Medardo Rosso: Inventing
Modern Sculpture
Kunstmuseum Basel
29th March–10th August |
:
Illustrations
Attributed works:
27. Installation
view of Medardo
Rosso: Inventing
Modern
Sculpture at the
Kunstmuseum
Basel, 2025,
showing, second
plinth from left,
Rosso in Africa,
by Juan Muñoz.
1994. Plaster,
28 by 22 by 18
cm.; and, in the
background,
Untitled, by
Marisa Merz.
c.1900. Kerosene
and coloured
pencil on unfired
clay, 28.5 by
12 by 195 cm.
(Photograph Max
Ehrengruber).
Attributed works:
28. Medardo
Rosso’s Enfant
à la Bouchée de
pain in front of
Paul Cezanne’s
Bathers, Salon
d’Automne,
Paris, 1904.
Gelatin silver
print, 11.7 by
14.5 cm. (Private
collection; exh.
Kunstmuseum
Basel).
Exhibition Review
Monstrous Beauty: A Feminist
Revision of Chinoiserie
Picturing Nature: The Stuart
Collection of 18th- and 19th-
Century British Landscapes
and Beyond
Museum of Fine Arts, Houston
12th January–6th July |
:
Illustrations
Attributed works:
21. Lake Albano,
by Francis
Towne. 1781.
Pen and grey
ink and wash
over graphite
on paper, 32.1 by
47 cm. (Museum
of Fine Arts,
Houston).
Attributed works:
22. Rochester
Castle from the
River Medway,
by Thomas
Girtin. c.1791–92.
Watercolour
and graphite
on paper, 27.5
by 49.5 cm.
(Museum of Fine
Arts, Houston).
Le Louvre s’invite chez Goya
Musée Goya, Castres
8th February–21st September |
:
Illustrations
Attributed works:
19. Still life with
figs, by Luis
Egidio Meléndez.
c.1760. Oil on
canvas, 37 by 49
cm. (Musée du
Louvre, Paris;
exh. Musée
Goya, Castres;
Bridgeman
Images).
Attributed works:
20. St Louis,
king of France
and a page,
by El Greco.
c.1585–90. Oil on
canvas, 120 by
96.5 cm. (Musée
du Louvre, Paris;
exh. Musée
Goya, Castres;
Bridgeman
Images).
Corot to Watteau? On the Trail
of French Drawings
30th April–27th July
Kunsthalle Bremen |
:
Illustrations
Attributed works:
16. Study of
Sancho for the
tapestry Sancho
brings the
false Dulcinea
to his Master,
by Charles
Joseph Natoire.
c.1735. Red and
white chalk on
brown paper,
35.8 by 28.3
cm. (Kunsthalle
Bremen).
Attributed works:
17. Two figure
groups for the
Massacre at
Chios(?) and
an equestrian
study, by Eugène
Delacroix. c.1824.
Pencil and grey
wash on paper,
23.8 by 28.6
cm. (Kunsthalle
Bremen).
Attributed works:
18. Study for
a portrait of
Florentius
Josephus van
Ertborn, by
Jean-Baptiste
Greuze. c.1804.
Oil on panel,
30.2 by 21.9
cm. (Kunsthalle
Bremen).
Wellington’s Dutch Masterpieces
Apsley House
2nd April–21st December |
:
Illustrations
Attributed works:
13. Dissolute
household,
by Jan Steen.
c.1663. Oil on
canvas, 80.5 by
89 cm. (Apsley
House, London).
Attributed works:
14. Installation
view of
Wellington’s Dutch
Masterpieces at
Apsley House,
London, 2025.
(Courtesy
Wellington
Collection,
Apsley House;
photograph
Christopher Ison).
Attributed works:
15. Installation
view of
Wellington’s
Dutch
Masterpieces at
Apsley House,
London, 2025,
showing, in the
centre, A musical
party, by Pieter
de Hooch. c.1675.
Oil on canvas,
106 by 137
cm. (Courtesy
Wellington
Collection,
Apsley House;
photograph
Christopher
Ison).
