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10 of 110 articles
Book Review
Black Atlantic: Power, People, Resistance
05/2024 | 1454 | 166
Pages: 523–525
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Reviewer:
East, Saffron (East, Saffron)
Exhibition Review
Entangled Pasts, 1768–Now: Art, Colonialism and Change
04/2024 | 1453 | 166
Pages: 411–414
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Reviewer:
Sykes, Rebecca (Sykes, Rebecca)
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dates:
Reviewed Items
subjects:
Entangled Pasts, 1768–Now: Art, Colonialism and Change Royal Academy of Arts, London 3rd February–28th April 2024 | :
Illustrations
Attributed works:
23. George, Prince of Wales, later King George IV (1762– 1830), by Joshua Reynolds. c.1787. Oil on canvas, 234 by 147 cm. (Collection of the Duke of Norfolk, Arundel Castle; exh. Royal Academy of Arts, London).
Attributed works:
24. Whale falls, by Ellen Gallagher. 2017. Oil, acrylic, ink and paper on canvas, 188 by 202 cm. (Courtesy the artist and Hauser and Wirth; Ekard Collection; exh. Royal Academy of Arts, London).
Attributed works:
25. Naming the money, by Lubaina Himid. 2004. Mixed-media installation with sound, dimensions variable. (Courtesy the artist and Hollybush Gardens, London; International Slavery Museum, National Museums Liverpool; photograph Stuart Whipps; exh. Royal Academy of Arts, London).
Article
Below the surface of Braque's 'Pitcher, candlestick and black fish'
09/2023 | 1446 | 165
Pages: 968-75
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Author:
Dijkema, Desirae (Dijkema, Desirae)
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Illustrations
Attributed works:
1. Pitcher, candlestick, and black fish (Vase et poisson noir) (after treatment), by Georges Braque. 1943. Oil on canvas, 64.6 by 48.6 cm. (© Artists Rights Society, NY and DACS, London; Menil Collection, Houston).
Attributed works:
10. L’homme au foulard, by Georges Braque. 1929. Oil on canvas, 46 by 38 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959, III).
Attributed works:
11. Reflected infra-red image of the reverse of Fig.1, after lining removal; the image has been flipped so that the composition is seen as it would be when viewed from the front.
Attributed works:
12. Digital estimation of the third underlying composition of Fig.1.
Attributed works:
13. Detail of Fig.1, showing the lower-right corner.
Attributed works:
14. Detail of Fig.1, showing the lower-right corner and imaged under magnification.
Attributed works:
2. Detail of Fig.1, showing the lower-right quadrant.
Attributed works:
3. Reflected infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
4. Transmitted infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
5. Detail of Fig.4, showing the eyes.
Attributed works:
6. Woman at an easel (green screen), by Georges Braque. 1936. Oil on canvas, 92 by 73 cm. (© Artists Rights Society, NY and DACS, London; Art Institute of Chicago).
Attributed works:
7. Digital estimation of the composition immediately underlying Fig.1. (Menil Collection, Houston).
Attributed works:
8. Woman with a mandolin, by Georges Braque. 1937. Oil on canvas, 130.2 by 97.2 cm. (© Artists Rights Society, NY and DACS, London; Museum of Modern Art, New York).
Attributed works:
9. Femme, by Georges Braque. 1936. Oil on canvas, 65 by 54 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959).
Book Review
Balthazar: A Black African King in Medieval and Renaissance Art
09/2023 | 1446 | 165
Pages: 1035-36
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Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
Reviewed Items
subjects:
Balthazar: A Black African King in Medieval and Renaissance Art Edited by Kristen Collins and Bryan C. Keene. 152 pp. incl. 121 col. ills. (J. Paul Getty Museum, Los Angeles, 2023), £35. ISBN 978–1–60606–785–7. | :
Exhibition Review
Souls Grown Deep Like the Rivers: Black Artists from the American South
06/2023 | 1443 | 165
Pages: 657-659
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Reviewer:
Rhodes, Colin (Rhodes, Colin)
Subjects
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Reviewed Items
subjects:
Souls Grown Deep Like the Rivers: Black Artists from the American South Royal Academy of Arts, London 17th March–18th June | :
Illustrations
Attributed works:
23. LeBe, by Sam Doyle. Late 1970s. Paint on tin, 95.2 by 67.9 cm. (Estate of Sam Doyle; Souls Grown Deep Foundation, Atlanta; photograph Stephen Pitkin; exh. Royal Academy of Arts, London).
