffizi, Florence, GDSA 1356A).
Book Review
Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael’s Villa Madama. By Yvonne Elet