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6 articles
Article
An Assessment of Tudor Plate Design, 1530-1560
06/1979 | 915 | 121
Pages: 342+346+358+360-364
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Author:
Cooper, John K. D. (Cooper, John K. D.)
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subjects:
Illustrations
Attributed works:
1. Two-Handled Cup and Cover. London 1555-56, Maker's Mark TL Monogram; On Cover (Not Original to Cup) London 1531-32, Maker's Mark IC Flanking a Tree. Silver-Gilt, Height 13.3 cm. (Corpus Christi College, Cambridge).
Attributed works:
10. Verrier, from a Set of Twenty-Four. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
11. Pendent-Cross. English, Perhaps by Rundell and Bridge. c.1825. Faceted Amethysts Set in Gold Wire Filigree, Decorated with Applied Stamped Shells. (Victoria and Albert Museum).
Attributed works:
26. Cup and Cover. London 1543-44, Maker's Mark: An Orb and Cross, Incuse. Silver-Gilt; Height 29.8 cm. (St Peter Mancroft Church, Norwich).
Attributed works:
27. The Bisby Cup. London 1553-54, Maker's Mark: RD Monogram. Height 30.5 cm. (The Armourers' and Braziers' Company, London).
Attributed works:
28. The Bowes Cup. London 1554-55, Maker's Mark: A Queen's Head Facing. Silver-Gilt Enamel and Rock Crystal; Height 49.8 cm. (Goldsmiths' Hall, London).
Attributed works:
29. Cup and Cover. London 1561-62, Maker's Mark: A Cup. Silver-Gilt; Height 36.8 cm. (Private Collection).
Attributed works:
30. Octagonal Salt. London 1542-43, Maker's Mark: A Sceptre. Silver-Gilt; Height 25 cm. (Goldsmiths' Hall, London).
Attributed works:
32. Standing Cup and Cover. Maker's Mark: A Moor's Head. c.1545. Silver-Gilt; Height 40 cm. (Gonville and Caius College, Cambridge).
Attributed works:
33. Standing Cup and Cover. London 1550-51, Maker's Mark: A Queen's Head Facing. Silver-Gilt; Height 33.9 cm. (St Mary's Church, Plympton, Devon).
Attributed works:
34. Standing Cup. London 1545-46, Maker's Mark: Possibly a Cup. Silver-Gilt and Rock Crystal; Height 29.5 cm. (Goldsmiths' Hall, London).
Attributed works:
35. Tazza. London 1554-55, Maker's Mark: TL Monogram. Silver-Gilt; Height 11.5 cm. (Winchester College). Reproduced by Permission of the Warden and Fellows of Winchester College.
Attributed works:
36. Nautilus Cup. London 1557-58, Maker's Mark: A Bird. The Bowl a Silver Replacement of c.1640. Silver and Silver-Gilt; Height 25.4 cm. (Private Collection; On Loan to the Victoria and Albert Museum).
Western art unattributed:
24. Two-Handled Cup and Cover. London 1533-34, Maker's Mark Indecipherable. Silver-Gilt; Height 18.2 cm. (Corpus Christ College, Oxford).
Western art unattributed:
25. The St Finn Barre Cup. London 1535-36, Maker's Mark Indecipherable. Silver-Gilt; Height 20.3 cm. (St Finn Barre's Cathedral, Cork).
Western art unattributed:
31. Standing Mazer. London 1543-44, Maker's Mark Indecipherable. Silver-Gilt; Height 26.8 cm. (The Barber-Surgeons' Company).
Article
A Re-Assessment of Some English Late Gothic and Early "Renaissance" Plate-II
07/1977 | 892 | 119
Pages: 473-477
related names
Author:
Cooper, John K. D. (Cooper, John K. D.)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. The Arlington Tazza. London Hallmarks for 1532-33; Maker's Mark: A Chalice in a Shaped Shield. Parcel-Gilt. Diameter, 22.9 cm. (Goldsmiths' Hall). Photo. Goldsmiths' Company.
