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‘Le Vrai et le Faux’ in Juan Gris’s ‘The table’ (1914)

09/2011 | 1302 | 153

Pages: 574-578

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related names

Author:

Moss, Sarah (Moss, Sarah)

Subjects

artists:

Gris, Juan

dates:

1910-1919

museums and institutions:

Philadelphia Museum of Art, Philadelphia, United States

print:

Gris, Juan

subjects:

Spanish painting / French painting / Papiers collés / Cubist / Collages / Formal analysis / Literature in art

subjects:

Collections, Public

Illustrations

Attributed works:

14. Still life – (The table), by Juan Gris. May 1914. Gouache, crayon, varnish and printed papers pasted on canvas, 59.7 by 44.5 cm. (Philadelphia Museum of Art).

Attributed works:

15. Cover design for Le Vrai et le Faux Chic, by Sem. Paris, 25th March 1914.

Attributed works:

16. Book and glasses, by Juan Gris. May 1914. Oil, papier collé, pencil and charcoal on canvas, 61.8 by 48.2 cm. (Whereabouts unknown).

Attributed works:

17. Original front cover for L’Agent Secret, by Gino Starace. May 1911.

Attributed works:

18. Fantômas, by Juan Gris. 1915. Canvas, 59.8 by 73.3 cm. (National Gallery of Art, Washington).

Attributed works:

19. The watch, by Juan Gris. 1912. Oil and papier collé on canvas, 65 by 92 cm. (Private collection).

Attributed works:

20. Breakfast, by Juan Gris. 1914. Gouache, oil and crayon on cut-and-pasted printed paper on canvas, 80.9 by 59.7 cm. (Museum of Modern Art, New York).

Attributed works:

21. Musician’s table, by Juan Gris. 1914. Graphite and coloured pencil on papier collé on canvas, 81 by 59.5 cm. (Private collection, New York).

Attributed works:

22. The bottle of Anis del Mono, by Juan Gris. 1914. Papier collé, oil and charcoal on canvas, 41.8 by 24 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid).

Attributed works:

23. G. Apollinaire: ‘L’Antitradition Futuriste’, Lacerba (15th September 1913).

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