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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
Book Review
Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael’s Villa Madama. By Yvonne Elet
01/2019 | 1390 | 161
Pages: 87-88
Book Review
Rugs in Late Medieval Siena; Carpet Studies 1300–1600. By Marco Spallanzani
05/2018 | 1382 | 160
Pages: 429-430
related names
Reviewer:
Penny, Nicholas (Penny, Nicholas)
Subjects
art literature:
collectors and dealers:
museums and institutions:
places:
Illustrations
Attributed works:
2. Marriage of the Virgin, by Niccolo di Buonaccorso. c.1380. Egg tempera on poplar, 50.9 by 33 cm. (National Gallery, London).
Article
School of Raphael Tapestries in the Collection of Henry VIII
02/1996 | 1115 | 138
Pages: 69-78
related names
Author:
Campbell, Tom (Campbell, Tom)
Subjects
artists:
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
10. The Triumph of Bacchus from Henry VIII's Antiques Set (Now Known as the Triumphs of the Gods), by an Unidentified Workshop, after a Design Attributed to Giovanni da Udine. c. 1540. Wool, Silk and Gilt Metallic Thread, 470 by 745 cm. (Her Majesty the Queen).
Attributed works:
11. Detail of Fig. 12 Photographed from the Back. [The Triumph of Hercules, from Henry VIII's Antiquities Set (Now Known as the Triumphs of the Gods), by an Unidentified Workshop, after a Design Attributed to Giovanni da Udine. c. 1540. Wool, Silk and Gilt Metallic Thread, 480 by 632 cm. (Her Majesty the Queen).]
Attributed works:
12. The Triumph of Hercules, from Henry VIII's Antiquities Set (Now Known as the Triumphs of the Gods), by an Unidentified Workshop, after a Design Attributed to Giovanni da Udine. c. 1540. Wool, Silk and Gilt Metallic Thread, 480 by 632 cm. (Her Majesty the Queen).
Attributed works:
13. Detail from Fig. 12 Photographed from the Back. [The Triumph of Hercules, from Henry VIII's Antiquities Set (Now Known as the Triumphs of the Gods), by an Unidentified Workshop, after a Design Attributed to Giovanni da Udine. c. 1540. Wool, Silk and Gilt Metallic Thread, 480 by 632 cm. (Her Majesty the Queen).]
Attributed works:
14. Unidentified Merchant or Weavers' Mark in Lower Right Selvedge of The Triumph of Hercules, Fig. 12. [The Triumph of Hercules, from Henry VIII's Antiquities Set (Now Known as the Triumphs of the Gods), by an Unidentified Workshop, after a Design Attributed to Giovanni da Udine. c. 1540. Wool, Silk and Gilt Metallic Thread, 480 by 632 cm. (Her Majesty the Queen).]
Attributed works:
4. The Miraculous Draught of Fishes, from Henry VIII's Acts of the Apostles Set. Unknown Workshop after a Cartoon by Raphael. c. 1540. Wool, Silk and Gilt Metallic Thread, 389 by 442 cm. (After Removal of Outer Borders). (Destroyed; Formerly Kaiser Friedrich Museum, Berlin).
Attributed works:
5. The Conversion of Saul, from Henry VIII's Acts of the Apostles Set. Unidentified Workshop after a Cartoon by Raphael. c. 1540. Wool, Silk and Gilt Metallic Thread, 396 by 556 cm. (After Removal of Outer Borders). (Destroyed, Formerly Kaiser Friedrich Museum, Berlin).
Attributed works:
6. The Sacrifice at Lystra, from Henry VIII's Acts of the Apostles Set. Unidentified Workshop after a Cartoon by Raphael. c. 1540. Wool, Silk and Metallic Thread, 396 by 589 cm. (After Removal of Outer Borders). (Destroyed, Formerly Kaiser Friedrich Museum, Berlin).