Attributed works:
3. The Howard Grace Cup. Hallmarked (London) 1525-26; Maker's Mark: Crossed Implements. Ivory, Mounted in Silver-Gilt, with Applied Pearls and Collet Garnets. Height, 30.5 cm. (Victoria and Albert Museum (M. 2680-1931)). Crown Copyright.
Attributed works:
7. Standing Mazer. Hallmarked London 1529-30; Maker's Mark: A Cross on an Orb between IC in a Plain Shield. Maplewood Mounted in Silver-Gilt. Height, 14.1 cm. (All Souls College, Oxford). Reproduced by Permission of the Warden and Fellows of All Souls.
Attributed works:
8. Standing Cup. Hallmarked London 1529-30; Maker's Mark: A Merchant's Mark. Silver-Gilt. Height, 21.3 cm. (On Loan to the Victoria and Albert Museum). Crown Copyright.
Attributed works:
9. The Parker Ewer and Basin. Hallmarked London 1545-46; Maker's Marks: Facing Bust of a Queen. Silver-Gilt with Enamelled Armorials. Height of Ewer, 22 cm. Diameter of Basin, 45.8 cm. (Corpus Christi College, Cambridge). Reproduced by Permission of the Master and Fellows of Corpus. Photo. Goldsmiths' Company.
Attributed works:
A. Detail from Christian Egenolff's Modelbuch Aller Art (1527 Onwards).
Western art unattributed:
2. The Election Cup. c.1500. Unmarked. Silver-Gilt with Applied Collet Pastes. Height, 44.5 cm. (Given to Winchester College by Bishop White in 1555). Reproduced by Permission of the Warden and Fellows of Winchester College.
Western art unattributed:
4. Coconut Cup. Dated 1531. Unmarked. Silver-Gilt Mounts. Height, 29.5 cm. (Private Collection). Photo, Victoria and Albert Museum (Crown Copyright).
Western art unattributed:
5. The Warden's Grace Cup. c.1480. Unmarked. Silver-Gilt. Height, 40 cm. (New College, Oxford). Reproduced by Permission of the Warden and Fellows of New College.
Western art unattributed:
6. Detail of the Base-Plate or Calyx of the Bowl, Showing Bayonet Fitting, of the Coconut Cup Illustrated in Fig.4. Photo. Victoria and Albert Museum (Crown Copyright).
Article
A Re-Assessment of Some English Late Gothic and Early "Renaissance" Plate-I
06/1977 | 891 | 119
Pages: 408+410-413
related names
Author:
Cooper, John K. D. (Cooper, John K. D.)
Subjects
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
32. Ablution Basin for the Altar. London Hallmarks for 1493-94; Maker's Mark: A Horseshoe Incuse. Silver-Gilt with Enamelled Boss; Diameter, 42.5 cm. One of a Pair, the Later One Hallmarked 1514-15. (Corpus Christi College, Oxford). Photo Goldsmiths' Company. Reproduced by Permission of the President and Fellows of Corpus Christi College.
Attributed works:
33. The St Andrew, Middleton, Cup. London Hallmarks for 1493-94; Maker's Mark: A Baton over an Escallop. Silver, Parcel-Gilt; Height, 13.7 cm. (Goldsmiths' Hall, London). Reproduced by Permission of the Worshipful Company of Goldsmiths.
Attributed works:
38. The Richmond Cup. Unmarked Save for a Maker's Mark Flower above a E. c.1525-35? Silver-Gilt; Height, 31.8 cm. (Presented to the Armourers' and Braziers' Company in 1557 by John Richmond, Master, 1547-48). Photo Goldsmiths' Company. Reproduced by Permission of the Master, Wardens and Court of Assistants of the Worshipful Company of Armourers and Braziers.
Western art unattributed:
34. The St Michael Bowl. Unmarked, c.1490-1510. Stippled on the Rim: 'St Michaell Bristoll 1684'. Parcel-Gilt with Enamelled Boss; Diameter, 17.2 cm. (On Loan to St Nicholas Church Museum, Bristol). Photo Derek Balmer. Reproduced by Permission of the Rector and Churchwardens of St Michael and All Angels, Bristol.
