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3 articles
Article
Simone dei Crocefissi's 'Dream of the Virgin' in the Society of Antiquaries, London
08/2000 | 1169 | 142
Pages: 481-486
related names
Author:
Gibbs, Robert (Gibbs, Robert; Gibbs, Robert J.)
Author:
Hellen, Rebecca (Hellen, Rebecca)
Author:
King, Annette (King, Annette)
Author:
Villers, Caroline (Villers, Caroline)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
10. Crucifixion, Descent and Ascension, by Simone dei Crocefissi. Reliquary Panel, Formerly Florentine Private Collection. (Dimensions and Present Whereabouts Unknown).
Attributed works:
11. Dream of the Virgin, detail from Nativity, Dream of the Virgin, Vision of a Dying Man, Limbo, by Vitale da Bologna, Frescoes Detached from the West Wall of S. Apollonia at Mezzaratta, Bologna (Pinacoteca Nazionale, Bologna).
Attributed works:
3. Dream of the Virgin, by Simone dei Crocefissi, after Conservation and Restoration. Egg Tempera on Poplar Panel, 56 by 42 cm. (Society of Antiquaries, London).
Attributed works:
4. Fig.3 before Conservation and Restoration. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
5. Fig.4 during the Removal of Regilding. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
6. X-Radiograph of Fig.4. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
7. Cross Section from the Gilded Background of Fig.4 Showing the Original Gesso, Bole and Gold Leaf Covered by New Gesso, 'Bole' and Gold Leaf. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
8. Detail of the Punchwork on the Virgin's Halo in Fig.4. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
9. Dream of the Virgin, by Simone dei Crocefissi. Egg Tempera on Panel, 75 by 52 cm. (Pinacoteca Nazionale, Ferrara).
Article
A Fourteenth-Century German Triptych in the Courtauld Gallery
10/1997 | 1135 | 139
Pages: 668-675
related names
Author:
Heemstra, Geraldine van (Heemstra, Geraldine van)
Author:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Author:
Villers, Caroline (Villers, Caroline)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Western art unattributed:
1. Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 56.5cm. (Closed). (Courtauld Gallery, London).
Western art unattributed:
10. Adoration of the Kings, from the Left Wing of Fig.3. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
11. Cross Section Taken from the Leg of Christ Crucified in Fig.3, Showing Two Layers of Opaque Flesh Paint Mainly Vermilion, Lead White and a Few Particles of Charcoal Black. The Lower Layer Contains Verdigris. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
12. X-Radiograph of a Detail from Fig.10. [Adoration of the Kings, from the Left Wing of Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
2. X-Radiograph Juxtaposing the Wood Grain of the Outer Separated Panels and the Wings of Fig.3. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
3. Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).
Western art unattributed:
4. Cross Section Taken from the Frame Moulding, Showing Darkened Varnish and Overpaint Covering Original Azurite and Gold Leaf. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
5. Cross Section Taken from the Coat of Arms, Showing Silver Leaf over Unpigmented Mordant and on Top of Two Layers of Grass (Verdigris, Lead White and Lead Tin Yellow over Azurite and Lead White).
Western art unattributed:
6. Cross Section Taken from the Coat of Arms, in Ultraviolet Light. The Fluorescence Indicates a Natural Resin Used for the Mordant.
Western art unattributed:
7. Detail of Fig.3 Showing the Coat of Arms Once Believed to Be That of the Estouteville Family. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
8. Detail of Fig.3, Showing the Crucifixion and the Deeply Carved Integral Frame. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
9. Detail of St Joseph from Fig.10 Showing the Fluid Paint Handled Wet in Wet. [Adoration of the Kings, from the Left Wing of Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Obituary
Stephen Rees Jones (1909-96)
07/1997 | 1132 | 139
Pages: 476
related names
Author:
Villers, Caroline (Villers, Caroline)
Subjects
art literature:
dates: