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3 articles
Book Review
Veiled Presence: Body and Drapery from Giotto to Titian. By Paul Hills
01/2020 | 1402 | 162
Pages: 77-78
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Reviewer:
Poeschke, Joachim (Poeschke, Joachim)
Subjects
subjects:
Italian painting / Italian sculpture / Renaissance art / Textiles / Cloth / Nudes / Dress / Metaphor / Religious art
Reviewed Items
subjects:
Veiled Presence: Body and Drapery from Giotto to Titian By Paul Hills. 224 pp. incl. 147 col. + b. & w. ills. (Yale University Press, New Haven and London, 2018), £45. ISBN 978–0–300–23675–0. | :
Exhibition Review
Elmgreen & Dragset: This Is How We Bite Our Tongue. Whitechapel Gallery, London
01/2019 | 1390 | 161
Pages: 80-83
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related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
Elmgreen, Michael / Dragset, Ingar
dates:
2010-2019
media:
Installations (visual works) / Sculpture
museums and institutions:
Whitechapel Art Gallery, London, Great Britain
places:
Great Britain / London
subjects:
Conceptual art / Swimming pools / Metaphor / Language / Literature / Collectors / Statues / Fragments / Casts (sculpture) / Urban history / Christian iconography / Politics
Illustrations
Attributed works:
28. The Whitechapel pool, by Elmgreen & Dragset. 2018. Installation (Photograph Jack Hems; exh. Whitechapel Gallery, London).
Attributed works:
29. Too heavy, by Elmgreen & Dragset. 2017.  Aluminium with lacquer paint and trampoline, 170 by 170 cm. (Courtesy of König Gallery; photograph Roman Maerz; exh. Whitechapel Gallery, London).
Attributed works:
30. Modern Moses, by Elmgreen & Dragset. 2006. Installation (Photograph Doug Peters; exh. Whitechapel Gallery, London).
Attributed works:
31. Installation view of Elmgreen & Dragset: This Is How We Bite Our Tongue at Whitechapel Gallery, London (Photograph Doug Peters).