Attributed works:
7. The Charge to St Peter, from Henry VIII's Acts of the Apostles Set. Unidentified Workshop after a Cartoon by Raphael. c. 1540. Wool, Silk, and Gilt Metallic Thread, 386 by 566 cm. (After Removal of Outer Borders). (Destroyed, Formerly Kaiser Friedrich Museum, Berlin).
Attributed works:
8. The Charge to St Peter, from the Madrid Acts of the Apostles Set, by Jan van Tieghem's Workshop after a Cartoon by Raphael. c. 1550. Wool, Silk and Gilt Metallic Thread, 483 by 721 cm. (Palacio Real, Madrid).
Attributed works:
9. The Stoning of St Stephen, from Henry VIII's Acts of the Apostles Set, by an Unidentified Workshop after a Cartoon by Raphael. c. 1540. Wool, Silk and Gilt Metallic Thread, Dimensions Unknown. (Destroyed; Formerly Kasier Friedrich Museum, Berlin).
Article
The Villa Lante in Rome: Some Drawings and Some Observations
03/1971 | 816 | 113
Pages: 132-138
related names
Author:
O'Gorman, James F. (O'Gorman, James F.)
Subjects
art literature:
art literature:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
11. Villa Lante, Rome. Photo Jean Baer O'Gorman.
Attributed works:
12. Detail from St Peter Giving Alms, by Masaccio. (S. M. del Carmine, Florence.) Photo Alinari.
Attributed works:
13. The Finding of the Sarcophagus of Numa, Attributed to Polidoro da Caravaggio. (Formerly in the Villa Lante, Rome.) Photo Courtesy Biblioteca Hertziana, Rome.
Attributed works:
14. Villa Lante, Rome. Detail of a Panoramic Map Attributed to Giovanni Dosio.
Attributed works:
15. Villa Lante, Rome. Part of West Elevation, Attributed to Aristotile da Sangallo. (Musée Wicar, Lille.)
Western art unattributed:
16. Villa Lante, Rome. Section Looking South. (Kunstbibliothek, Berlin.)
Western art unattributed:
17. Villa Lante, Rome. Plan and West Elevation. (Kunstbibliothek, Berlin).
Western art unattributed:
18. Villa Lante, Rome. South Elevation. (Kunstbibliothek, Berlin).
Western art unattributed:
19. Villa Lante, Rome. Plan of Proposed Forecourt. (Kunstbibliothek, Berlin).
Western art unattributed:
20. Villa Lante, Rome. Detail of Proposed Forecourt. (Kunstbibliothek, Berlin).
Book Review
Drawings in the Ashmolean Museum
05/1957 | 650 | 99
Pages: 157+159-163
related names
Reviewer:
Gere, John (Gere, John; Gere, J. A.; G., J. A.; G., J.)
Subjects
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Catalogue of the Collection of Drawings in the Ashmolean Museum | author: Parker, K. T.
Illustrations
Attributed works:
20. Bishop Giving Alms, by Bernardino Capitelli. Pen and Ink, 18 by 23.7 cm. (Landesmuseum, Darmstadt.)
Attributed works:
26. Psyche Giving Venus the Vase of Proserpine, by Raphael (?). Pen over Red Chalk, 10.5 by 8 cm. (Ashmolean Museum, Oxford.)
Attributed works:
27. Madonna and Saints, Workshop of Bernardino Campi. Brush Drawing on Greenishgrey Paper, 43.4 by 34 cm. (Ashmolean Museum, Oxford.)
Attributed works:
28. Holy Family, by G. F. Penni. Panel. (Museum, Cava de'Tirreni, near Naples.)
Attributed works:
29. Circumcision, Here Attributed to Belisario Corenzio. Brush Drawing in Blue, Heightened with White, 40 by 19.3 cm. (Ashmolean Museum, Oxford.)
Attributed works:
30. Camillus and Brennus, Here Attributed to Taddeo Zuccaro. Pen and Wash, 23.1 by 20.8 cm. (British Museum.)
Attributed works:
31. Descent from the Cross, by Jacopino del Conte. Pen and Wash, Heightened with white. (Louvre.)