Western art unattributed:
35. Interior View of the St Michael Bowl (Fig.34). Photo Derek Balmer.
Western art unattributed:
36. The Ironmongers' Coconut Cup. Unmarked, c.1490-1510. Coconut Mounted in Silver-Gilt; Height, 21 cm. (Bequeathed to the Company by 'Master Harre Sturgon' in 1526). Photo Goldsmiths' Company. Reproduced by Permission of the Worshipful Company of Ironmongers.
Western art unattributed:
37. The Eton College Coconut Cup. Unmarked, c.1500-25. Coconut Mounted in Silver-Gilt; Height, 21.3 cm. (Presented to Eton College by John Edmonds, D. D., d. c.1526). Photo Greville Studios, Slough. Reproduced by Permission of the Vice-Provost of Eton College.
Western art unattributed:
39. The Swaythling Bowl. Unmarked, c.1490-1510. Serpentine Marble Mounted in Silver-Gilt; Diameter, 16.2 cm. (Victoria and Albert Museum No.M248-1924). Crown Copyright.
Western art unattributed:
40. The New College Celadon Bowl. Unmarked, c.1500-25. Celadon Glazed Porcelain Mounted in Silver-Gilt; Diameter, 16.2 cm. (New College, Oxford). Reproduced by Permission of the Warden and Fellows of New College.
Short Notice
Recent Museum Acquisitions: Delftware for Bristol
10/1970 | 811 | 112
Pages: 699-701
related names
Author:
Cooper, John K. D. (Cooper, John K. D.)
Subjects
dates:
places:
places:
subjects:
Illustrations
Attributed works:
59. Inkstand, Delftware, Dated 1674. (Somerset County Museum, Taunton.)
Attributed works:
61. Initials 'EW' and Date 1674 Incised on the Inkstand Reproduced in Fig.59. [Delftware, Dated 1674. (Somerset County Museum, Taunton.)]
Attributed works:
62. Inkstand Reproduced in Fig.59, Seen from above. [Delftware, Dated 1674. (Somerset County Museum, Taunton.)]
Western art unattributed:
58. Inkstand. Sander Shown Inverted. Delftware, Dated 1685. (City Art Gallery, Bristol.)
Western art unattributed:
60. Inkstand Reproduced in Fig.58, Seen from above. The Sander Shown Inverted. [Delftware, Dated 1685. (City Art Gallery, Bristol.)]
Short Notice
Recent Museum Acquisitions: Blue and White Delftware Vase (City Art Gallery, Bristol)
10/1968 | 787 | 110
Pages: 578+580
related names
Author:
Cooper, John K. D. (Cooper, John K. D.)
Subjects
dates:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
62. Blue and White Delftware Vase. c.1760. Height, 40.6 cm. (City Art Gallery, Bristol.) 63. Another View of the Vase Reproduced in Fig.62. 64. Andromache Weeping over the Ashes of Hector. Derby Porcelain, 1775-80. Height, 22.9 cm. (Derby Museum and Art Gallery.) 65. Punch-Bowl, Decorated in Blue with Red Detailing. ?Liverpool Factory, c.1750-60. Height, 21.8 cm; Diameter, 52 cm. (Victoria and Albert Museum.)
Short Notice
Recent Museum Acquisitions:The 'Hot Well' Plate by Joseph Flower (City Art Gallery, Bristol)
08/1966 | 761 | 108
Pages: 426+428-429
related names
Author:
Cooper, John K. D. (Cooper, John K. D.)
Subjects
artists:
dates:
dates:
places:
subjects:
Illustrations
Attributed works:
63. The Avon Gorge above St Vincent's Rocks, Bristol. Engraving by J. Mynde after William Halfpenny. Published c.1731. 64. Delftware Plate, Showing the Avon Gorge above St Vincent's Rocks, Bristol, by Joseph Flower. Signed with Monogram and Dated 1741/2. Diameter, 22.9 cm. (City Art Gallery, Bristol.) 65. Detail from Engraving by the 'Master Na. Dat' (Early Sixteenth Century, North Italian or North European), Showing the Emblem of the Mousetrap. 66. Reverse of Plate Illustrated in Fig.64.