39. Copy after a Study by Pier Francesco Mola for the Ceiling of the Stanza dell'Aria in the Palazzo Pamphili at Valmontone. Pen and Coloured Washes, 41 by 75 cm. (Academia de San Fernando, Madrid.)
Attributed works:
40. Detail from The Four Arts Led to the Temple of Fame, by Pier Francesco Mola. Red Chalk, Pen and Ink, Wash, 22.3 by 17.8 cm. (Musée des Arts Décoratifs, Paris.)
Short Notice
Pietro da Cortona's Drawings for the Pitti Palace at the Uffizi
36. Study for the Age of Bronze, by Pietro da Cortona. Chalk, Pen and Ink. (Metropolitan Museum, New York.)
Attributed works:
37. Study for the Age of Bronze, by Pietro da Cortona. Black Chalk, Pen and Ink, Brown Wash, 40.5 by 27 cm. (Collection Mr Walter Baker, New York.)
Attributed works:
38. Study for a Pendentive in the Sala di Apollo, by Pietro da Cortona. Pen and Brown Ink, 15.7 by 19 cm. (Collection Mr Keith Andrews, Edinburgh.)
Attributed works:
39. Study for the Cupola of the Chiesa Nuova in Rome, by Pietro da Cortona. Pen and Ink, 15.7 by 19.2 cm. (National Gallery of Scotland, Edinburgh.)
Attributed works:
40. A Pendentive of the Sala di Apollo, by Pietro da Cortona. Engraving.
Attributed works:
41. Study for the Figure of Calliope in Fig.39, by Pietro da Cortona. Black and White Chalk, 26.6 by 24 cm. (Private Collection, New York.)
Attributed works:
43. Study for the Ceiling of the Sala di Venere, by Pietro da Cortona. Black Chalk, Pen and Ink, 16.2 by 23.5 cm. (Private Collection, New York.) 45. Study for the Stucchi of the Sala di Saturno, by Pietro da Cortona. Black Chalk, Pen and Ink, Brown Wash, 37.1 by 24.7 cm. (Kunstbibliothek, Berlin.) 46. Study for the Ceiling of the Sala di Marte, by Pietro da Cortona. Black Chalk, 28 by 43 cm. (British Museum.)
39. Study for a Group of Spectators, Here Attributed to Lanfranco. Black and White Chalk, on Blue Paper, 26.9 by 38 cm. (Uffizi.)
Attributed works:
40. Study of a Kneeling Ecclesiastic, Here Attributed to Lanfranco. Verso of Fig. 39.
Attributed works:
41. Detail of the Frieze in the Sala Regia, by Lanfranco. Fresco. (Palazzo del Quirinale, Rome.)
Attributed works:
42. Detail of the Frieze in the Sala Regia, by Lanfranco. Fresco. (Palazzo del Quirinale, Rome.)
Attributed works:
43. Justice, Here Attributed to Agostino Tassi. Pen, Brown Ink, Brown Wash, Grey Body Colour, 23.4 by 17 cm. (Kunsthaus Heylshof, Worms.)
Attributed works:
44. Detail of a Design for the Frieze in the Sala Regia, by Agostino Tassi. Pen, Brown Ink, Brown Wash, Heightened with White, Gold Paint, Blue Water-Colour, 18.7 by 56.5 cm. (Whole Sheet). (Musée du Louvre.)
29. Design for a Wall Decoration, Here Attributed to Lanfranco. Pen and Brown Ink, Brown Wash, on Blue Paper Heightened with White, 22.1 by 41 cm. (Louvre.)
Attributed works:
30. Design for a Wall Decoration, Here Attributed to the Studio of Lanfranco. Pen and Brown Ink, Brown Wash, on Blue Paper Heightened with White, 21.6 by 39.8 cm. (Biblioteca Ambrosiana, Milan.)
Attributed works:
31. Detail of the Frieze in the Sala Regia, by Agostino Tassi and Carlo Saraceni. Fresco. (Palazzo del Quirinale, Rome.)
27. Project for the Farnese Gallery, Here Attributed to Cherubino Alberti. Pen and Brown Ink, Brown Wash with Traces of Green, 30.5 by 42.8 cm. (Kupferstichkabinett, Berlin-Dahlem.)
Attributed works:
28. Detail of the Farnese Gallery, Palazzo Farnese, Rome. Engravings by Pietro Aquila from Galeriae Farnesianae Icones, Plates 16-18.
Attributed works:
29. Standing Saint, by the Master of Wittingau. Pen and Wash, 20.4 by 8.6 cm. (National Gallery, Prague.) 30. Project for the Decoration of a Loggia, by Cherubino Alberti. Pen and Brown Ink, Brown Wash, Traces of Black Chalk, 23.9 by 19.8 cm. (Museo di Capodimonte, Naples.) 31. St John Beneath the Cross, Here Attributed to Hans Burgkmair. Black Chalk, 44.6 by 17.2 cm. (Hermitage, Leningrad.) 32. Youthful Head, Attributed to Grünewald. Black Chalk on Reddish Paper. (Kupferstichkabinett, Dresden.) 33. The Raising of Lazarus, from the School of Dürer. Water-Colour, 36 by 22 cm. (Pushkin Museum, Moscow.)
Short Notice
Drawings by Carlo Maratta for the Altieri Palace in Rome
32. Virtue Crowned by Honour, by Carlo Maratta. Pen and Brown Ink, Red Chalk, Grey Wash, Heightened with White, 36.8 by 24.4 cm. (Albertina, Vienna.)
Attributed works:
33. Virtue Crowned by Honour, by Carlo Maratta. Pen and Brown Ink, Red Chalk, Heightened with White, 14.9 by 13.4 cm. (Metropolitan Museum of Art, New York.)
Attributed works:
34. Adoration of the Shepherds, Here Attributed to Giovanni Battista Ricci and Identified as a Study for a Fresco in S. Marcello al Corso, Rome. Pen and Brown Wash, 25.1 by 21.2 cm. (Teyler Museum, Haarlem.)
Attributed works:
37. Virtue Crowned by Honour, by Carlo Maratta. Red Chalk. Verso of the Sheet Reproduced in Fig.39. (National Gallery of Scotland, Edinburgh.)
Attributed works:
38. Virtue Crowned by Honour, by Carlo Maratta. Pen and Brown Ink, Red Chalk, Grey Wash, Heightened with White, 34.1 by 26.3 cm. (Albertina, Vienna.)
Attributed works:
39. Virtue Crowned by Honour, by Carlo Maratta. Pen and Brown Ink, Red Chalk, 32.1 by 42.5 cm. (National Gallery of Scotland, Edinburgh.)
Attributed works:
40. Rome and the Tiber, by Carlo Maratta. Red Chalk, 26 by 19.6 cm. (Hessisches Landes-muscum, Darmstadt.)