Yulia Iosilzon’s solo exhibition of paintings, ceramics and installations celebrates the humble snail. At the heart of Iosilzon’s artistic approach is a childlike enthusiasm that infuses every aspect of her work, casting a joyous, youthful spirit over her œuvre.

One of the most innovative and powerful artists of her generation, Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation) has broken barriers and forged new paths for contemporary American art. This exhibition – the largest and most comprehensive showing of her work to date – brings together over five decades of Smith’s paintings, prints, drawings and sculptures in an immersive journey through her singular blend of modern art strategies and Indigenous cultural practices. Smith’s work engages the languages of abstraction, expressionism and Pop Art to interrogate American life and identity from a Native perspective. Through humor and satire, she inverts historical narratives to expose the absurdities in the formation of dominant discourses and question why certain visual languages are valued over others. Across decades and mediums, her approach blurs boundaries and activates images and ideas culled from history, mapping, environmentalism, popular culture and mass media. Her impact – visible not only in her artwork but also in her activism and her curatorial practice – has positioned contemporary Native American art at the centre of today’s critical dialogues around land, social justice, preservation and sustainability.

Jeu de Paume, Paris, pays tribute to Tina Modotti (1896–1942) through a major exhibition, the largest ever devoted to the photographer and political activist of Italian origin in Paris. The exhibition, produced by Fundación MAPFRE, Madrid, in collaboration with the Jeu de Paume, features vintage prints from international museums and private collections, brought together for the first time, as well as modern prints made in the 1970s from the artist's original negatives. In order to show in context these images, whose dissemination in the press was the objective, the exhibition will also present magazines in which they were published.

From 1984 to 1991, pioneering American artist Jasper Johns produced a significant body of work inspired by the theme of the four seasons, including a remarkable series of prints that are exhibited together in this display. The Seasons are complex and distinctive works, weaving together themes of artistic creation, the passage of time, and the artist’s own biography, with Johns’ shadow appearing prominently in each composition.

Originally conceived for the French Pavilion at the 59th Venice Biennale in 2022, Dreams Have No Titles is an immersive installation comprising film, sculpture, photography and performance, that interweaves the artist’s biography with activist films produced across France, Algeria and Italy in the 1960s and 1970s, a pivotal moment in the history of avant-garde film production.