Exhibition Review
Corpi Moderni. La costruzione
del corpo nella Venezia del
Rinascimento: Leonardo,
Michelangelo, Dürer, Giorgione
Corpi Moderni. La costruzione
del corpo nella Venezia del
Rinascimento: Leonardo,
Michelangelo, Dürer, Giorgione
Gallerie dell’Accademia, Venice
4th April–27th July |
:
Illustrations
Attributed works:
10. Nude selfportrait,
by
Albrecht Dürer.
1509. Pen, black
ink and wash,
heightened
with white, on
emerald-green
paper, 29.5 by
15.5 cm. (Klassik
Stiftung Weimar;
exh. Gallerie
dell’Accademia,
Venice; Scala,
Florence).
Attributed works:
11. Proportional
studies of a
standing man
(Vitruvian Man),
by Leonardo da
Vinci. c.1490–97.
Pen and brown
ink and wash
over leadpoint,
34.3 by 24.5
cm. (Gallerie
dell’Accademia,
Venice).
Attributed works:
12. Sleeping
Venus, by
Girolamo da
Treviso or the
Monogrammist
HIRT-TV. c.1515.
Oil on canvas,
130 by 213 cm.
(Gallerie degli
Uffizi, Florence;
exh. Gallerie
dell’Accademia,
Venice).
D’or et d’éclat: Le bijou à la
Renaissance
Fondation Bemberg, Toulouse
4th April–27th July |
:
Illustrations
Attributed works:
8. Cup, by the
workshop of
Bernard Palissy.
1550–75. Glazed
ceramic, 14.6 by
13.5 cm. (Musée
national de la
Renaissance
– château
d’Écouen; exh.
Fondation
Bemberg,
Toulouse).
Attributed works:
9. Charles IX,
by François
Clouet. c.1570.
Oil on panel,
36.2 by 25.4
cm. (Fondation
Bemberg,
Toulouse).
Western art unattributed:
7. Pendant
in the form
of a rooster.
c.1590–1610.
Gold, enamel,
pearl, diamonds
and rubies,
7.5 by 4.5 cm.
(Rijksmuseum,
Amsterdam;
exh. Fondation
Bemberg,
Toulouse).
Mamluks, 1250–1517
Musée du Louvre, Paris
30th April–28th July |
:
Illustrations
Non-western art unattributed:
4. Descent
from the Cross.
Possibly Syria,
first half of the
14th century.
Slip-decorated
earthenware
with underglaze
painting,
diameter 31
cm. (Benaki
Museum, Athens;
exh. Musée du
Louvre, Paris).
Non-western art unattributed:
5. Shadowtheatre
puppets
depicting a ship
and its crew.
Egypt, possibly
15th century.
Parchment,
65 by 46 cm.
(Linden-Museum,
Stuttgart; exh.
Musée du Louvre,
Paris).
Non-western art unattributed:
6. Bottle
decorated with
lions in Chinese
style. Egypt or
Syria, mid-
14th century.
Enamelled and
gilded glass,
height 39 cm.
(Calouste
Gulbenkian
Foundation,
Lisbon; exh.
Musée du
Louvre, Paris).
Chistian Krohg: Le peuple du
Nord
Musée d’Orsay, Paris
25th March–27th July |
:
Illustrations
Attributed works:
1. Karl
Nordström,
by Christian
Krohg. 1882.
Oil on canvas,
61 by 46.5 cm.
(Nasjonalmuseet,
Oslo; exh. Musée
d’Orsay, Paris).
Attributed works:
2. Albertine
i politilegens
venteværelse,
by Christian
Krohg. 1885–87.
Oil on canvas,
210 by 325.4 cm.
(Nasjonalmuseet,
Oslo; exh. Musée
d’Orsay, Paris).
Attributed works:
3. Kobbegrunnen,
by Christian
Krohg. 1897. Oil
on canvas, 140
by 200 cm.
(Kode Bergen
Art Museum; exh.
Musée d’Orsay,
Paris).