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9 articles
Article
Reviving Delaroche
02/2024 | 1451 | 166
Pages: 171–177
related names
Author:
Bann, Stephen (Bann, Stephen)
Subjects
artists:
Illustrations
Attributed works:
1. Paul Delaroche, by Jean Gigoux. 1832. Pencil on paper, 25 by 17 cm. (Private collection).
Attributed works:
2. The princes in the tower (Les enfants d’Édouard), by Paul Delaroche. 1830. Oil on canvas, 181 by 215 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. Bonaparte crossing the Alps, by Paul Delaroche. 1848. Oil on canvas, 222 by 289 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
4. Joan of Arc taken prisoner, by John Thompson after Paul Delaroche. Engraving, 14 by 9.5 cm. (From Prosper de Barante: Histoire des Ducs de Bourgogne, Paris 1842, opposite p.395).
Attributed works:
5. Installation view of Painting History: Delaroche and Lady Jane Grey at the National Gallery, London, 2010, showing Charles I insulted by the soldiers of Cromwell, by Paul Delaroche as it appeared after its rediscovery. 1836. Oil on canvas, 300 by 400 cm. (Courtesy National Gallery, London).
Attributed works:
6. Assassination of the Duc de Guise, after Paul Delaroche. Engraving, 10.5 by 15 cm. (From J. Ruutz Rees: Horace Vernet, Paul Delaroche, London 1880, between pp.62–63).
Attributed works:
7. The blind fiddler (1806), by John Quartley after David Wilkie. 1806. Engraving, 13 by 15 cm. (From Magasin pittoresque 20 (1847), p.184).
Book Review
Dessins français du XIXe siècle and Léon Bonvin 1834–1866: Drawn to the Everyday. Catalogue Raisonné
06/2023 | 1443 | 165
Pages: 668-670
related names
Reviewer:
Munro, Jane (Munro, Jane; Munro, Janie)
Subjects
art literature:
Reviewed Items
subjects:
Dessins français du XIXe siècle Edited by Juliette Parmentier-Courreau, with contributions by Rhea Sylvia Blok, Antoine Cortes, Maud Guichané, Marie- Noëlle Grison, Ger Luijten, Laurence Lhinares and Marie-Claire Nathan. 351 pp. incl. 145 col. ills. (Fondation Custodia, Paris, 2022), €40. ISBN 978–2–9583234–2–4. | :
subjects:
Léon Bonvin 1834–1866: Drawn to the Everyday. Catalogue Raisonné Edited by Maud Guichané and Gabriel P. Weisberg, with contributions by Jo Briggs, Ger Luijten and Michèle Quentin, translated by Caroline Beamish. 304 pp. incl. 152 col. + 35 b. & w. ills. (Fondation Custodia, Paris, 2022), £30. ISBN 978–2–9583234–0–0. | :
Illustrations
Attributed works:
5. The cloakroom, by James Tissot. Graphite on paper, 33.9 by 42.6 cm. (Fondation Custodia, Paris).
Book Review
Loss in French Romantic Art, Literature, and Politics
03/2023 | 1440 | 165
Pages: 344-345
related names
Reviewer:
Bann, Stephen (Bann, Stephen)
Subjects
Reviewed Items
subjects:
Loss in French Romantic Art, Literature, and Politics By Jonathan P. Ribner. 278 pp. incl. 32 col. + 57 b. & w. ills. (Routledge, New York and London, 2022), £120. ISBN 978–1–03–202703–6. | :
Article
Cut from the same cloth: a composite canvas by Paul Cezanne
12/2022 | 1437 | 164
Pages: 1224-1233
related names
Author:
Aebi, Kiko (Aebi, Kiko)
Author:
Haddad, Abed (Haddad, Abed)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Still life with apples, by Paul Cezanne. c.1878. Oil on canvas, 19 by 27 cm. (Fitzwilliam Museum, Cambridge, lent by the Provost and Fellows of King’s College, Cambridge, Keynes Collection).
Attributed works:
10. Study of heads, by Pierre-August Renoir. 1890s. Oil on canvas, 46 by 38 cm. (Barnes Foundation, Philadelphia).
Attributed works:
2. Glass and apples, by Paul Cezanne. 1879–80. Oil on canvas. 31.5 by 40 cm. (Rudolf Staechelin, Basel).
Attributed works:
3. Female nude (Leda), by Paul Cezanne. c.1887. Oil on canvas stretched on pasteboard, 44 by 62 cm. (Von der Heydt- Museum, Wuppertal).
Attributed works:
4. Reconstituted study sheet of drawings by Paul Cezanne, subsequently divided into three separate compositions: Sheet of studies, including a Skull (left), A historical or Biblical scene (The rape of Lucretia) (top right), and A historical or Biblical scene (bottom right). (From W. Feilchenfeldt, J. Warman and D. Nash: The Paintings, Watercolors and Drawings of Paul Cezanne, www.cezannecatalogue.com).