Attributed works:
24. Oklahoma, by Ronald Lockett. 1995. Found sheet metal, tin, wire, paint and nails on wood, 114.3 by 117.5 by 7.6 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Attributed works:
25. Medallion, by Loretta Pettway Bennett. 2005. Cotton and twill, 215.9 by 154.9 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Book Review
Josef Albers: Late Modernism, and Pedagogic Form
06/2023 | 1443 | 165
Pages: 670-671
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Reviewer:
Darwent, Charles (Darwent, Charles)
Subjects
Reviewed Items
subjects:
Josef Albers: Late Modernism, and Pedagogic Form By Jeffrey Saletnik. 320 pp. incl. 53 col. + 87 b. & w. ills. (University of Chicago Press, 2022), £32. ISBN 978–0–226–69917–2. | :
Illustrations
Attributed works:
6. Structural constellation: transformation of a scheme no. 23, by Josef Albers. 1951. Machine-engraved plastic laminate, 43.2 by 57.2 cm. (Josef and Anni Albers Foundation and Artists Rights Society (ARS), New York).
Exhibition Review
Howardena Pindell: A New Language
05/2023 | 1442 | 165
Pages: 559-562
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Reviewer:
Regan, Padraig (Regan, Padraig)
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Reviewed Items
subjects:
Howardena Pindell: A New Language Spike Island, Bristol 18th February–21st May | :
Illustrations
Attributed works:
19. Parabia test #3, by Howardena Pindell. 1974. Ink on paper collage, 23.5 by 57.8 cm. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Attributed works:
20. Installation view of Howardena Pindell: A New Language at Spike Island, Bristol, 2023, showing Free, white and 21. 1980. U-matic, duration 12 minutes 15 seconds. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; photograph Dan Weill).
Attributed works:
21. Still from Rope/fire/water, by Howardena Pindell. Video, duration 16 minutes. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Exhibition Review
Glyn Philpot: Flesh and Spirit
08/2022 | 1433 | 164
Pages: 805-809
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Reviewer:
Hall, Michael (Hall, Michael)
Subjects
artists:
Reviewed Items
subjects:
Glyn Philpot: Flesh and Spirit Pallant House Gallery, Chichester 14th May–23rd October | :
Illustrations
Attributed works:
20. The little dancer, by Glyn Philpot. 1923. Oil on canvas, 143 by 115 cm. (Private collection; © Maas Gallery, London; exh. Pallant House Gallery, Chichester; Bridgeman Images).
Attributed works:
21. Resurgam, by Glyn Philpot. 1929. Oil on canvas, 86 by 89 cm. (Private collection; © Christie’s Images; exh. Pallant House Gallery, Chichester; Bridgeman Images).
Attributed works:
22. Tom Whiskey (M. Julien Zaïre), by Glyn Philpot. 1931. Oil on canvas, 47 by 39.5 cm. (Private collection; courtesy Richard Osborn Fine Art; exh. Pallant House Gallery, Chichester).
Exhibition Review
Kara Walker: A Black Hole Is Everything a Star Longs to Be
01/2022 | 1426 | 164
Pages: 56-59
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Reviewer:
Daunt, Catherine (Daunt, Catherine)
Subjects
artists:
dates:
Reviewed Items
subjects:
Kara Walker: A Black Hole Is Everything a Star Longs to Be Schirn Kunsthalle, Frankfurt 15th October 2021–16th January 2022 | :
Illustrations
Attributed works:
2. Barack Obama tormented St Anthony putting up with the whole ‘birther’ conspiracy, by Kara Walker. 2019. Pastel, conté crayon and charcoal on treated paper, 221.9 by 182.9 cm. (Private collection; exh. Schirn Kunsthalle, Franfurt).
