1. Johann Joachim Winckelmann, by Anton von Maron. 1767. Oil on
canvas, 136 by 99 cm. (Stadtschloss, Weimar; Bridgeman Images).
Attributed works:
2. The Villa Albani, Rome, by Giovanni Battista Piranesi. 1760–78.
Etching, 44.5 by 69.7 cm. (British Museum, London).
Attributed works:
3. Thomas Jenkins, by Anton von Maron. 1791, possibly after an original
of 1761. Oil on canvas, 66.5 by 50 cm. (Accademia di San Luca, Rome).
Attributed works:
4. Thomas Hollis, by Richard Wilson. 1752. Oil on canvas, 56.5 by 44.4 cm.
(Harvard College Library, Harvard University, Cambridge MA).
Western art unattributed:
5. Votive stele, known as the ‘Mantheos relief’. Ancient Peloponnese
Greek or eighteenth-century pastiche. Marble, 39 by 52 cm. (Wilton
House, Wiltshire).
Western art unattributed:
6. The Albani-Farnese Athena. Roman, after a fifth century BC
Greek original, with additions by Bartolomeo Cavaceppi, c.first–
second century AD. Marble, height 224 cm. (Museo Archaeologico,
Naples; Bridgeman Images).
Publication Received
Catalogue of Paintings in the Collection of the Society of Antiquaries of London. By Jill A. Franklin, Bernard Nurse and Pamela Tudor-Craig
Making History: Antiquaries in Britain 1707–2007 |
institution: Royal Academy of Arts
Illustrations
Attributed works:
76. Chamber tomb of Pentre Ifan near Newport, Pembrokeshire, by Richard Tongue. 1835. Canvas, 51 by 71 cm. (Society of Antiquaries of London; exh. Royal Academy of Arts, London).
Western art unattributed:
74. Saxon king, by an anonymous artist. Early sixteenth century. Panel, 150 by 84 cm. (Society of Antiquaries of London; exh. Royal Academy of Arts, London).
Western art unattributed:
75. St Thomas Becket casket. Limoges, 1195–1200. Enamel on copper, 15.5 by 21 by 9.3 cm. (Society of Antiquaries of London; exh. Royal Academy of Arts, London).
Publication Received
Antiquaries: The Discovery of the Past in Eighteenth-Century Britain.
10. Crucifixion, Descent and Ascension, by Simone dei Crocefissi. Reliquary Panel, Formerly Florentine Private Collection. (Dimensions and Present Whereabouts Unknown).
Attributed works:
11. Dream of the Virgin, detail from Nativity, Dream of the Virgin, Vision of a Dying Man, Limbo, by Vitale da Bologna, Frescoes Detached from the West Wall of S. Apollonia at Mezzaratta, Bologna (Pinacoteca Nazionale, Bologna).
Attributed works:
3. Dream of the Virgin, by Simone dei Crocefissi, after Conservation and Restoration. Egg Tempera on Poplar Panel, 56 by 42 cm. (Society of Antiquaries, London).
Attributed works:
4. Fig.3 before Conservation and Restoration. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
5. Fig.4 during the Removal of Regilding. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
6. X-Radiograph of Fig.4. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
7. Cross Section from the Gilded Background of Fig.4 Showing the Original Gesso, Bole and Gold Leaf Covered by New Gesso, 'Bole' and Gold Leaf. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
8. Detail of the Punchwork on the Virgin's Halo in Fig.4. [Dream of the Virgin, by Simone dei Crocefissi, (Society of Antiquaries, London).]
Attributed works:
9. Dream of the Virgin, by Simone dei Crocefissi. Egg Tempera on Panel, 75 by 52 cm. (Pinacoteca Nazionale, Ferrara).
18. Print from Radiograph of Archbishop Warham, NPG 2094, Showing Annual Growth Rings as Vertical Bands.
Western art unattributed:
19. The Cotehele Annunciation. Both Have Integral Frame and Panel of Oak, c.90 by 28 cm. Left Includes Arms of West-Minster Abbey; Right Those of George Fascet, Abbot of Westminster 1498-1500. (Collection Earl Mount Edgcumbe.)
Western art unattributed:
20. Louis XII. Integral Frame and Panel of Oak, Probably of Flemish Origin. 40 by 28.6 cm. (Collection Society of Antiquaries, London.)
Western art unattributed:
21. Prince Arthur. Oak Panel, 38.6 by 27.5 cm. (Royal Collection.) Reproduced by Gracious Permission of H. M. the Queen.
Western art unattributed:
22. Richard III. Oak Panel, 56.5 by 35.6 cm. (Royal Collection.) Reproduced by Gracious Permission of H. M. the Queen.
Western art unattributed:
23. Henry V. Oak Panel, 56.5 by 35.8 cm. (Royal Collection.) Reproduced by Gracious Permission of H. M. the Queen.
Western art unattributed:
24. Henry VIII. Oak Panel, 52.3 by 37 cm. (National Portrait Gallery, NPG 4690.)
Western art unattributed:
25. Edward IV. Oak Panel, 67.9 by 47.9 cm. (Royal Collection.) Reproduced by Gracious Permission of H. M. the Queen.