1. Arrangement in black and gold: Comte Robert de Montesquiou-
Fezensac, by James McNeill Whistler. 1891–92. Oil on canvas, 208.6
by 91.8 cm. (Frick Collection, New York).
Attributed works:
2. Harper Pennington, by James McNeill Whistler. 1880–81. Chalk and
pastel on paper, 21.4 by 13.8 cm. (National Gallery of Art, Washington).
Attributed works:
3. Rose et argent: la jolie mutine, by James McNeill Whistler. 1892–93.
Oil on canvas, 190.5 by 89.5 cm. (Hunterian Art Gallery, University of
Glasgow; Bridgeman Images).
Attributed works:
4. Green and violet: the evening walk, Dieppe, by James McNeill Whistler.
1896. Oil on panel, 12.7 by 21.5 cm. (Crystal Bridges Museum of American
Art, Bentonville AK).
Attributed works:
5. Symphony in white, no.3, by James McNeill Whistler. 1865–67.
Oil on canvas, 52 by 76.5 cm. (Barber Institute of Fine Arts,
Birmingham; Bridgeman Images).
Attributed works:
6. Arrangement in grey and green: portrait of J.J. Cowan, by James
McNeill Whistler. 1893–1900. Oil on canvas, 95.5 by 51 cm. (Scottish
National Gallery, Edinburgh).
Attributed works:
7. Nocturne in black and gold: the falling rocket, by James McNeill
Whistler. 1875. Oil on canvas, 60.3 by 46.6 cm. (Detroit Institute of Arts;
Bridgeman Images).
Book Review
Gothic Architecture in Spain: Invention and Imitation
Gothic Architecture in Spain:
Invention and Imitation
Edited by Tom Nickson and Nicola Jennings.
211 pp. incl. 164 col. + b. & w. ills. (Courtauld
Books Online, London, 2020).
ISBN 978–1–907485–12–1. |
:
Letter
Robert and James Adam’s Grand Tour letters and writings 1754–63