Attributed works:
3. Prize from the series The gross clinician presents, by Kara Walker. 2018. Graphite, sumi ink, gofun and gouache, 76 by 57 cm. (Kunstmuseum, Basel; exh. Schirn Kunsthalle, Franfurt).
Attributed works:
Yesterdayness in America today, by Kara Walker. 2020. Graphite and watercolour on paper, 221.9 by 365.8 cm. (Private collection; exh. Schirn Kunsthalle, Franfurt).
Article
‘Fully armed in plate of war’: making the effigy of the Black Prince
11/2021 | 1424 | 163
Pages: 997-1009
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Author:
Barker, Jessica (Barker, Jessica)
Author:
Mcarthur, Graeme (Mcarthur, Graeme)
Author:
Pegues, Emily (Pegues, Emily)
Subjects
media:
Illustrations
Attributed works:
14. The soffit of the tester over the monument to the Black Prince. Late fourteenth century. 440 by 192 by 30 cm. Oak, polychromy and gilding. (© Fitzwilliam Museum, Cambridge).
Attributed works:
15. Detail from La vie du Prince Noir, by the Chandos Herald, showing the Black Prince venerating the Trinity. c.1385. Illumination on parchment, octavo 23.5 by 14 cm. (Senate House, London, MS 1, fol.1; reproduced with the permission of Senate House Library, University of London).
Attributed works:
8. The Black Prince’s funeral achievements, clockwise from top left: sword, helmet, gauntlets. (Photographs by kind permission of Canterbury Cathedral).
Attributed works:
9. Endoscopic view of the interior of the effigy from the bascinet toward the chest cavity and legs. (© Waygate Technologies). a. Join of interlocking teeth connecting the torso piece with the underside of the eventail at the throat; b. Iron interlocking pins at the inside of the chest; c. Tailbone bolt; d. Pin holding the legs together at the thigh; e. Hollow legs; and f. Iron interlocking pins.
Western art unattributed:
1. The tomb of the Black Prince in its setting in the Trinity Chapel, Canterbury Cathedral. (Photograph the authors).
Western art unattributed:
10. Badge of the Black Prince venerating the Trinity. c.1376. Lead, 10.3 by 7.9 cm. (British Museum, London; © The Trustees of the British Museum).
Western art unattributed:
11. Impression of the seal of the Black Prince, affixed to a charter dated 19th July 1362. Wax, diameter 5 cm. (The National Archives, London, E/30/1106; © Lloyd de Beer, reproduced by kind permission from The National Archives, Kew).
Western art unattributed:
12. Tomb of Edward III. c.1386. Gilded brass effigy, Purbeck marble tomb chest and oak tester. (Confessor’s Chapel, Westminster Abbey, London; © Dean and Chapter of Westminster).
Western art unattributed:
13. Detail of Fig.12, showing the face of Edward III. (© Dean and Chapter of Westminster; Alamy).
Western art unattributed:
2. The effigy of the Black Prince on his tomb. c.1386. Gilded brass, with silvered and enamel details. (Trinity Chapel, Canterbury Cathedral; photograph by kind permission of Canterbury Cathedral).
Western art unattributed:
3. Detail of champlevé enamels on the effigy’s sword belt. (Photograph the authors).
Western art unattributed:
4. Drawing of the effigy, indicating names for the armour. (© Matilde Grimaldi).
Western art unattributed:
5. Side view of the effigy and tomb chest of the Black Prince. Gilded brass, enamel and Purbeck marble. (© Michael Freeman; Alamy).
Western art unattributed:
6. Drawing of the effigy, indicating its construction. (© Matilde Grimaldi).
Western art unattributed:
7. The gauntlets on the Black Prince’s effigy. (Photograph the authors).