Attributed works:
5. Image of Glass with apples (right) and Still life with apples (left) unframed and in their original configuration, revealing contiguous brush strokes across both pictures. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
6. X-ray radiograph of Glass with apples (right) and Still life with apples (left). (Fondation Beyeler, Riehen, and Fitzwilliam Museum, Cambridge).
Attributed works:
7. MA-XRF maps of Glass with apples (right) and Still life with apples (left), showing the distribution of iron (Fe), calcium (Ca), zinc (Zn), copper (Cu), cobalt (Co), chromium (Cr) and mercury (Hg). (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
8. Lead L-series (Pb-L) MA-XRF map of Glass with apples (right) and Still life with apples (left), with inset details magnifying holes along the edge of the original canvas. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
9. Five apples, by Paul Cezanne. 1877–78. Oil on canvas, 12.7 by 25.5 cm. (Private collection).
Article
Suzanne Manet and Léon Leenhoff: a mystery solved
12/2022 | 1437 | 164
Pages: 1216-1223
related names
Author:
Coppens, Thera (Coppens, Thera)
Subjects
artists:
Illustrations
Attributed works:
1. Quattor Remarquable: Les enfans de Mr Koella (de Zurich), by F. Le Villain after Loeillet. c.1832. Lithograph, 24.5 by 19 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
10. Monsieur and Madame Édouard Manet, by Edgar Degas. 1868. Oil on canvas, 65.2 by 71.1 cm. (Municipal Museum of Art, Kitakyushu; Bridgeman Images).
Attributed works:
11. Madame Manet at the piano, by Édouard Manet. 1868. Oil on canvas, 38 by 46.5 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
2. Suzanne van Anholt, by Ferdinand Leenhoff. Etching, 27.4 by 21.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Detail of Fig.1, showing the faces of Gustave Adolph (left) and Rudolph Koëlla (right).
Attributed works:
4. Detail of Fig.1, showing the face of George Koëlla.
Attributed works:
5. Detail of Fig.1, showing the face of Johann Koëlla.
Attributed works:
6. Detail of Boy with a sword, by Édouard Manet. 1861. Oil on canvas. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
7. Detail of Boy blowing bubbles, by Édouard Manet. 1867. Oil on canvas. (Museu Calouste Gulbenkian, Lisbon; Bridgeman Images).
Attributed works:
8. Detail of Luncheon in the studio, by Édouard Manet. 1868. Oil on canvas. (Neue Pinakothek, Munich; Bridgeman Images).
Attributed works:
9. Reading (portraits of Suzanne Manet and her son, Léon Koëlla- Leenhoff), by Édouard Manet. 1868. Oil on canvas, 73 by 61 cm. (Musée d’Orsay, Paris; photograph Luisa Ricciarini /Bridgeman Images).
Article
Rejection and revenge: Adolphe Willette, Jacques-Louis David and Henri Gervex
12/2022 | 1437 | 164
Pages: 1210-1215
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Parce Domine, parce populo tuo!, by Adolphe Willette. 1884. Oil on canvas, 200 by 390 cm. (Musée de Montmartre, Paris; © Archives Charmet / Bridgeman Images).
Attributed works:
2. A meeting of the painting jury, by Henri Gervex. 1885. Oil on canvas, 299 by 419 cm. (Musée d’Orsay, Paris; © Peter Willi / Bridgeman Images).
Attributed works:
3. The tennis court oath, by Jacques-Louis David. 1791. Graphite, pen and sepia wash heightened with white on paper, 65 by 105 cm. (Musée national du Château de Versailles; Bridgeman Images).
Attributed works:
4. The painting jury – a sketch of the painting by Gervex after Jacques-Louis David, by Adolphe Willette. Photomechanical process, 31 by 45 cm. (Le Chat noir, 2nd May 1885).
Attributed works:
5. Masthead of Le Chat Noir, no.1 (14th January 1882), by Henri Pille. (Private collection).
Book Review
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity
08/2022 | 1433 | 164
Pages: 822-823
related names
Reviewer:
Bann, Stephen (Bann, Stephen)
Subjects
Reviewed Items
subjects:
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity By Richard Thomson. 288 pp. incl. 257 col. + b. & w. ills. (Yale University Press, New Haven and London, 2021), $70. ISBN 978–0–300– 25710–6. | :
Illustrations
Attributed works:
5. Golden age, by Emile-René Ménard. 1908. Oil on canvas, 352 by 287 cm. (Musée d’Orsay, Paris; © RMN-Grand Palais; photograph Michel Urtado and Mathieu Rabeau).
Editorial
Le dix-neuvième siècle
05/2009 | 1274 | 151
Pages: 283